唐忠汉新作丨向光而居
2021-11-03 22:13
唐代刘长卿曾在诗中称赞闽地山水相聚的自然禀赋,事实上福州向来能在城市与山水之间拿捏得当,这并非刻意为之,而是一种信奉已久的居住哲学。
Liu Changqing was praised in the poem in tang dynasty fujian scenery together natural endowment, in fact has always been to fuzhou proper balance between the urban and landscape, it is not deliberately, but a long living philosophy.
登云湖曾是闽地学子进京赶考必经之地,如今湖泊、溪流、山丘环绕,旧时的文脉与山水记忆,成就了登云生态城的低密度森林社区。
Deng cloud lake was fujian students highest point, now surrounded by lakes, streams, mountains, old context and with memory, achievement the eco-citys cloud low density forest community.
自然的形与色正与唐忠汉的设计哲学产生持久的共鸣。让日日相处的场所,真实呈现属于自然的色彩,外在景色成为空间中的画面,居者得以体验的生活的本义。
Natural shape and color are with Tang Zhonghan lasting resonance in design philosophy. Let the day get along with, true present belongs to the natural color, external landscape become picture in the space, the person that reside to experience the original meaning of life.
“我们想打造的是一个生活的样貌,每一个空间中最重要的是人,以人出发的空间构思是我们的重点。”唐忠汉说。
We want to build a life appearance, every space is the most important thing in a person, to set out the space concept is our focus. Tang Zhonghan said.
项目为地上4层,地下2层,共185平的连排别墅,设计创造了全新的人、景观和场所之间关系。
Project for 4 layers on the ground, underground 2 layer, a total of 185 - row of villas, designed to create a new one, the relationship between landscape and places.
设计师把”慢生活”当作空间的主轴,社交和居住在垂直纵轴上彼此独立又相互关涉。“开放式社交”的设定,令“居住及社交在空间中的比重”得以大胆调整。
Designers the slow life as a main shaft of the space, social and living in vertical longitudinal axis independent and relate to each other. Open social set, the proportion of living and social in space to adjust.
建筑整体向外界面增加开窗,在地下空间增设下沉庭园,一改面对庭院门的形式,实现了向光而居的住居体验。
Building the overall surface increase open a window to the world and the underground space to add sinking garden, a change in the face of the courtyard door, in the form of implementation to the light and the experience of the residence.
地下空间围绕社交和娱乐展开。B2F以慢生活、社交为主题,挑高 5.7米的交谊区构成主要体块,衔接景观休闲区、宴会厅、水吧区、酒窖区,现代生活方式一应俱全。
Underground space around social and entertainment. B2F with slow, social life as the theme, 5.7 meters high party area constitute the main body, cohesive landscape recreational area, banquet hall, water, wine cellar, modern way of life.
自然景观因艺术表现而萌生美的意蕴,人们自在游走其间,室内风景自由多变,流动而绵延。
Natural landscape for artistic initiation implication of beauty, people comfortable wandering, meanwhile, indoor scenery freely changeable, continuous flow.
自然的材质语汇,化作一事一物的幽然,凝聚于空间的转折处,引人不禁停驻。
Natural material vocabulary, into the one thing crafted, condensed in the turning point of the space, can not help but stop.
B1F为养生品茗区,挑高2.7米的空间设置品茗、干景、琴艺区等休闲功能。于物我两忘中修养性灵。
B1F is keeping in good health tea area, 2.7 meters high, dry landscape space set tea, piano art district and other recreational function. In the things I left two culture spirit.
“现代住宅的生活方式,要回归真实的需要,提升心理仪式性的转换,让住宅不仅是满足基本的需求,而是到达体验的感受,”设计师说。
The lifestyle of modern residence, will return to the real needs, improve the ritualistic psychological transformation, make housing is not only meet the basic needs, but to experience the feeling of, said designer.
“认识居住者,认识空间,让生活所产生的轨迹跟空间完整结合,产生共鸣。”这正是唐忠汉设计打动人心的情感内核。
Know habitant, know a space, let the life trajectory with space produced by complete combination, resonate. This is the very emotional kernel Tang Zhonghan design your heartstrings.
从地下到1层,空间的安排充分激发人与人之间的互动,都市生活中的快步调因而缓和下来。
From underground to 1 layer, the arrangement of the space fully stimulate the interaction between people, city life in the fast pace and break down.
地上空间取景湖景山色,拥抱自然,展现了全方位的生活场景区。贯穿于空间中的光成为生活的绝佳叙述者。
Jingshan color space view lake on the ground, embracing nature, showed the life field of comprehensive scenic spot. Throughout the light is perfect narrator of life in space.
屋前屋后,音、光、热、气、水,藉以室内建筑方式合宜的导入室内,加以控制,形塑空间氛围及居住空间。
In front of house, the sound, light, heat, gas, water, so as to indoor construction way fitting into indoor, controlled, shape space atmosphere and living space.
我们所看到的不仅是设计,而是对于生活的深刻体会。空间、光影、材质、细节无时无刻不在定义一种有深度的氛围。
What we see is not only the design, but for the life of the profound experience. Space, lighting, material, detail is defined a sense of depth.
贝聿铭曾说“最美的建筑,应该是建筑在时间之上的。”轴线之中置入一窗一景一石一木的概念,使空间酝酿出一种时间带来的温度与表情。
Pei has been said that the most beautiful buildings, should be building on time. Axis in a window of a scene, the concept of a stone wood, make the space develops a time of temperature and expression.
