In the world of design, the importance of colour can’t be overestimated. From its cultural significance, to its emotional impact, to its use as a distinguishing characteristic, colour, or the lack of it, has always played a central role in the creative practice of architects, artists and designers. A new exhibition at the Vitra Design Museum (VDM) in Weil am Rhein, Germany, puts colour front and centre by presenting the museum’s permanent collection of design objects in distinct colour groups. Working by invitation with VDM’s curators, Dutch designer Sabine Marcelis sorted through the roughly 400 exhibits by colour, transforming the Schaudepot, the Herzog - de Meuron-designed extension housing key pieces of the permanent collection, into a kaleidoscopic wonderland. Titled “Colour Rush!”, the immersive exhibition showcases VDM’s permanent collection from a new perspective as well as highlights the colourful history of modern design.  Work sharing on RUSHI platform was prohibited from being reposted for business


在设计界，色彩的重要性不容小觑。从它的文化意义，到它的情感影响，再到它作为一个显着特征的使用，颜色或缺乏它，一直在建筑师、艺术家和设计师的创作实践中发挥着核心作用。在德国莱茵河畔魏尔的维特拉设计博物馆 (VDM) 举办了一场新展览，通过以不同的颜色组展示博物馆永久收藏的设计物品，将色彩放在首位和中心位置。受邀与 VDM 的策展人合作。荷兰设计师 Sabine Marcelis 按颜色对大约 400 件展品进行了分类，将由 Herzog - de Meuron 设计的扩建部分永久收藏品的关键部件 Schaudepot 变成了一个万花筒般的仙境。这场名为“Color Rush!”的沉浸式展览从全新的角度展示了 VDM 的永久收藏，并突出了现代设计的多彩历史。  如 室 网 作 品 分 享 禁 止 转 载 商 用

Installation view »Colour Rush! An Installation by Sabine Marcelis«, Vitra Schaudepot © Vitra Design Museum, photo: Mark Niedermann

安装视图 »颜色冲刺！ Sabine Marcelis 安装，Vitra Schaudepot © Vitra Design Museum，照片：Mark Niedermann

Terje Ekstrøm, Ekstrem, 1972 © Vitra Design Museum photo: Jürgen Hans

Terje Ekstrøm, Ekstrem, 1972 © Vitra Design Museum 照片：Jürgen Hans

Naoto Fukasawa, Chair, 2007 © Vitra Design Museum, photo: Jürgen Hans

Naoto Fukasawa，椅子，2007 © Vitra Design Museum，照片：Jürgen Hans

Charles - Ray Eames, DAX / Plastic Armchair, Fiberglass Armchair, 1948- 1950 © Vitra Design Museum, photo: Thomas Dix

Charles - Ray Eames，DAX / 塑料扶手椅，玻璃纤维扶手椅，1948-1950 © 维特拉设计博物馆，照片：Thomas Dix

Enzo Mari, Box Chair, 1971-1976 © Vitra Design Museum, photo: Jürgen Hans

Enzo Mari，箱式椅子，1971-1976 © Vitra Design Museum，照片：Jürgen Hans

Colour is a key consideration in the design practice of Rotterdam-based Sabine Marcelis whose work is characterized by shiny surfaces, pastel colour gradients and refractions, so it’s no wonder that she was the curators’ go-to person when it came to chromatically presenting VDM’s impressive collection of 20th-century classics. Established in 1950, Vitra has produced work by some of the most influential modernist designers such as Charles and Ray Eames, Verner Panton, Alexander Girard and Jean Prouvé. Although simple in concept, colour-coding the collection’s 400 pieces was a daunting task but it has paid off; visitors find themselves immersed into a visceral sea of colour that fluctuates from vibrant red, magenta and orange, to earthy green and blue, soothing brown and white, all the way to sombre black. Displayed against translucent backdrops with corresponding colour gradients, the colour-sorted groups of furniture bring together pieces from different periods and styles (from 1800 to the present) allowing visitors to discover contrasts, tonalities and intensities. They also get to learn and understand the added effect of material and surface, something that would otherwise have been lost in a more conventional chronological or designer-based installation.  Work sharing on RUSHI platform was prohibited from being reposted for business

