A story under a banyan tree

Beautiful and romantic artistic conception

Arouse peoples hearts

The best emotional memory

VERO生态瓷砖展厅，致力于开发能改善室内环境的功能性建筑材料产品，如产品表面释放负氧、能产生抗菌效果等。产品特点似乎具有生命自然属性，因此，我们设计与生命的起源联系在一起。

一颗种子在土壤中发芽，通过吸收土壤中的养分，然后开始生根，最后长成一棵大树。叶片在光合作用下释放负氧离子，为生命的繁衍提供生存环境，最终孵化繁殖成各种生命形式。用这种空间叙事的方式表达

对生命和生态环境的尊重。Vero ecological ceramic tile exhibition hall is committed to developing functional building material products that can improve the indoor environment, such as negative oxygen release on the product surface, antibacterial effect, etc. Product features seem to have the natural attribute of life, so our design is related to the origin of life.A seed germinates in the soil, absorbs nutrients in the soil, then begins to take root, and finally grows into a big tree. Leaves release negative oxygen ions under photosynthesis to provide a living environment for life reproduction, and finally hatch and reproduce into various life forms. Designers express their respect for life and ecological environment in this way of spatial narration.

该项目最初设想为三层空间形式。通过结构改造，中央天井被打开，一楼、二楼和三楼被纵向渗透成的整体。螺旋楼梯从一楼上升到三楼，中间的柱子巧妙地设计成一棵榕树。榕树的树干从中空位置直接插入三楼，盘根装置从周围发散，有的沉入水中，有的伸入地下，表达生命体吸收养分的过程。

The project was initially conceived as a three-tier space. Through structural transformation, the central patio was opened, and the first, second and third floors were vertically penetrated into a whole. The spiral staircase rises from the first floor to the third floor, and the column in the middle is cleverly designed as a banyan tree. The trunk of banyan tree is directly inserted into the third floor from the hollow position, and the packing device diverges from the surroundings. Some sink into the water, and some extend underground to express the process of nutrient absorption by life.

从地上升起螺旋楼梯延伸到三楼，巧妙地将中柱重新设计成一棵榕树，树干从空旷的位置直接进入三楼，盘旋起伏装置在根部散开，有的跳入水中，有些生长在地下，表达吸收养分的生命过程，无数木条从天花板垂下来，就像站在一棵大树下。我们希望打造一个自然属性品牌，一个榕树下的故事，唤起人们内心深处最美好的记忆。通过榕树、树根、远山、云彩和装置艺术，拓展游客思维，唤起人们内心深处情感共鸣。

The spiral staircase rises from the ground and extends to the third floor. The central column is cleverly redesigned into a banyan tree. The trunk directly enters the third floor from the open position. The hovering and undulating devices are scattered at the root. Some jump into the water and some grow underground to express the life process of absorbing nutrients. Countless wooden strips hang down from the ceiling like standing under a big tree. We hope to build a natural brand, a story under the banyan tree, and arouse peoples best memory in their hearts. Expand tourists thinking and arouse peoples deep emotional resonance through banyan, tree roots, distant mountains, clouds and installation art.

二楼的空间以“品种”为主要风格。首先，生态环境为植物的繁衍生息提供基本条件。其次，对生命起源有不同的解释。在中国古代，有一句俗语说“烂草成茧，茧生萤火虫”，意思是生命起源于“茧”。因此，我们创造了一种“茧”装置艺术，在空间中再现生命的诞生过程。

The space on the second floor takes variety as the main style. First, the ecological environment provides basic conditions for plant reproduction. Secondly, there are different explanations for the origin of life. In ancient China, there was a saying that rotten grass forms a cocoon, and the cocoon produces fireflies, which means that life originates from the cocoon. Therefore, we have created a cocoon installation art to reproduce the birth process of life in space.

