落址于成都茶花板块的融侨望云，是融侨集团深度研判城西客群特性后，匠心打造的高端“望”系壹号作品，于天府文化景观轴上，构筑承古袭今的高品质人居空间，实现“新西贵”理念下隐奢闲逸的理想生活范式。

Rongqiao Wangyun, located in The Camhua section of Chengdu, is a high-end Wangyun work created by Rongqiao Group after in-depth research on the characteristics of tourists in the west of the city. On the axis of Tianfu cultural landscape, it builds a high-quality living space inheriting from the past and inheriting from the present, and realizes the ideal living paradigm of luxury and leisure under the concept of new West and Expensive.

其云顶艺展中心与样板房的软装设计由融侨装修联合众睦设计共同打造。

The soft decoration design of genting Art Exhibition center and model room is jointly created by Rongqiao Decoration and Zhongmu Design.

在设计团队的视野中，成都二字，本身便是一种生活方式的映射 —— 千年古蜀文化的浸润，丰富自然风物的滋养，沉淀了当地“快耍慢活，优哉游哉”的生活态度与艺术哲学，这里的每一寸土地、每一个场景都流淌着慢生活的印迹，铺垫为这座城隐逸而乐活的气质。

In the field of design team, chengdu, itself is a way of life of the map - one thousand invasion of the ancient shu culture, rich in natural Mongolian nourish, precipitated the local quick play slow, pets life attitude and philosophy of art, every inch of the land, every scene with slow life imprinting, bedding for the city and the temperament of lohas reclusion.

茶花的抽象化形，与当代工艺的结合，成为室内设计层次鲜明的亮点。“在当代语境下的茶花，已不仅仅是形姿优美的花卉，更是一个象征着高贵优雅的全球符号。我们希望通过茶花主题，与项目的地域特质、产品格调双重契合，达至外在与内在的美学合一。”设计师如是说。

The abstract shape of camellia, combined with contemporary craft, becomes the bright spot of the interior design level. Camellia in the contemporary context is not only a beautiful flower, but also a global symbol of nobility and elegance. We hope that through the camellia theme, with the projects regional characteristics, product style, to achieve the integration of external and internal aesthetics. Said the designer.

洽谈区延续了简雅静逸的气质基底，栩栩如生的数只锦鲤嬉戏、游走于半空，在微妙的灯光下，为空间注入一抹灵动的趣味。与锦鲤色呼应的艺术吊挂，则来自对茶叶与茶花一脉相承的演绎，在渐变美学的流动形态下，与户外雾气氤氲、树木葱郁的景观情境相映成趣。

Negotiation area continues the simple elegant quiet temperament base, lifelike several koi playing, wandering in the air, in the subtle light, for the space into a touch of smart interest. The artistic hanging echoing the koi color is derived from the interpretation of tea and camellia in the same line. Under the flowing form of gradual aesthetics, it becomes an interesting contrast with the outdoor landscape with dense fog and lush trees.

设计师撷取了茶花妍丽的色泽，以浓淡有致的铺陈形式，与通透的水晶材质相结合，创造出一面弧形的屏风装置，在当代极简沙发与古朴风雅茶案的强烈对比下，烘托出不染凡尘的空间气质。地毯上抽象的茶花脉络，在自然光影的晕染下，仿佛有着无风亦摇曳的盎然生命力。

Designers capture the elegant color of camellia, in the form of thick and light spread, combined with transparent crystal material, to create a curved screen device, in the contemporary minimalist sofa and simple elegant tea case under the strong contrast, set off the space temperament of not stained with ordinary world. The abstract camellia vein on the carpet, in the natural light and shadow of the dizzy catch, as if there is no wind also swaying exuberant vitality.

蜿蜒曲线的轻柔质感，与当代材质的立体结构，达成某种微妙的艺术和谐。俯瞰视角下旋转楼梯的弧度，从层层叠叠的茶花芯抽象演绎而来，弧线元素亦延续到水吧的构造上。

The gentle texture of sinuous curves and the three-dimensional structure of contemporary materials achieve a subtle artistic harmony. The arc of the rotating staircase from the perspective of overlooking is abstractly deduced from the layered camellia cores, and the arc element also extends to the structure of the water bar.

茶室作为相对独立的VIP区而存在，设计上既有古朴的韵味，又有当代艺术的丰富形式。一幅《明月繁花图》，将月影皎洁、花枝攒簇之景引入空间，同时与茶具、小品相互呼应，延展了场域的层次变化感，一时之间诗意弥漫，分外雅澹。

As a relatively independent VIP area, the teahouse is designed with both a quaint charm and rich forms of contemporary art. A picture of Bright moon and flowers introduces the scenery of bright moon and flowers and branches into the space, and echoes each other with tea sets and sketches, extending the sense of level change of the field, which is filled with poetry and especially elegant.