颜色是鹿特丹的 Sabine Marcelis 设计实践中的一个关键考虑因素，她的作品以闪亮的表面、柔和的颜色渐变和折射为特征，因此难怪在以色彩呈现 VDM 时，她是策展人的首选人。令人印象深刻的 20 世纪经典收藏。 Vitra 成立于 1950 年，创作了一些最具影响力的现代主义设计师的作品，例如 Charles 和 Ray Eames、Verner Panton、Alexander Girard 和 Jean Prouvé。虽然概念很简单，但为该系列的 400 件作品进行颜色编码是一项艰巨的任务，但它取得了回报；参观者发现自己沉浸在色彩的海洋中，从鲜艳的红色、洋红色和橙色，到朴实的绿色和蓝色，舒缓的棕色和白色，一直到深沉的黑色。在具有相应颜色渐变的半透明背景下展示，按颜色分类的家具组将不同时期和风格（从 1800 年至今）的作品汇集在一起​​，让参观者发现对比、色调和强度。他们还可以学习和理解材料和表面的附加效果，否则这些东西在更传统的按时间顺序或基于设计师的装置中会丢失。  如 室 网 作 品 分 享 禁 止 转 载 商 用

Installation view »Colour Rush! An Installation by Sabine Marcelis«, Vitra Schaudepot © Vitra Design Museum, photo: Mark Niedermann © VG Bild-Kunst, Bonn 2022

安装视图 »颜色冲击！ Sabine Marcelis 的装置«，Vitra Schaudepot © Vitra Design Museum，照片：Mark Niedermann © VG Bild-Kunst，Bonn 2022

Amadou Fatoumata Ba, Pouf Tressé, 2014 © Vitra Design Museum, photo: Andreas Sütterlin

Amadou Fatoumata Ba，编织坐垫凳，2014 © Vitra Design Museum，照片：Andreas Sütterlin

Charlotte Perriand, Untitled / Chaise Ombre, Chaise empilable Ombre, 1954 © Vitra Design Museum, photo: Jürgen Hans, © VG Bild-Kunst, Bonn 2022

Charlotte Perriand，无题 / Chaise Ombre，Chaise empilable Ombre，1954 年 © Vitra 设计博物馆，照片：Jürgen Hans，© VG Bild-Kunst，Bonn 2022

Marcel Breuer, B 3 / Wassily, 1925 © Vitra Design Museum, photo: Jürgen Hans

Marcel Breuer, B 3 / Wassily, 1925 © Vitra Design Museum，照片：Jürgen Hans

Aino Aalto, Garden lounger, 1938/39 © Vitra Design Museum, photo: Jürgen Hans

Aino Aalto，花园躺椅，1938/39 © Vitra Design Museum，照片：Jürgen Hans

Dorothee Becker, Uten.Silo, 1971 © Vitra Design Museum, photo: Andreas Sütterlin

Complementing the furniture on display, a selection of documents from VDM’s archives – from Verner Panton’s sketches and notes that show how he worked on his colour system to sample books and design drawings offering fresh insights into the colour concepts of Alexander Girard, Hella Jongerius, and others – illustrates how designers from different eras approached the concept of colour, while the presentation of colour charts like the RAL, Munsell, and Pantone Matching Systems demonstrate how standardised systems for sorting colours have come to dominate the spaces that we live in.  Work sharing on RUSHI platform was prohibited from being reposted for business

作为展出家具的补充，VDM 档案中的一系列文件——从 Verner Panton 的草图和笔记，展示他如何研究他的色彩系统，到样本书籍和设计图纸，为 Alexander Girard、Hella Jongerius 和其他——展示了来自不同时代的设计师如何处理颜色的概念，而 RAL、Munsell 和 Pantone 匹配系统等颜色图表的展示展示了用于分类颜色的标准化系统如何主导我们生活的空间。    如  室  网  作  品 分  享   禁  止  转  载  商  用

Pierre Paulin, No. 577 / Tongue, Osaka, 1963 © Vitra Design Museum. Photo: Jürgen Hans.

Pierre Paulin，第577号 / Tongue，大阪，1963 年 © 维特拉设计博物馆。照片：Jürgen Hans。

Gae Aulenti, No. 4794, 1968 © Vitra Design Museum. Photo: Jürgen Hans

Gae Aulenti，第4794 1968年 ©维特拉设计博物馆。照片：Jürgen Hans

Cheick Diallo, Sansa, 2010 © Vitra Design Museum, photo: Jürgen Hans

Cheick Diallo，Sansa，2010 © Vitra Design Museum，照片：Jürgen Han

Sabine Marcelis in the exhibition »Colour Rush! An Installation by Sabine Marcelis«, Vitra Schaudepot © Vitra Design Museum, photo: Mark Niedermann

萨宾·马塞利斯（Sabine Marcelis）参加展览»色彩狂潮！Sabine Marcelis«，Vitra Schaudepot©Vitra设计博物馆，照片：Mark Niedermann

keywords:Design Furniture Design 

关键词：设计  家具设计