大理花醉艺术中心项目定义为集婚礼艺术、摄影、展示、餐饮、住宿于一体的综合性文创美学空间。

The Dali Huazui Art Center project is defined as a comprehensive cultural and creative aesthetic space integrating wedding art, photography, exhibition, catering and accommodation.

01. 设计缘起「 旅拍 」
The origin of design "Travel Shooting"

在场地附近的环海公路上，无论天气阴晴，都有追求山盟海誓的男男女女在拍婚纱，显然在车来车往的公路边拍照并不理想。于设计师而言，与业主一起创造一个舒适并激动人心的美学空间来满足旅拍人群的需求是很有意义的事情。

On the road around the lake near the project site, no matter if the weather is cloudy or sunny, there are men and women pursuing a solemn pledge of love taking wedding dresses. Obviously, it is not ideal to take pictures on the side of the road where cars come and go. For the designer, it is very meaningful to create a comfortable and exciting aesthetic space with the owner to meet the needs of the tourists taking pictures.

▲ 大理“花醉艺术中心”
Dali“Huazui Art Center”
©Zhao Junce

▲ 户外旋转楼梯
Outdoor Spiral Staircase
©RENPENG Image

02. 设计立意「 建筑即景观 」
The design conception "Building is Landscape"

苍山、洱海、玉带云是大理最富表现力的自然景观，你会时常看到升腾的云雾悬浮于山海间。

Cangshan Mountain, Erhai Lake, and Jade Belt Clouds are the most expressive natural landscapes in Dali. You will often see rising clouds and mist floating between the mountains and the lake.

▲ 俯览大理“花醉艺术中心”
Overview of Dali “Huazui Art Center”
©Zhao Junce

改造设计还原这样的景观意向，让建筑如“玉带云”般蜿蜒漂浮。由此将建筑景观化，融入山腰之中；同时建筑作为景观的容器，空间上与苍山、洱海对景。

The renovation design restores such a landscape intention, allowing the building to meander and float like a "jade belt cloud". As a result, the building is landscaped and integrated into the mountainside, at the same time, the building serves as a container for the landscape, facing the Cangshan Mountain and the Erhai Lake in space.

▲ 大理“花醉艺术中心”夜景
Night View of Dali “Huazui Art Center”
©LC•studio

▲ 大理“花醉艺术中心”夜景
Night View of Dali “Huazui Art Center”
©LC•studio

▲ 晚霞、夜景
Sunset Glow, Night View
©Dali “Huazui Art Center”

▲ 晚霞、夜景
Sunset Glow, Night View
©Dali “Huazui Art Center”

▲ 竖琴天梯 & 礼堂
Harp Ladder & Chapel
©Zhao Junce

▲ 竖琴天梯 & 礼堂
Harp Ladder & Chapel
©Zhao Junce

▲ 竖琴礼堂
Harp Ladder
©Zhao Junce

▲ 竖琴礼堂
Harp Ladder
©Zhao Junce

03. 场地策略「 连接与再造 」
Site Strategy "Connection and Reconstruction"

一条“风雨连廊”连接起了建筑与场地之间更多的可能性，提供了立体多样的游览体验。

A "wind and rain corridor" connects more possibilities between the building and the site, providing a three-dimensional and diverse tour experience.

▲ 情书广场与光影长廊
Love Letter Square & Light and Shadow Corridor
©Zhao Junce

▲ 情书广场与光影长廊
Love Letter Square & Light and Shadow Corridor
©Zhao Junce

在重要的空间节点处将连廊的局部做下沉与抬升处理，形成了礼堂与天梯，与远处的山海之景对话。

The part of the corridor is loweded and raised at the important space nodes, forming a chapeland a ladder which dialogues with the distant mountains and lake.

▲ 竖琴天梯 & 礼堂
Harp Ladder & Chapel
©Zhao Junce

▲ 竖琴天梯 & 礼堂
Harp Ladder & Chapel
©Zhao Junce

▲ 竖琴天梯 & 礼堂
Harp Ladder & Chapel
©Zhao Junce

连廊不仅仅作为流线交通系统，更是一个再造的游玩空间，一个连接场所与精神的重要媒介。

The corridor is not only a streamlined transportation system, but also a recreation play space, an important medium connecting place and spirit.

