树木的生长，预示着一种时间的观念，

而年轮折褶却雕刻出动态的城市景观面貌。

四季更替，节气流转，光明与阴翳相互调换。

建筑于不经意间，设计成自然的部分。」

▲ Whole building

郁郁葱葱之间，一座白房子，消失在新澄路一侧。与相望的建筑群体形成鲜明的对比，5号森林，它静谧于城市自然之中。

Among the lush greenery, a white house disappeared on the side of Xincheng Road. In sharp contrast with the building groups facing each other, No. 5 Forest, it is quiet in the urban nature.

入口处，在有机的序列里，树木林立，利用大量的“种植”进行营造，尝试一种“自然修复”的方式，使之回归到更为纯朴的状态，形成一个能够联系人与自然的景观室内空间。

At the entrance, in the organic sequence, trees are standing, and a lot of planting is used to create, trying a natural restoration method to return it to a more simple state, forming a landscape that can connect with nature interior space.

由外及里，穿林而过，素雅白净的建筑体块，被斑驳的树影，投射出时间的痕迹，和生命的喜悦节奏，它们影影绰绰，它们起伏有落。

From the outside to the inside, through the forest, the simple and white building blocks, mottled shadows of trees, project the traces of time, and the joyful rhythm of life, they are shadowy, they are ups and downs.

有别于传统商业，5号森林的定义上，我们开始尝试探索新的空间使用功能，或咖啡厅，或Show场，或演讲台、亦或剧场、展览……相同的空间形态，指向不同的功能属性。

Different from traditional commerce, in the definition of No. 5 Forest, we began to try to explore new space use functions, or cafes, or Show venues, or podiums, theaters, exhibitions... the same spatial form points to different Functional attributes.

▲ Deconstruction

在一个长方形的白色盒子里，圆的置入，打破单一的几何形态，解放了熟悉的行走路径，并创造了动线的丰富，无需约束，进出自由。

In a rectangular white box, the circle is placed, breaking the single geometric form, liberating the familiar walking path, and creating a rich flow of movement, without constraints, free in and out.

台阶的高低层叠，方便行走，也可小坐。“围炉夜话”的文学意象，通过类型学的概念，模糊又清晰的呈现出来。

The steps are cascading for easy walking and sitting.The literary image of Evening talk around the fire stove is presented vaguely and clearly through the concept of typology.

吧台区是空间的主轴中心，一圈圈同心圆向外延展，三个狭窄的盒子体块穿插而入，给密闭的空间，开放了几处窗口，人来人往，穿梭其间，裁剪出营业时间里各种人物动作，或匆匆，或徐走。而天井的光，适当的时候，倾泻而下，蕴藏着某种场域独特的精神性，存在于你我，哪怕是，瞬息一念。

The bar area is the center of the main axis of the space. A circle of concentric circles extends outwards, and three narrow boxes are interspersed. Several windows are opened to the confined space. People come and go, shuttle between them, and cut out business. In time, various characters move in a hurry or walk slowly.And the light from the patio, when appropriate, pouring down, contains a certain spirituality unique to the field, which exists in you and me, even if it is a moment of thought.

由大而小，经过一个小盒子，拾级而上，对景的设计，使玻璃围合的绿植空间，既满足日常采光的需要，又让眼目得以舒展，植物的恣意生长，以一种热带雨林般强有力的方式，昭示着生命的旺盛和可爱。同时契合以虚显实，于曲折反复的路径中，景物营造的异曲同工之妙。

From the big to the small, through a small box, picking up the level, the design of the scene, the green plant space enclosed by the glass, not only meets the needs of daily lighting, but also allows the eyes to be stretched. The powerful way like the rain forest shows the exuberance and loveliness of life. At the same time, it fits the virtual to show the real, and in the tortuous path, the scenery is created with the same effect.

“网红”似乎是业主很喜欢，设计师很反感的词汇。“网红”也是最近两年业主描述商业空间调性的高频词汇。这也从侧面证明了一个现象：这是市场的需求，也是业主的基础诉求。

在接触的设计师当中，多数人对于“网红”嗤之以鼻，满是不屑。这和我预想的结果是一致的，这其中一定是存在着理解的偏差，或者说是设计师缺乏以客户思维看待项目的全局观。

设计行业并不是一个唯颜值论成败的行业。

这样的价值观误导了太多年轻设计师做上了华而不实的“大师梦”，从而忽略了对于解决客户问题的基础素养。

精成空间设计，有一套应对业主有限预算转化最大流量需求的解决方案。

他们，用心推敲每一个空间的构成、比例和尺度，塑造出极具建筑感的空间。极致的空间，在预料之外也在计划之内成为所谓的“网红”设计，为业主带来了指数级增长的流量。是好的设计，更是成功的设计。

确切诉求是“网红”，那请满足客户。

Project Name: No. 5 Forest

项目设计：精成空间设计

Project Design: JCD.interior design

Main creative designer: Li Bo

Design performer: Pan Xiaodong

项目撰文：Da Lim

Project author: Da Lim

Project Photography: ingallery

Project location: Wuxi·Jiangyin

Project year: 2020