“ 一片宁静的绿洲， 巴塞罗那办公室。 ”

设计师手记 大地色调加强 这种物质性的概念 并通过在地板上微水泥 和功能元素来实现 使用相同色调的 油漆和不规则的石膏底座在 墙壁上获得相同的纹理

Barcelona Office

位于巴塞罗那的创意工作室 Six N Five 揭幕其新办公室，由 Isern Serra 设计，采用柔和的调色板和对工艺的特别关注。

Barcelona-based creative studio Six N Five unveils its new office, designed by Isern Serra and featuring a muted colour palette and special attention to craft.

该空间具有多种用途，主要用作办公室，也可作为陈列室来展示物品。增加了一个展示区、一个生产小型原型的小车间、一个休闲和虚拟现实区，以及一个专门的咖啡区。

The space has multiple uses, and is mainly used as an office, but also as a showroom to display objects. Adding an area for presentations, a small workshop to produce small prototypes, a leisure and virtual reality area, and also a specialized coffee area.

简而言之，这是一个向城市开放的多学科空间，带有小的文化建议。

In short, a multidisciplinary space open to the city with small cultural proposals.

该空间具有多种用途，主要用作办公室，也可作为陈列室来展示物品。

The space has multiple uses, and is mainly used as an office, but also as a showroom to display objects.

第一个决定是清理所有现有隔断和假天花板的房屋，以重新评估原有的混凝土结构，从而显示空间的真实体积。

In short, a multidisciplinary space open to the city with small cultural proposals. The first decision was to clean the premises of all the existing partitions and false ceilings to revalue the original concrete structure, and in this way show the real volume of the space.

分布空间的多样性和壮观的高度使我们能够在上部区域创造一个空间来容纳车间和存储区。

The diversity of spaces to be distributed and the imposing height allowed us to create a space in an upper area to house the workshop and also the storage area.

创意工作室 Six N Five 在巴塞罗那推出了与设计师 Isern Serra 合作创建的新办公空间。作为壁纸* 的长期合作伙伴，六五由 Ezequiel Pini 创立，专注于数字图像，创造超现实的幻想世界，突破 CGI 的界限。

Creative studio Six N Five unveils its new office space in Barcelona, created in collaboration with designer Isern Serra. A long-term Wallpaper* collaborator, Six N Five was founded by Ezequiel Pini, and specialises in digital images, creating surreal fantasy worlds that push the boundaries of CGI.

宁静而明亮的 L 形办公室设计由整个中性色调定义，并为工作室团队和访客创造了一个多功能空间。

Serene and luminous, the L-shaped office design is defined by a neutral colour palette throughout and is created as a multifunctional space for the studio’s team as well as visitors.

面向街道的入口通向陈列室和展览空间以及当地烘焙店三马克咖啡的咖啡馆。这个空间将成为由六五领导的文化项目的舞台，向城市开放。

The street-facing entrance leads to a showroom and exhibition space and a café by local roastery Three Marks Coffee. This space will become the stage for a cultural programme led by Six N Five, opening it up to the city.

在一组类似剧院的窗帘后面，一条开放的走廊通向创意工作室，被认为是一片平静的绿洲，配有定制家具和以建筑原始混凝土结构为特征的原材料调色板。

Behind a set of theatre-like curtains, an open corridor leads to the creative studio, conceived as an oasis of calm and featuring bespoke furniture and a raw material palette characterised by the original concrete structure of the building.

团队的空间被划分为一个休闲区，配有一个定制设计的沙发（软垫与用于窗帘的面料相同，Serra 解释说，以实现整体的统一感和连接感），放置在 Ferm 的“Mineral”咖啡桌旁边 Living and the Pacha 休闲椅，由 Pierre Paulin 于 1970 年代设计，由 Gubi 制作。

The team’s space is divided into a relaxation area with a custom-designed sofa (upholstered with the same fabric used for the curtains, explains Serra, to achieve a sense of uniformity and connection throughout), placed alongside the ‘Mineral’ coffee table by Ferm Living and the ‘Pacha’ lounge chair, a 1970s design by Pierre Paulin produced by Gubi.

面对一组落地窗的是工作站，以一张定制的桌子为中心，这张桌子是用砖石在现场制作的，并用微水泥完成。

Facing a set of floor-to-ceiling windows is the workstation, centered around a bespoke table that was made on site using masonry and finished with micro cement.

大桌子面对一系列展示原型和物品的书柜，这些原型和物品启发了六五五的超现实主义世界。

The large desk faces a series of bookcases showcasing prototypes and objects that inspired the surrealist world of Six N Five.

工作室的最后一个空间是厨房，再次被厚厚的窗帘隔开，并设有一个定制设计的厨房，配有 Cosentino 的 Dekton 台面、当地细木工车间 Carpintería J Vidal 生产的定制桌子和 Ton 的椅子。

The last space in the studio is the kitchen, separated once again by thick curtains and featuring a custom-designed kitchen with a Dekton worktop by Cosentino, a bespoke table produced by local joinery workshop Carpintería J Vidal, and chairs by Ton.

“选择大地色调是为了加强这种物质性的概念，并通过在地板上使用微水泥和功能元素来实现。使用相同色调的油漆和不规则的石膏底座在墙壁上获得相同的纹理，”塞拉说。“这个空间被认为是一个大型的建筑圣地，工艺的印记非常存在。

‘Earth tones are chosen to reinforce this idea of materiality and achieved through the use of micro cement on the floor and the functional elements. The same texture is attained on the walls using the same tone of paint with an irregular plaster base,’ says Serra. ‘The space was conceived as a large architectural sanctuary, where the imprint of craftsmanship is very present.’