3层主卧独享大尺度奢阔落地窗,日光与山水亦景亦画,唯时光永恒。
Three layers and advocate lie to be exclusive to large-scale luxury wide French window, the sun and landscape scene and drawing, only time eternal.
自然材质给人不受束缚的空间体验,2层私密空间以天然材料搭配出畅快的呼吸感,呈现空间本真的样貌。
Natural material unfettered space experience to the person, with 2 layers of illicit close space with natural material collocation gives breathing, rendering space natural appearance.
“春之风,自下而上,纸鸢因之以起。夏之风,横行空中,故树梢多风声。秋之风,自上而下,木叶因之以落。冬之风,著土而行,是以吼地而生寒。”
The wind of spring, from bottom to top, with the kite enough. Summer wind, across the air, the wind more than the trees. The wind of the autumn, from top to bottom, konoha enough to fall. The wind of winter, the earth, born in roar to cold.
地下2层采用下沉设计,空间格局开放、通透,在水平动线上互相连结。再以光线接续室内空间,穿透每一个角落。
Sinking design was adopted for 2 floors underground spatial pattern of open, transparent, in a horizontal move a line to connect each other. Again with the light in the interior space, through every corner.
作为家庭娱乐空间,容纳了沙龙会客区、茶室、收藏室、书画区、作品展示区等复合功能。弧形的运用弱化了建筑中的结构,使不同机能量体产生多角度的交错、重叠。
As a family entertainment space to accommodate the salon, receive a visitor area, teahouse, collection, calligraphy and painting, works exhibit complex functions. The use of arc weaken the building of the structure, make compensate crisscross, overlapping of the energy body to generate multiple perspectives.
原始而颇有时间感的材质植入到建筑之中,自然与室内相互连接,形成文化静怡的舒适空间。
Raw material and have a good sense of time into the architecture, natural and interior are interconnected to form culture static grace and comfortable space.
B1F作为家庭生活区,容纳小酒吧、藏酒室、艺术过厅、雪茄吧等娱乐功能。每个区域彼此重叠又独立,用对话方式呈现出不一样的空间表情。
B1F as family living area to accommodate small bar, wine storage room, art, lobby, cigar bars and other entertainment function. For each region overlapping and independence, and the use of dialog presents the different spatial expression.
“我们将互动空间和交流空间设定在生活的核心位置,重视人与人的互动及交流,但也设定了自我成长和修行的场所,比如品茗空间、艺术空间、雪茄室,让生活兴趣成为居住者的修行及独享的场所。”
We set the interactive space and communication space in the core position of life, value the interpersonal interaction and communication, but also set a place for personal growth and spiritual, such as tea room, art room, cigar room, let the life interest become the scene of the practice of the residents and exclusive.
来到1层,自然的材料作为基调导入空间之中,自然景观和室内的交流产生不同的氛围,时间、季节、存在于一天的变化,环绕于空间之中。
Come to 1 layer, natural material as tone into space, landscape and interior communication result in different atmosphere, time, seasons, and exists in the change of the day, around in space.
没有刻意设定风格,而是着意去营造一种光线照耀下的氛围和感受,塑造有生命力的居所。
Not deliberately set a style, but hard to build a kind of light is illuminated by atmosphere and feeling, living residence.
自然的声音、围绕的气、抚过的微风,结合人的生活渐渐形成场域中的气场。
Natural voice, around the gas, grazed breeze, combined with peoples life gradually form the aura field.
空间中的元素,天、地、壁、门、柜,产生相互关连与对话,形成空间串联之线索。墙顶延伸至天花,相同的材质运用了不同的切割手法,呈现出不一样的样貌,亦保持了整体的一致性。
The elements in the space, heaven, earth, walls, doors, cabinets, interrelate and dialogue, form a space series of clues. Wall extends to smallpox, the same material the use of the different cutting technique, presents the different appearance, also keep the consistency of the whole.
家庭生活置于阳光盛开的地方,自然的气息无限接近生命的律动,身体与心灵便可愉悦地栖息于此地。
Family life is in full bloom in the sun, natural breath infinitely close to the rhythm of life, body and soul can live happily in here.
2层空间为家庭私密区,每个房间都是套房的呈现,打造隐秘的自我空间。木材、棉麻、石材等天然材料的搭配让自然的颜色直接呈现。南国的气候风土,加之复古格调,营造出一派慢生活的悠然场景。
Layer 2 space for family private area, each room is a suite of rendering, build private space. The collocation of the natural material such as wood, cotton, stone natural color directly. The climate of south China climate, coupled with style restoring ancient ways, create a slow life carefree scenes.
如梭罗所说描绘的生活,“我愿意深深地扎入生活,过的扎实,简单,把一切不属于生活的内容剔除得干干静静,用最基本的形式,简单、简单、再简单。”
Is life what Thoreau said, I am willing to deep into the life of solid, simple, everything does not belong to the content of the life eliminate dry, quietly in the most basic form, simple, simple, simple.
Andrew Martin国际室内设计大奖入选设计师,透过室内建筑的方式,体验空间、光影、材质、细节,透过以人为本的思考 探索现代住宅的生活方式,回归真实的需要。提升心理仪式性的转换,让住宅不仅是满足基本的需求,而是到达体验的感受,看到的不仅是设计,而是对于生活的深刻体会。
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