『 望云190样板间 』 Wangyun 190 Model Room

自在的都会生活，与清晰的艺术脉络，交汇于融侨·望云190户型样板间。设计团队延续茶花的嫣红调来点染空间的同时，透过先锋装置的艺术语素，回应生活的无限意趣。

Free urban life and clear artistic context converge in the model room of rongqiao · Wangyun 190 units. The design team continues the purples of camellia to touch the space, while responding to the infinite interest of life through the artistic morpheme of the pioneer installation.

设计师基于居者的审美偏好与生活品味，透过皮质、布艺、玻璃、大理石、金属等材质，勾勒出空间的美学视像，令精致的质感与简雅的氛围融合为完整的意境。当代艺术家黄喆的原创装置《蓝移》，作为空间艺术中的亮点，蓝色的光辉下，晕染开宇宙星河的浪漫叙事，为客厅场域注入温暖的气息。

Based on the residents aesthetic preference and taste of life, designers outline the aesthetic image of the space through materials such as leather, cloth, glass, marble and metal, so that the delicate texture and simple and elegant atmosphere into a complete artistic conception. Contemporary artist Huang Zhes original installation Blue Shift, as a bright spot in space art, under the blue light, the romantic narrative of the universe and the river of stars, and inject a warm atmosphere into the living room and field.

几何的构图、线条的秩序，在餐厅一隅演绎为有序与无序并存的场景美学，大理石的花纹肌理、不规则灯饰的艺术造型、灰色单椅、绿植花艺共同突显出一种生活方式的内在节奏，静雅怡人。

The order of geometrical composition of a picture, line, deduce for orderly and disorderly coexisting scene aesthetics in dining-room corner, the artistic modelling that marble decorative pattern texture, irregular lamp acts the role of, gray single chair, green plant flower art highlights the inner rhythm that gives a kind of life style jointly, jing Ya is happy.

打动人心的空间，特质之一是富有生活的痕迹。主卧以优雅气质和舒适尺度为基底，设计师将设色的艺术恰到好处地运用其中，延续浓淡相宜的生活美学，让人享受惬意的休憩时光。

The space that moves peoples heart, one of characteristic is rich life trace. The master bedroom is based on elegant temperament and comfortable scale. The designer makes proper use of the art of color, extending the life aesthetics of suitable shade and light, and allowing people to enjoy comfortable rest time.

次卧空间用色纯粹，整体弥漫着一种简雅而温润的美好意境，家具、饰品所表现出的极简趣味，以一种无声的艺术化语言，统一着场域的独特格调。

The second bedroom space uses pure color, and the whole is filled with a beautiful artistic conception of simple but gentle. The minimalist interest shown by furniture and ornaments unites the unique style of the field with a silent artistic language.

在雅灰基底下，男孩房通过暗蓝色调与艺术画、毛毯的互动，不经意间丰富着空间格调的外化形式，中和了色彩予人的美学感知，化作目之所及处的活力因子，与自然光影深浅交织。

Under the elegant grey base, the boys room inadvertently enriches the external form of space style through the interaction of dark blue with art paintings and blankets, neutralizes the aesthetic perception of color, and turns into the vitality factor of the eye, interweaving with the depth and light of natural light and shadow.

展示中心平面图/Floor plan of Exhibition Center

样板房平面图/Model room plan

项目名称 | 成都融侨望云 The project name | chengdu overseas at cloud

项目地址 | 成都 | chengdu project address

业主单位 | 融侨集团 The owner unit | overseas group

设计面积 | 云顶艺展中心1200㎡ 、样板房190㎡ Design area | genting smithsonian center 1200 ㎡, example room 190 ㎡

软装设计 | 融侨装修公司   众睦设计 Soft outfit design | overseas decoration company   the superior design

设计团队 | 融装（赖盛辉、谢锦妍）众睦设计（潘贤挺、陈俊、梁玉玲、田地、周雅慧、张镜晶、任行丽、陈超南） Design team | melt filling (Lai Shenghui, Xie Jinyan) the superior design (Pan Xianting, Mr James tien pei-chun, yu-ling liang, fields, Zhou Yahui, Zhang Jingjing, Ren Xing li, Chen south)

硬装设计 | 深圳昊泽设计 Hard outfit design | shenzhen HaoZe design

特别鸣谢 | 融侨集团研发中心 Special thanks to | overseas group research and development center

摄影团队 | 聿空间 刘伟 Photography team | Yu space Liu wei

「福建融侨装修工程有限公司」于2007年成立，为融侨集团旗下全资子公司。目前拥有建筑装修装饰工程专业承包一级资质、建筑装饰工程设计专项乙级资质，主营地产住宅示范区、批量精装、商业、酒店、教育、医疗等工程的装饰装修设计、施工（含软装工程）。公司致力于打造具有一流设计、施工水平的专业化团队，成为在全国行业内有影响力的装饰企业。

“与生活和融相处”是「众睦设计」核心的设计理念，10余年来始终秉承创新精神，在都市地产与文旅地产领域开拓深耕，以严谨的设计逻辑及专业整合能力助力合作伙伴，确定产品定位、设计策划及实施，提供优秀的设计解决方案。在设计中，我们探索自然、人文与生活的关系，以当代设计语言创造独特的空间体验，呈现生活之美。