空间的一半依赖于设计

另一半则源自于存在与精神

“Half of space depends on design the other half is derived from presence and spirit.”

——安藤忠雄（Tadao Ando）

Gallery House 更多地展示了自己作为空间运动的一部分。在这里，Workroom雕刻了一系列富有表现力的雕塑形式，以提供持久的相关性和高尚的生活。

Gallery House reveals itself more as part of the movement through spaces. Here, Workroom carve a series of expressive, sculptural forms as an offering of enduring relevance and elevated living.

通过分层的方法，住宅将光线集中在某些区域以创造明亮的内部空间，而在其他区域，与外部的连接仍然更加谨慎。

Through the layered method, the house concentrates the light in some areas to create bright internal spaces, while in other areas, the connection with the outside is still more cautious.

﹤左右滑动﹥

连接各层的混凝土雕塑楼梯是一种工艺和流畅运动的陈述，与入射光相互作用。

The concrete sculpture stairs connected to each floor are a statement of craftsmanship and smooth movement, which interacts with incident light.

作为对比的游戏，内部和外部以及开放和封闭的元素贯穿始终。对于内部卷的压缩和释放以及它们如何与相应的功能相关，存在真正的洞察力。

As a comparison game, the internal and external and open and closed elements run through. There is real insight into the compression and release of internal volumes and how they are related to the corresponding functions.

形式和饰面被插入而没有被另一种材料再次覆盖，允许更真实的展示。然后使用其他更互补的表面创建额外的软化层。木材及其温暖与周围的景观相连，亚麻窗帘增添了自然气息。

Forms and trims are inserted without being covered by another material, allowing more authentic display. Then use other more complementary surfaces to create additional softening layers. Wood and its warmth are connected to the surrounding landscape, and linen curtains add a natural atmosphere.

脚下的毛绒地板和家具中使用的纺织品系列完善了这幅画，并开始体现熟悉的家的感觉。虽然与住宅的最初互动暗示它是一座公共建筑或画廊，但一旦进入室内，整体的庄严感就会通过更容易辨认的住宅线索得到转变。

The textile series used in the plush flooring and furniture under the feet perfect the painting, and began to reflect the familiar home. Although the initial interaction with the house implies that it is a public building or gallery, once it enters the room, the overall sense of solemnity will be transformed through the easier identified residential clues.

为了在增加意外元素的同时保持私密性，客户要求既要精简细化，又要宽敞的规模，并结合封闭的隐退感。使用丰富的材料并嵌入精心制作的方法，使现代家居感觉轻松而精心策划。

In order to maintain privacy while increasing the accidental elements, the customer requires both to streamlined and detailed, but also a spacious scale, and combined with a closed sense of retreat. The use of rich materials and embedded with careful production makes modern home feel relaxed and carefully planned.

Gallery House 分布在两个宽敞的楼层，将建筑用作响应设备，引导光线与房屋的内部舒适度和方向保持一致。Workroom 提出了一个与街景脱节的家，作为它自己独特和高度的目的地。

Gallery House is distributed in two spacious floors to use the building as a response device to guide the light to be consistent with the internal comfort and direction of the house. Workroom proposes a home that is disconnected from street view as its own unique and high destination.

INFO

项目名称：GALLERY HOUSE

项目地址：澳大利亚 墨尔本

项目类型：住宅设计

室内设计：WORKROOM STUDIO

项目摄影：

TIMOTHY KAYE

AGENCY FOUNDER

JOHN BORNAS

WORKROOM DESIGN 创始人 / 设计总监

Workroom

是澳大利亚一个专门从事商业，零售，住宅和酒店行业的当代室内设计工作室。每个项目是都是设计和工程的一项壮举，是美学与功能之间的微妙平衡。John Bornas和他的合作伙伴 Jo-Anne Gleeson于1999年创立了Workroom建筑工作室，其简单的目的是“让平凡的事物变得美丽”，为复杂的建筑问题找到了优雅的解决方案。

John Borna出生在阿根廷，在很小的时候就移居到了澳大利亚，最初他并没有被建筑吸引。试图在数学和哲学的研究中寻找乐趣的时候，他发现了建筑学并从此回不了头。 .Workroom的设计是永恒的，被创造成客户个性的典雅表现，而不是由趋势驱动的设计。虽然永恒是Workroom工作室设计的关键词，但20多年来，约翰见证了技术的发展，变得更加平易近人。他认为可持续设计是一种从好的建筑中不可减少的东西。

图片版权：Workroom Studio