新作丨山隐设计 身体的具指

2022-10-14 10:08
 
身体若作空间解,具象的体征、组织和结构则逐渐被抽离出来,而行为人一旦身入其中,随着感知的获得,便又清晰的复原了其本质的面貌。在胡塞尔和梅洛·庞蒂的认知现象里,“具身空间”的概念提出无不以身体作为知觉世界的主体,强调本体的直观和先验的还原,其意识主体实现了从身体隐匿到身体显现的过渡,从而使空间具有了身体性。
If the body is a spatial solution, the concrete signs, organization and structure will be gradually removed, and once the actor is in it, with the acquisition of perception, he will clearly recover his essential face. In the cognitive phenomena of Husserl and Melo Ponty, the concept of Embodied Space takes the body as the subject of the perceptual world and emphasizes the intuitive and transcendental restoration of ontology. The conscious subject realizes the transition from body hiding to body showing, so that the space has the physicality.

                            

                            
The Source of Origin
水是生命的本源,或层叠涟漪、或点滴状态
、或暗流涌动、或内在滋养,不同的形态和方式被设计的动作所捕捉,一一呈现出符合品牌形象的概念元素。
UI普拉提健身馆以一面转折的弧墙迎接顾客的到访。
利用墙体的厚度与空间的尺度关系,使溅起的水滴静止成一种艺术装置的形式,拉开了空间的序幕。
Water is the source of life, or cascading ripples, or drip state, or undercurrent surging, or inner nourishment, different forms and ways are captured by the movement of the design, one by one, presenting the conceptual elements in line with the brand image. Sliding through the door, UI Pilates Gym welcomes visitors with a turning arc wall. The relationship between the thickness of the wall and the scale of the space is used to make the splashing water still into a form of art installation, which opens the prelude of the space.

                            

                            

                            
便于与商业场地的联系和衔接,入口地面延续室外公共空间的水平高度至于室内,然后一步降低,到达临窗的区域再次抬高,确保核心区域的层高之外,连贯的行径动线创造了有节奏的空间体验。普拉提运动的核心理念之一在于强调身形的合一,这确定了空间基调的统一底色;而有节律的起伏呼吸,则是整体协调里引人入胜的细微的、生动的变化。
To facilitate the connection and connection with the commercial site, the entrance ground continues the horizontal height of the outdoor public space to the interior, and then decreases step by step, and the area near the window is raised again, ensuring that beyond the height of the core area, the coherent movement line creates a rhythmic spatial experience. One of the core concepts of Pilates is the emphasis on the unity of shapes, which establishes a uniform background of spatial tone; The rhythmic ups and downs of breathing are fascinating, subtle, vivid changes in the overall coordination.

                            

                            
Freedom and Fluency
基于品牌意识的认知和理解,空间的建构围绕着身体的自由度和柔韧性作为主题切入,被转化的、连续的、曲折有致的立面随之铺展开来。与之相对的天花,强调空间区域划分和走向的同时,也呼应了立面的蜿蜒形体,形成了元素和视觉的一致。在充满着弧形结构的空间之中,一面斜墙破局而出,使空间形成合理的、有序的大小分隔。
Based on the recognition and understanding of brand awareness, the construction of space revolves around the freedom and flexibility of the body as the theme, and the transformed, continuous and zigzagging facade is spread out accordingly. In contrast, the ceiling, while emphasizing the division and orientation of the space, also echoes the meandering shape of the facade, forming a consistent element and vision. In the space full of arc-shaped structure, a inclined wall breaks out, making the space form a reasonable and orderly size separation.

                            

                            

                            
简练的吧台区则顺着弧形墙体的动势独立出来,同公共健身区和休息区建立互动关系,满足动静区域的客观功能需要。空间除了能够精确地表达自身的实际结构之外,也是有着被感知、被重视的亲近感和生活仪式感的,斜墙处壁炉的置入,增加了形式的多样性,火光的隐约晕染使空间多了几分别样的韵致意味。
The simple bar area is independent along with the dynamic force of the curved wall to establish an interactive relationship with the public fitness area and rest area to meet the objective functional needs of the dynamic and static area. In addition to accurately expressing the actual structure of the space, it also has a sense of closeness and ritual of life that is perceived and valued. The placement of the fireplace on the inclined wall increases the diversity of forms, and the faint glow of the fire adds a somewhat different charm to the space.

                            

                            
一般的普拉提训练空间,圆形平衡球仅具有单一的功能性,运动结束完成则进行了隐秘的收纳处理。在UI普拉提健身馆里,通过一面“似乎被风吹皱了水面”的白色主背景墙,利用柜体的厚度和形成的“褶皱”关系,把圆形平衡球置入其中,既满足了收纳的需要,也丰富了立面视觉,也与入口的溅起的水滴装置形成有效的呼应,使功能性的产品同时兼具了展示性。
In the general Pilates training space, the circular balance ball only has a single function, and it is secretly stored when the exercise is finished. In the UI Pilates Gym, through a seems to be the wind ruffled the surface of white background wall, using the thickness of cabinet put oneself in
anothers position and the formation of the fold relationship, a rounded balance ball into it, satisfy the need of the receive, also enriched the facade vision, also with the entrance to the splashing water droplets device to form effective echo, make functional product with the display at the same time.