二楼的钢筋区采用框架式施工方法，将梁和柱加工成不同的结构。结构的不同纹理相互穿插，空间以分离的状态重新组织，使空间具有独特的美感。立体空间延伸，窗外的竹景通过投影投射到白色窗帘上。这种对白色空间的表达，使空间更具诗意和艺术气息。自然的光线和温暖的质地让人们喜欢呆在家里，享受一杯茶或咖啡，放松自己的心情。

The reinforcement area on the second floor adopts the frame construction method, and the beams and columns are processed into different structures. Different textures of the structure are interspersed with each other, and the space is reorganized in a separated state, so that the space has a unique aesthetic feeling. The three-dimensional space extends, and the bamboo scenery outside the window is projected onto the white curtain through projection. This expression of white space makes the space more poetic and artistic. Natural light and warm texture make people like to stay at home, enjoy a cup of tea or coffee and relax their mood.

三层主要表现生态环境的生活空间。产品显然成为主角，人也是生活的重要代表。生活环境对生态要求更高，在一定程度上代表生命的生长状态和过程。然而，城市化似乎改变生态生活方式和节奏。我们希望能给人一种城市生活之外的感觉，让人们有更多的机会享受“自然”，让这里成为一个内心平静的地方。

The third floor mainly represents the living space of ecological environment. Products obviously become the protagonist, and people are also an important representative of life. The living environment has higher requirements for ecology, which represents the growth state and process of life to a certain extent. However, urbanization seems to change the ecological lifestyle and rhythm. We hope to give people a feeling outside urban life, give people more opportunities to enjoy nature and make this a place of inner peace.

我们刻意创造一种美丽而浪漫的意境。窗外的阳光透过白色薄膜变得柔和朦胧。浮山代表着对远方的向往。宣纸做的缎带上下缠绕，曲折交错，像山上的浮云，也象征着一种思想的传播和飘荡。通过将这种装置艺术植入空间，让空间变得更加有趣，也使空间更具抽象的神秘感和朦胧之美。

We deliberately create a beautiful and romantic artistic conception. The sunlight outside the window became soft and hazy through the white film. Fushan represents longing for the distance. The ribbon made of rice paper is winding up and down, zigzagging and crisscrossing, like clouds on the mountain, and also symbolizes the spread and floating of ideas. By implanting this installation art into the space, the space becomes more interesting, and also makes the space more abstract, mysterious and hazy.

大量使用镜子将墙壁模糊的边界和视野延伸，一个大水池使空间灵活，自然分割成一个通道，当你在里面行走时，就像置身于雨林中。通过入口为观众创造一种沉浸式的空间联想和期望。我们用大量自然朴素材料来表达纯净感，以植被为点缀，以山石为点缀，以木本纹理和苔藓岩石相互映衬，表达生命新陈代谢和反复的过程。

A large number of mirrors are used to extend the blurred boundary and vision of the wall. A large pool makes the space flexible and naturally divided into a channel. When you walk inside, its like being in a rainforest. Create an immersive spatial association and expectation for the audience through the entrance. We use a large number of natural and simple materials to express the sense of purity, with vegetation as embellishment, mountains and stones as embellishment, and woody texture and moss rocks as mutual contrast to express the metabolism and repeated process of life.

爬上楼梯，楼梯间有灰色水磨石墙和微水泥扶手，表达空间的自然宁静。蜿蜒楼梯将人们的视线向上延伸，榕树的枝桠紧随其后。缝隙向上散布，曲面和垂直线在空间中相互对比。这种沉浸式的空间氛围极大激发游客的好奇心，让他们好奇地近距离观察。除空间表现外，我们还强调视觉美学，希望激发游客心理情感。

Climbing up the stairs, there are gray terrazzo walls and micro cement handrails in the staircase to express the natural tranquility of the space. The winding stairs extend peoples sight upward, followed by the branches of banyan trees. The gap is scattered upward, and the surface and vertical lines contrast with each other in space. This immersive space atmosphere greatly stimulates the curiosity of tourists and allows them to observe closely. In addition to spatial expression, we also emphasize visual aesthetics, hoping to stimulate tourists psychological emotion.