牧笛新作 丨 融信 上海 海纳印象 体验中心

2021-07-01 21:53
To provide meaningful architecture
is not to parody history
but to artiulate it.
-- Daniel Libeskind

                            
The Crane of Nanxiang
滋养了千年的南翔古镇。
本案以鹤为题,溯南翔之源,

                            
“鹤鸣于九皋,声闻于天。”1500多年前,一对白鹤振翅而来,伫立石上,众人见其瑞相,集资建寺。寺庙落成,白鹤南翔而去不归,因取名“白鹤南翔寺”。至宋元,此地百货骈集,舟车纷繁,是有南翔古镇。
More than 1500 years ago, a pair of white cranes fluttered their wings and stood on top of the stone. People considered it as an auspiscious sign, so they raised funds to build a temple. After the completion of the temple, the cranes flew away in the south direction and no longer returned. Because of this, the temple was named White Crane Nanxiang Temple. In the Song and Yuan dynasties, more and more shopping malls, boats and horsecars gathered around the Nanxiang Temple, which gave rise to the town of Nanxiang.

                            

                            
融信·海纳印象的建筑外观,以南翔当地的“鹤”文化元素为主题,以普利兹克建筑奖获得者扎哈·哈迪德的莱茵河畔处女作为建筑灵感,实现玻璃天幕与金属轮廓线条的交相呼应。
The architecture of Ronshine Hainayinxiang is inspired by the crane of Nanxiang and the Pritzker Architecture Prize winner Zaha Hadid’s virgin by the Rhine River, in which the glass wall and metal structural lines echo each other.

                            

                            

                            
设计师深入研究分析千纸鹤的造型结构,借鉴扎哈建筑的解构主义手法,对其进行解构和重组,转化为室内空间的基本架构和布局方式。
After deeply analyzing the shape and structure of the paper cranes, the designers borrowed the deconstructionist technique Zaha Hadid used in her architecture, transformed them into the basic structure and layout of the interior space.

                            

                            
提取于鹤元素的基本结构,叠加当代线条手法,搭建起一个富有几何感的整体空间构架。新锐简洁的空间质感,完美诠释了现代极简主义的内涵,同时与外部建筑设计保持了联动性。
The combination of basic structure of the crane and the contemporary line decoration create a geometrical spatial structure. The cutting-edge and concise spatial texture perfectly interprets the connotation of modern minimalism, and creates a correspondence with the outside design of the architecture.

                            

                            
被赞誉为“物质的第四种形态”,开放、自由,又具有极强的可塑性。大片的白玻璃幕墙,
沙盘区模拟白鹤羽毛造型的渐变彩玻璃装置,不仅完美契合了整体空间结构,也交织出一个晶莹剔透的白鹤形象。
Glass, the fourth form of matter, is open, free, and easy to be formed into different shapes. The large glass wall and the gradual color glass installation above the sand table not only perfectly fit the overall spatial structure, but also represents a crystal white crane image.

                            

                            

                            
空间顶部的简洁金属线条,地面上与天顶走线相呼应的几何形状地毯,半隔断的立柱式墙面,有条不紊地引导着洽谈区、水吧区的空间布局,展现出空间的节奏感与随性的秩序。
The concise metal lines in the ceiling, the geometric carpets on the ground that echo the lines in the ceiling, and the semi-partitioned column-style walls, guide the spatial layout of the negotiation area and the water bar area, showing the rhythm and the casual order of the space.

                            

                            

                            
温柔洁净的白,搭配高贵气质的黑,为洽谈区建构出现代简约又不失温馨的色彩结构。几案的
原木色与室内植物的棕红色,又带来一丝灵动雅致的自然气息。
Gentle and clean white, matched with noble and hard black, create a modern, concise and warm color structure for the negotiation area. The original wood color of tables and the brick red of indoor plants bring an elegant natural atmosphere into the space.

                            

                            
与故宫宫墙同色的朱红书架,黑白交融的写意水墨画,在另一片洽谈区演绎着新中式的美学精神。巨大白色画布上的寥寥几笔水墨,写尽流淌过南翔千年的悠悠江水,繁华已去,却涛声依旧。
The red bookshelf in the same color as the walls of the Forbidden City, and the freehand ink paintings blending black and white, interpret the aesthetic spirit of the new Chinese style in another negotiation area. It seems that the few black brushstrokes on the huge white canvas paint the river that has flowed in Nanxiang for thousands of years. The prosperity has gone, but the sound of the waves still remains.

                            

                            
神秘高冷的黑色大理石为吧台,竖向条纹的冷灰色大理石材为背景,横向走线的金属隔板和灯具,打造出一个冷静又有质感的共享空间。
The mysterious and cold black marble as the bar counter, the vertical striped cool gray marble material as the background, and the horizontal metal partitions and lamps, all create a calm and high-end commune space.

                            
棕色木制的墙面和桌椅给咖啡交流区带来了温馨与惬意。咖啡区的打造,也强调了“生活方式”的理念,使得普通的售楼处在文化赋能下被最大程度的激活。
The brown wooden walls, tables and chairs bring warmth and comfort to the coffee bar. The design of the coffee area also emphasizes the concept of lifestyle, which enables ordinary sales centers to be activated to the greatest extent with the interpretation of culture.

                            

                            
具有异域风情的手绘彩色墙纸,成为儿童区域装饰的点睛之笔。墙纸上的植物图案与窗外的自然景观相映成趣,自然、幻想、童真,在这个空间尽情绽放。
The exotic hand-painted color wallpaper is the highlight of the childrens area decoration. The plant pattern on the wallpaper corresponds with the natural plant outside the window. Nature, fantasy and innocence fill up this space.
INFORMATION
项目名称 | 融信 上海 海纳印象 体验中心
业主信息 | 融信集团
甲方团队 | 周瑜玮、陈来、黄勇坚
地理位置 | 中国·上海
完成时间 | 2021年
设计面积 | 630 ㎡
硬装设计 | 牧笛设计
软装设计 | KOOMARK

                            

                            
由毛明镜先生创立于2011年,坐落于中国上海,现有团队成员近200名,致力于为国际不同行业的一流企业提供国际化的室内、家居、商业、平面以及产品设计服务,并获得诸多国际权威设计奖项,是一家具备多元化设计经验的合伙人制设计师事务所。

                            
毛明镜 Wally Mau

                            

                            

                            

                            
 

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上海牧笛室内设计工程有限公司//上海市

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