                            

                            

                            

                            

                            

                            
Daily Background
主体与背景之间,向来是主辅的从属关系,服务与被服务的转化,使主体和客体发生角色的嬗变。北侧临窗区域,利用巨大剪力墙柱体的劣势转变为造景的优势,以连续的拱形结构为框景、素雅的背景里锦簇着成片的高低、大小、不同倾斜方向以及角度的芦苇丛,同右侧深凹处放置的月球灯,建立出完整的日常背景,便于访客们台阶前取景、拍照、打卡。
The relationship between the subject and the background has always been the subordinate relationship of the subject and the auxiliary. The transformation of the service and the served causes the transmutation of the roles of the subject and object. The north area of the window, the use of large shear wall cylinder disadvantage into advantage of the landscape, with continuous arch structure for framing, simple but elegant of the background in the sections of different height, size, direction and Angle of the tilt reeds, with deep concave to the right place of the moon light, establish a complete daily background, facilitate visitors step framing and take photos before, clock.

                            

                            

                            

                            

                            
曲线的形体意象常常会令人与女性或者水的具体形象联系在一起,被我们赋予了柔美、婉约、自由的丰富状态。但以身体为载体投射于空间,其肌肉的柔韧、形体的流畅、组织的相互协调同样展现出另一种独特的审美观念和生活意志。与此同时,几何元素的反复叠加、扭曲变形的有机结构,再次强调出以身体为先验主体的空间感知力。
The shape image of curve is often associated with the concrete image of women or water, which is endowed with a rich state of soft beauty, graceful and free. However, with the body as the carrier, it is projected into the space, and its muscle flexibility, body fluency and organization coordination also show another unique aesthetic concept and life will. At the same time, the organic structure of repeated superposition and distortion of geometric elements emphasizes again the spatial perception with the body as the transcendental subject.

                            

                            

                            

                            
Physical Body
从古典时期开始,建造艺术就进入了哲学的思考和概念的体系之中,这个体系的结构与普遍存在的规律和客观终极原则协调一致,从而纳入“永恒法则”的范畴。以面窗为底,四个连续的拱形结构,建构出古典的比例、序列和审美。自然的光没有形状,而一旦通过构筑物形体的约束,光穿过其间,便有了显而易见的、清晰可辨的物质形状。
Since the classical period, the art of construction has entered into the system of philosophical thinking and concepts, the structure of which is in harmony with the universal laws and objective ultimate principles, thus being included in the category of eternal laws. With the face window as the bottom, four consecutive arch structures, construct the classical proportion, sequence and aesthetic. Natural light has no shape, but once through the constraints of the structure, light through it, there is a visible, clearly identifiable shape of matter.

                            

                            
1934年,约瑟夫·普拉提在他出版的第一本书中带有概括性意味地说,“人类不断追求物质上的发展和完善,却忽视了最复杂和最伟大的创造物——人类本身!”这里的“本身”即是身体的具指,突出物质性身体的重要性,强调身形合一、呼吸协调、平衡身体,建立“塑造身体的是头脑本身”的主张,使其能够真正意义的“重返生活”。
In 1934, Joseph Pilates, in his first published book, summed it up by saying, Mans constant pursuit of material development and perfection has neglected the most complex and greatest creation of all: man himself! The itself here is the pointing of the body, highlighting the importance of the material body, emphasizing the unity of body shape, coordination of breath and balance of the body, establishing the proposition that it is the mind itself that shapes the body, so that it can return to life in a real sense.

                            

                            

                            

                            

                            

                            

                            

                            
Information
Project Name:UI Pilates Gym
广东省惠州市惠城区佳兆业T2栋1411
Project Location:Huizhou City Guangdong Province Huicheng District Kaisa T2 Building 1411
Construction Scale:205㎡
Design Company:Mountain Hidden Space Design Office
Creative Director:Chen Guan
Participatory Design:Li Shiyuan, Yang Zhe, Qu Feifei
朱海涛、邓炜祺、刘国华
Execution Deepening:Zhu Haitao,Deng Weiqi,Liu Guohua
Novacolor诺瓦艺术涂料,HBI瓷砖,璜朝石材,艺家奥悦照明,梵高世家整装定制,欧瑞博智能家居,恒利玻璃不锈钢
Collaboration Materials:Novacolor Nova Art Paint, HBI Tile, Huangchao Stone, Artist Aoyue Lighting, Van Gogh Family Decoration Customization, Oribo Smart Home, Hengli Glass Stainless Steel
Soft Loading Designer:Left Bank Encounters
Construction Execution:Deng Hongyin
Completion Date:August 30, 2022
有山-SUNWAY山外
Photography:Yosun-Sunway
Words: Off-words/Moon

                            
山隐空间设计创立于2018年,是一家集于私人住宅、办公、及各类高端商业等空间设计机构。致力于运用理性思维与艺术相结合的理念,营造极具场域精神的空间感受,本着空间与环境,与人文的关系搭建,探求美学与环境的相互平衡,将独特而创新的体验赋予不同的空间。
Founded in 2018, Shanyin Space Design is a space design agency integrating private residences, offices, and various high-end businesses. Committed to the use of the concept of combining rational thinking and art, to create a very field-spirit of the space feeling, in the spirit of space and the environment, and the relationship between humanities to build, explore the balance between aesthetics and the environment, the unique and innovative experience to each activity space.

                            

                            

                            
图片版权 Copyright :山隐设计

                            
 

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