人活着就是在对抗熵增定律，生命以负熵为生。
People live against the law of entropy increase, and life lives on negative entropy.
薛定谔
Schrodinger

”





BACKGROUND.

背景。

| 地理位置


本案位于公寓内，由房地产开发商委托进行提供作为图书馆、联合办公空间、学习中心、和咖啡馆的公共空间，通过这个空间改变阅读和工作的氛围。
The project is located in the apartment and commissioned by the real estate developer to provide a public space as a library, joint office space, learning center and cafe, through which the reading and working atmosphere can be changed.
内容旨在对办公空间进行全新的新探索。通过设计打破原有的理性模式，跳跃式的思维在与之共同理念的推动下，改变旧的整体构造而确立本质性联系的全新共享办公空间。
The content aims to make a new exploration of office space. Designers break the original rational mode and jump thinking. Driven by their common ideas, they change the old overall structure and establish a new shared office space with essential connection.



DESIGN IDEAS.

设计难点。

| 横梁位置



在本项目设计之初，便遭遇了一个很大的设计难题——因为该空间实际是由多个单一户型拆除中间隔墙后形成的大空间，但拆除后前户型之间的横梁却成了个问题，4.4米的层高，横梁的高度就占了1.2米。身在本就不大的空间内，宽大的横梁无形中便会给人很强的压抑感。
At the beginning of the design of the project, we encountered a great design problem - because the space is actually a large space formed by the removal of the middle partition wall of multiple single house types, but the cross beam between the front house types has become a problem. The height of the cross beam accounts for 1.2m for the floor height of 4.4m. In this small space, the wide beam will give people a strong sense of depression.
所以在设计本项目时我们将解决横梁造成的压抑问题作为首要解决的目标以及解决空间狭小如何协调各功能空间的问题。
Therefore, in the design of this project, we will take solving the depression caused by the beam as the primary goal, and then solve the problem of how to coordinate the functional space due to the narrow space.



DESIGN IDEAS.
设计思路。

本案以「信条TENET」这部电影为主题，提取时间、光线、红蓝色等元素。

This case takes the film creed tenet as the theme, and extracts elements such as time, light, red and blue.
熵作为电影的主概念，改变了人们对时间流向的刻板印象，让人们对时间这一度量进行辩证的看待。正世界中的人，站在自己的角度看逆世界的人，会觉得逆世界的人的行为是反的；而同样的，逆世界的人来到正世界，以他的视角看，反而是正世界的一切都是逆转的。正和逆是一组相对的概念，相互依存，互为因果。

As the main concept of film, entropy has changed peoples stereotype of the flow of time and made people dialectically treat the once quantity of time. People in the positive world, looking at the people against the world from their own point of view, will feel that the behavior of the people against the world is reverse; Similarly, the person who goes against the world comes to the positive world. From his perspective, everything in the positive world is reversed. Positive and negative are a group of relative concepts, which are interdependent and cause and effect each other.

因此在本案的设计中，我们从包豪斯和风格派的色彩、构成以及线条在空间中的应用等现代主义的本原出发，通过将“熵增运动”“熵减运动”的概念以红蓝配色表现，并进行立体解构，将其抽象成红蓝两色的片状形体并在其中嵌入射灯，这些形体作为空间的重要节点构成，亦是时间流线的节奏，也亦是空间的光源，“熵增运动”“熵减运动”相互交织，又互为因果。
In the design of this case, starting from the modernist origin of Bauhaus and stylists colors, composition and the application of lines in space, we abstract the concepts of entropy increasing movement and entropy decreasing movement into red and blue flakes and embed spotlights in them, As an important node of space, these forms are also the rhythm of time streamline and the light source of space. Entropy increasing motion and entropy decreasing motion are intertwined and cause and effect each other.


“ENTROPY SPACE.”

“熵空间。”

| 共享办公区



“熵空间”作为空间内主要的空间，主要作用在于促进公寓中人员的社交交流以及提供可自我学习的场所。结合了实际功能需求，通过调整不同沙发组的位置形成不同的功能空间及形式，满足多变的使用需求。
As the main space in the space, entropy space is mainly used to promote the social communication of people in the apartment and provide a place for self-learning.Combined with the actual functional requirements, different functional spaces and forms are formed by adjusting the positions of different sofa groups to meet the changeable use needs.

| 模块组合的多样与守序



天花将抽象的几何造型交错、重叠，呈现简练。纵横线条的比例关系，带来视觉上的延续观感。多个空间的动线推进，既分隔又连通。

Combined with the actual functional requirements, different functional spaces and forms are formed by adjusting the positions of different sofa groups to meet the changeable use needs.