▲ 婚礼草坪
Wedding Lawn
©Zhao Junce

▲ 婚礼草坪
Wedding Lawn
©Zhao Junce

▲ 婚礼草坪
Wedding Lawn
©Zhao Junce

04. 运用自然「 光影与红岩 」
Use natural "light and shadow & red rock"

借助大理丰富的阳光资源，让建筑设计也如同乐器一般，可以谱写光影的乐章：从入口长廊曼妙的光斑婆娑到礼堂处富有仪式感的阵列光影线条，还有双曲面屋顶形成慵懒的漫反射，像云端处漫不经心的乐符，温柔的跳动。

With the help of Dali's abundant sunshine resources, the architectural design is like a musical instrument, which can compose the movement of light and shadow: from the graceful light spots in the entrance corridor to the ceremonial array of light and shadow lines in the chapel, and the hyperboloid roof forms a vague diffuse reflection, like the casual music on the cloud beating gently.

▲ 竖琴礼堂的阵列光影线条
Array of Light and Shadow Lines in the Harp Chapel
©Zhao Junce

▲ 竖琴礼堂的阵列光影线条
Array of Light and Shadow Lines in the Harp Chapel
©Zhao Junce

▲ 竖琴礼堂的阵列光影线条
Array of Light and Shadow Lines in the Harp Chapel
©Zhao Junce

建筑活动使挡土墙裸露出天然的喀斯特红岩，这是场地中不可忽视的资源。在室内外的设计中我们有意的保留原始岩面的自然之美，这种人工与自然之间的结合让空间也因此有了一种呼吸感。

The construction work exposed the natural Karst red rock to the retaining wall, which is a resource that cannot be ignored in the site. In the indoor and outdoor design, we intentionally preserve the natural beauty of the original rock surface. This combination of artificial and nature gives the space a sense of breathing.

▲ 土墙裸露出天然的喀斯特红岩
The wall exposes natural Karst red rock
©USUAL Studio

▲ 土墙裸露出天然的喀斯特红岩
The wall exposes natural Karst red rock
©USUAL Studio

▲ 裸露的天然红岩成为餐厅空间背景
The exposed natural red rock becomes the background of the restaurant space
©LC•studio

▲ 裸露的天然红岩成为餐厅空间背景
The exposed natural red rock becomes the background of the restaurant space
©LC•studio

05. 旅拍体验「 摄影艺术与空间美学 」
Travel Photography Experience "Photographic Art and Space Aesthetics"

美学空间有一个重要的基本功能：满足人们拍照打卡的需求。在这个项目中还需要设计师学会运用镜头的语言，以镜头为笔来刻画独特的旅拍空间。

The aesthetic space has an important basic function: to meet people's needs for taking pictures and checking in a famous site. In this project, it is also necessary for the designer to learn to use the language of the lens and use the lens as a pen to describe the unique travel photography space.

▲ 红色空间 
Red Space
©Liang Chen

▲ 红色空间 
Red Space
©Liang Chen


针对不同的功能空间我们设计了一系列不同的主题化场景，以开发式的空间流线串联起这些场景；不同的人会以不同的方式游走其中，产生属于他们自己的镜头故事和别样体验。

For different functional spaces, we have designed a series of different themed scenes, connecting these scenes in a developmental space streamline. Different people will walk through them in different ways, producing their own lens stories and different experiences.

▲ 竖琴礼堂 & 天梯 
Harp Ladder & Chapel
©Secret Gallery Image

▲ 户外沙滩泳池景观
Outdoor Beach Pool View
©LC•studio

▲ 户外圆形泡池
Outdoor Circular Pool
©Mo Fei

▲ 1号楼取景
Viewing of Building 1
©LC•studio

▲ 光影长廊
Light and Shadow Corridor
©LC•studio

▲ 屋顶休闲平台
Rooftop Leisure Platform
©LC•studio

▲ 下沉卡座庭院
Sinking Deck Courtyard
©LC•studio

06.  改造过程与技术图纸
Transformation process and technical drawings

▲ 改造前
Before transformation
©USUAL Studio

▲ 改造中
After transformation
©赵浚策 Zhao Junce

▲ 改造后
Before transformation
©USUAL Studio

▲ 总平面图
General Layout
©USUAL Studio