DESIGN / 袁珂 - 陈仕林

本中 • 建筑 \ 春华秋实 中国. 沈阳

TRANQUILITY / WARMTH / MINIMALIST

AESTHETICS / CHAINA

面朝浑河，春暖花开，这个屹立于浑河岸边的项目在一个春光明媚的午后与我们结缘。落地窗前是晴日的显烈、阴云的沉静、雨天的氤氲……秋末初冬，方案如期落地，她的名子叫——春华秋实。

The girls in the Quadro Room studio are not only designers, but also sensitive psychologists: they have to consider the personality and mood of the residents when designing the interior. The layering in various textures is always in the current trend list. Created a lively and timeless sense of space. They read the room not only visually but also tactilely. Pleasant texture, beautiful texture, harmonious color-physical experience has more value than before.

—— 本中 DESIGND

DESIGN DESCRIPTION

这个空间自足圆满，同时又因为光线在一天、一年之中的自然回转而留下不露声色的时间痕迹和四季表情：春有百花秋有月，夏有凉风冬有雪，于是这种空间感又在看似闭合这中多了流动的生机。

This space is self-sufficient and complete. At the same time, thenatural rotation of light in a day or a year leaves a silent time trace andexpression of four seasons: there are flowers in spring, moon in autumn, coolbreeze in summer and snow in winter. Therefore, this sense of space seems to beclosed and has more flowing vitality.

取其结构之美，用现代手法重新组合，圆弧拱柱的立面在视觉中大面积的留白，虚与实、显与隐、光与影互相作用。

Taking the beauty of its structure and recombining it with modern techniques, the façade of the arc arch column is left blank in a large area in the vision, and the virtual and the real, the visible and the hidden, the light and the shadow interact with each other.

材质少一些，肌理多一些；色彩少一些，留白多一些；灯光少一些，光影多一些，于是空间被隐去，光线却被塑形，时间感被极度削弱，空间感又被彻底增强。一切美好的共情仿佛都被定格那在一瞬间。

There are less materials and more texture; less colors and more white space; less light and more light and shadow, so the space is hidden, but the light is shaped, the sense of time is extremely weakened, and the sense of space is completely enhanced. All the beautiful empathy seems to be frozen in that moment.

围合式的餐区与西厨相结合，巧妙处理好空间形态和陈设之间的关系。酒柜内嵌式灯带，仿若在空间里加上一层自然的柔焦滤镜，浪漫的氛围跃于眼帘。一幅抽象绘画作品，从立面自然分割空间视线，将静谧收于画框，无尽欢颜显于画中。

The enclosed dining area is combined with western kitchen to dealwith the relationship between space form and furnishings. The built-in lightbelt in the wine cabinet is like adding a layer of natural soft focus filter inthe space, and the romantic atmosphere leaps to the eye. An abstract painting,from the facade of the natural division of space line of sight, will be quietin the frame, endless joy in the painting.

卧室同样没有华丽的铺陈，自然光线的动态视觉通过玻璃的折射与空间融合碰撞，在光影、材料、几何架构中呈现视觉的张力。

The bedroom also has no gorgeous display. The dynamic vision ofnatural light presents the visual tension in the light, material and geometricstructure through the refraction of glass and the fusion and collision ofspace.

SPACE EXPLOSION

DESIGN FLOOR PLAN

ABOUT DESIGNER

本：古字形在“木”的下部加“一”指示符号，标明树根的位置所在。

《论语·学而》有言，“君子务本，本立而道生。”

求木之长者，必固其根本。

中：和四方、上下或两端距离同等的地位，指中心。

不偏不倚谓之中，“喜怒哀乐之未发谓之中（即处于本源状态）。”

“本”与“中”二者相辅相成，有属于实物结构技术上之取法及发展者，有缘于环境思想之趋向者。

遵从万物的根源特点，尊重自然的发展规律，在传统中超脱、超越而不追求极端。

本中建筑，从自然出发，用设计语言反映城市和环境的记忆，注入现代人居的生活渴望，最终追求一种精神上的愉悦。

The architecture in the book starts from nature, uses the design language to reflect the memory of the city and the environment, injects the life desire of modern human settlements, and finally pursues a kind of spiritual pleasure.

内容策划 / Presented

策划 Producer ：Mei Ji File

撰文 Writer：Long 排版 Editor：W/fei

yright ：本中建筑