天花将抽象的几何造型交错、重叠，呈现简练。纵横线条的比例关系，带来视觉上的延续观感。多个空间的动线推进，既分隔又连通。

When a person has experienced the interaction of color, he will find it necessary to rebuild his overall concept and understanding of color in order to maintain his overall consciousness...When you understand that each color will change with the change of environment, you will finally find that he not only understands colors, but also understands life—— Joseph Abes

色彩繁多则腻。红色营造空间的高亮重点，营造动势，蓝色则是灵性、理性的内向聚合。撞色在保证整体色调统一的前提下，也增添了一层色彩的形式属性。

Many colors are greasy. Red creates the highlight of the space and creates momentum, while blue is the inward aggregation of spirituality and rationality. Contrast color not only ensures the unity of overall tone, but also adds a layer of formal attribute of color.


“BLACK HOLE.”

“黑洞。”

| 共享阅读区



“黑洞”这一神秘天体，身处无限的宇宙空间中，以强大的引力场吸引万物奔向流动多元的未知领域。而黑洞这一特性对于整个宇宙系统来讲属于熵增现象，但对于黑洞而言则属于熵减现象。

Black hole, a mysterious celestial body, is in infinite space and attracts all things to the flowing unknown field with a strong gravitational field. For the whole cosmic system, the characteristic of black hole belongs to entropy increase phenomenon, but for black hole, it belongs to entropy decrease phenomenon.

作为水吧与阅读区相结合的一个区域，恰如“黑洞”一样，喝咖啡休息以及阅读为自身汲取知识的行为同时做着熵增以及熵减运动。

As a combination of water bar and reading area, just like a black hole, drinking coffee, resting and reading absorb knowledge for themselves are doing entropy increase and entropy decrease at the same time.

空间穿插的体块营造了变化的形体，又使空间在功能分区中具有一种连续的体态，保持纯净的空间感。颜色与体块在空间里平衡，相互适应、化解，它们之间的变化、穿插与悬浮产生了空间的节奏。

The interspersed blocks in the space create a changing shape, and make the space have a continuous posture in the functional zoning to maintain a pure sense of space. Color and body are balanced in space, adapt and dissolve each other. The change, intersperse and suspension between them produce the rhythm of space.

通过材料在空间中的组合关系及组合形式，层层凸显空间元素的冲突感来诠释，同时刻意做差异化的区分试图传达“熵增运动”与“熵减运动”之间的冲突与融合。

Through the combination relationship and combination form of materials in space, the sense of conflict of spatial elements is highlighted layer by layer to interpret. At the same time, it deliberately makes differentiation, trying to convey the conflict and integration between entropy increasing movement and entropy decreasing movement.


“MONDRIAN.”

“蒙德里安。”

| 会议室



为了让使用者对空间的艺术有更深的感知，我们将象征了自由、平衡和统一的蒙德里安画作引入会议室内，抽象的几何造型交错，纯粹的色彩碰撞，都在与整个空间呼应着，无形中与空间达成了平衡与统一。

In order to make users have a deeper perception of the art of space, we introduce Mondrian paintings symbolizing freedom, balance and unity into the conference room. The abstract geometric shapes are staggered and the pure color collision echoes with the whole space, virtually reaching a balance and unity with the space.

色彩赋予空间想象力。被想象力把握的空间便不再是精确的计算和几何学思想支配下的冷漠空间了，而是诗性的体验。

Color gives space imagination. The space grasped by imagination is no longer the indifferent space dominated by accurate calculation and geometric thought, but the poetic experience.

在整个项目空间中的，色彩的运用简单纯粹，红色与蓝色，用最简单的语言展现更丰富的设计。

In the whole project space, the use of color is simple and pure, red and blue, showing richer design in the simplest language.


图纸呈现

- Drawings Show -

平面图



项目名称 | 南海美的广场项目类办公空间
空间设计 | 研质建筑装饰设计（广州）有限公司
陈设设计 | 广州本末言建筑装饰设计有限公司
项目地址 | 广东·佛山
甲方团队 | 乐镇、廖锦周、赖颖强、徐爽
竣工时间 | 2021.08.
项目摄影 | 铅影文化有限公司
项目面积 | 134㎡