江阴敔山湾，由敔山、定山、羊头山三山合围，南临敔山湖，玉带环腰，有着靠山见水的绝佳位置，这个天然的湾区也是江阴高端住宅项目的必争之地。

Jiangyin Eo Mountain Bay, enclosed by Eo Mountain, Dingshan Mountain and Yangtou Mountain, with Eo Mountain Lake in the south and Jade Belt around the waist, has the best position to back the mountain and see the water. This natural Bay area is also the prize for high-end residential projects in Jiangyin.

弧屏开卷，国风芙蓉。取弧形和花型符号行进演变，表达芙蓉的富贵柔美。温和深邃的氛围格调表现的是文明里的光辉，几盏青瓷茶碗展现了空间的休闲尺度，增添空间的艺术情境。

Arc screen open volume, lotus national wind. Take arc and flower symbol evolution, express the rich and gentle beauty of hibiscus. The gentle and profound atmosphere style shows the brilliance of civilization. Several celadon tea bowls show the leisure scale of the space and add the artistic situation of the space.

作为专注于新中式的代表性房企打造的TOP级项目，建发・天敔湾继承了“儒门、道园、唐风、华纹” 的精髓。

As a TOP level project created by representative real estate enterprises focusing on new Chinese style, JIANfa · Tianeo Bay inherits the essence of Confucian Gate, Taoist Garden, Tang Style and Chinese pattern.

餐厅墙顶连通形成整体，背景植入江阴古建筑轮廓画，表面再增加夹丝玻璃，形成双层叠加的中式朦胧感。复古的吊灯垂直悬挂，餐桌中间布置山水假景，是人与自然相互依存，和睦共处的表现。

The top of the restaurant wall is connected to form an overall, and the background is implanted with jiangyin ancient architecture outline painting, and the surface is added with wire glass, forming a double-layer Chinese hazy feeling. The pendant lamp restoring ancient ways is hung vertically, the middle of dining table arranges landscape false scene, it is human and nature depend on each other, harmonious coexistence expression.

负一层是男主人的闲暇空间和会客厅，笔墨纸砚、刻字艺术、墨釉花瓶，无不流露出静雅闲适的韵律。

Negative one is the leisure space of male host and meeting room, vase of ink and paper inkstone, lettering art, ink glaze, all reveal the rhythm that gives quiet but leisurely and comfortable.

会客厅的定义不仅仅是让往来宾客闲庭信步，而是以山、石、树影为自然元素，将舒适宁静呈现的更加生动有层次，在喧闹的城市里驱使人们探寻内心的乌托邦。

The definition of the meeting room is not only to allow guests to wander in the courtyard, but to take mountains, stones and tree shadows as natural elements, presenting a more vivid and layered comfort and tranquility, driving people to explore the inner utopia in the noisy city.

花艺空间：天地相连，虚实花鸟。墙顶连通形成整体，植入花鸟手绘与实体花艺形成呼应关系，尽显女性的柔美并丰富了空间的艺术情境。

Floral space: heaven and earth connected, virtual and real flowers and birds. The top of the wall is connected to form a whole, and the hand-painted and solid flowers and birds are implanted to form an echo relationship, which fully shows the softness of women and enrichis the artistic situation of the space.

搭配一株清新淡雅的绿植，将时光悠然的美感悄然搬进家中，赋以淡淡的石榴红，在不经意间将如诗的生活增添生机。

With the green plants of a pure and fresh quietly elegant, the aesthetic feeling of leisurely time quietly moves into the home, endowed with light garnet red, add vitality to the life like poetry inadvertently.

床头背景延续弧形手法，主卧风雅意境既保留了古典东方的样貌，又不失空间主题文化元素的交融呼应。花鸟、山水、笔墨自由融合的意境，为睡眠空间平添一份灵动之气，将东方之意引入更悠远的境地。

The setting of the head of a bed continues arc gimmick, advocate lie elegant artistic conception retained the appearance of classic Orient already, do not break the blend echo of cultural element of dimensional theme again. The artistic conception of the free integration of flowers and birds, landscape, brush and ink adds a dynamic atmosphere to the sleeping space and brings the Oriental meaning to a more distant place.

“当窗理云鬓，对镜贴花黄”女主人的柔美心思，用东方元素的背景墙营造出优雅精美的气质美感，情致于细腻间流转，感受一份从容与安定。

When window manage cloud temples, yellow to lens applique the gentle and beautiful idea of goodwife, the setting wall that builds an elegant and exquisite temperament aesthetic feeling with Oriental element, sentiment is sent between exquisite flow, experience a calm and stable.

深灰色与艾绿、沙石黄的邂逅，磅礴壮美，疏密有度，远近浓淡如烟波浩淼兼水草丰茂的江湖，不落俗套。

The encounter between dark gray and moxa green and sand yellow is majestic and magnificent, with a degree of density and depth.

在曹雪芹的笔下，以花喻人贯穿《红楼梦》的始终，达到了登峰造极的境界，为黛玉造型，被认可度最高的植物意象却是“芙蓉”。木芙蓉的纹样在本案中已化为纹样和LOGO贯穿始终，而她多变的花色被设计师应用在了二楼北面的女儿房，呈现出了更为丰富的色彩层次。

In Cao Xueqins writing, the flower metaphor runs through a Dream of Red Mansions, reaching the peak of perfection. The most recognized plant image for Daiyu is Hibiscus. The pattern of hibiscus in this case has been changed into pattern and LOGO throughout, and her changeful design and color was applied by designers in the daughter room of the north of the second floor, presenting a richer colour levels.

空间上的设计在和整体布局相呼应的情况下，又独立开辟出与之相反的儿童世界，设计上独树一帜，背景的选用更是恰到好处。

The design on the space is in with integral layout photograph echo below the circumstance, open up again independently with it contrary childrens world, the design is unique, the selection of setting is proper more.

Design drawings

△一层平面图/Floor plan

△二层平面图/Second floor plan

△三层平面图/Three floor plan

△负一层平面图/Negative first floor plan

△夹层平面图/Plan of interlayer

项目名称：建发・天敔湾 别墅样板房

Project Name: Jianfa · Tian Yu Bay Villa model house

Project Owner: C-D Group

Location: Jiangyin, Wuxi

Design area: 450㎡

硬装设计：深圳市帝凯室内设计有限公司

Hard decoration design: Shenzhen Dikai Interior Design Co., LTD

设计团队：李进念、陈超群、徐树仁、庄祥高

Design team: Li Jinnian, Chen Chaoqun, Xu Shuren, Zhuang Xianggao

陈设设计：深圳市派尚环境艺术设计有限公司

Display design: Shenzhen Pai Shang Environmental Art Design Co., LTD

特别鸣谢：建发集团（ 郑艳、崔晓兵、余本泳 ）

Special thanks: C-D Group (Zheng Yan, Cui Xiaobing, Yu Benyong)

空间摄影：彦铭摄影工作室

Space photography: Yanming Photography Studio