項目地點 LOCATION: 中國.廣東.珠海市
 
項目面積 SIZE: 126平方米
 
設計時間 DATE: 2019
 
設計單位 INTERIOR DESIGN: 廣州本至設計裝飾有限公司
 
項目性質 CLASSIFICATION: 陳設設計.商業空間.
 
方案設計 DESIGNER: 唐颖
 
攝影師 PHOTOGRAPHER：ALLEN

項目位於粵港澳大灣區,珠海十字門中央商務區橫琴片區，是集國際標準甲級寫字樓,現代會展,綜合商務配套設施等於壹體的，珠海新一代商務綜合體，時代孕育新機遇，在國家政策大力扶持下，片區功能日趨完善 不斷吸引人才和資源將引領珠海現代服務業及新興產業發展。
 
The project is located in Guangdong, Hong Kong and Macao Bay District, Hengqin District, cross gate Central Business District, Zhuhai, and The new generation of business complex in Zhuhai. The areas with concentration of business supporting facilities and promising new opportunities . With the strong support of national policies, the functions of the area are gradually improved, and the continuous attraction of talents and resources will lead the development of modern service industry and emerging industries in Zhuhai.

样板间紧靠珠江，从样板房的窗外望去，江对岸就是澳门。由于地理位置特殊，因此在思考这次的软装设计方向时，设计师希望室内的窗户不是唯一的室内外联结，这种联结可以人为地再次被加深，并以此加深内外空间从地理到精神上的关系。設計師受到珠江江水波紋形態的啟發，把波紋中的線條形態提取出來，運用到內部空間中，線條從內部蔓延到的外部，所以線條的運用是此次設計的重點。
 
The project is close to the Zhujiang River, wtih Macao on the other side of the project site. Because of the special geographical location, when thinking about the concept of the decoration design, the designer tried to push the boundaries betweeb the connections of window and spaces. This connection can yet, be artificially deepened, such as the relationship between the internal and external space from geography to the spirit. Inspired by the ripples of the Zhujiang River, the designer utilizes the form in the ripple and applies it to the internal space. By spreading lines from the inside to the outside, the line is the focus of this design.
 
 
 
   線條的排列方式從分布不均勻的形態到緊密有序地排列分布，每一種形式都會帶給空間使用者不同地感受。考慮到在同樣的形式下，在方正地空間中，小體量帶來的不確定性和大體量傳遞的穩定感，設計師把水波一樣的分布不均勻的線條形態留給小體量的物體，以期為空間增添水波一樣地動態地感受，而讓具有均勻分布線條的大體量家具加強空間中的穩定感。
 
With the arrangement of lines from uneven distribution to close and orderly arrangement and distribution, this element will  bring different feelings to space and viewers. Under the same form of square space, small volume will bring uncertainty and the large volume will convey the sense of stability. The designer left the uneven distribution of line and shape of water wave to small volume objects, so as to add dynamic feeling of water wave to the space. Simultaneously, the large volume furniture with uniform distribution lines strengthen the sense of stability in the space.

 城市中的路燈，行道樹，人行道，這些有序地線條排列，帶給人們穩定感和心理上的舒適感。在家具的挑選上，我們選擇序列性線條組成的家具或序列性線條感存在性較強的家具，由點及線，把規則線條為物體帶來的穩定感延伸到空間中，從臥室，起居室到餐廳，每一個空間的家具中都有相似地線條相互呼應，平衡了空間中小體量不規則裝飾帶來的流動感。
 
Street lamps, street trees and sidewalks in the city are arranged in an orderly way, which brings people a sense of stability and psychological comfort. In the selection of furniture, we choose the furniture composed of sequential lines. From the points and lines, we extend the sense of stability brought by regular lines to the space. From the bedroom, living room to the dining room, there are similar lines echoing between another in the furniture of each space, thus, balancing the fluidity brought by irregular decoration of small and medium-sized space .

軟裝作為空間設計的一部分，也需要思考與周邊環境的關系，與使用者的關系，此次嘗試給予我們的軟裝設計更多地可能性，同時或許也是更新軟裝設計與整體建築關系概念的開始。
 
As a part of space design, decoration design also needs to consider the relationship between the surrounding environment and the user. This attempt gives us more possibilities for decoration design, and may also be the beginning of developing the concept of the relationship between decoration design and the architecture design.