“我在想，是什么吸引我去学习精湛的技艺。我意识到，这是一种理念，即在材料和工艺的限制下，人类已经尽其所能地制造出了某种东西。精美的细节如何展现熟练的工作，成为人类努力的有力体现。”

Jonathan Levien

“I was thinking about what attracts me to fine craftsmanship. I realise that it’s the idea that something has been made to the best of man’s ability within the limitations of materials and processes. How beautifully made details, revealing the work of a skilled hand, become a powerful expression of human endeavour”.

Jonathan Levien.

伦敦设计二人组Doshi Levien的灯光处女秀是一个被称为“Earth To Sky”的非常美丽独特灯

。这些完全自主生产的发光物体代表了设计工作室的一个新进步。美丽、朴实、诚实、深情和精湛的技艺都是这些神奇雕塑的重要组成部分。这个系列完美地象征了“从地面到天空”的理念。手工制作的

，金属锤子，材料的重量。天空带着苍穹，雕刻着空灵的品质，像珍贵的生灵悬在空中。

London design duo Doshi Levien’s lighting debut is an extremely beautiful collection of unique light pieces dubbed Earth To Sky. Entirely self-produced, these luminous objects represent a new step forward for the design studio. Beauty, levity, honesty, soulfulness and skilled craftsmanship are all essential components of these magical sculptures. The collection perfectly symbolizes the idea of “Earth to Sky”. Earth through the hand craftsmanship, the hammer on metal, the heaviness of the materials. Sky with the aerial, ethereal quality of the sculptures, like precious creatures suspended in air.

Earth To Sky

是毅力和时间、同步、直觉和偶遇的结果。首先，Nipa Doshi和Jonathan Levien渴望创造出真正独特的东西。不

灯具或发光的物体，而是神奇的雕塑。因此，设计师们开始探索照明作为一个雕塑对象，而不是一个功能

The Earth To Sky collection (7 objects) is the result of perseverance and time, of synchronicity, intuition and fortuitous encounters. First, Nipa Doshi and Jonathan Levien’s desire to create something truly unique. Not lamps or lights, but magical sculptures. So, the designers set out to explore lighting as a sculptural object, rather than a functional, utilitarian creation.

“我记得这个想法出现的那一刻。我当时正在草拟草图，并探索自由形式下线性与几何的融合。这种平衡，这种相互作用确实是我内心深处的

。我在直观，曲线美的雕塑形式旁边画出细线。Nipa拿起打孔机，刺穿其中一个形状，并在其中画了一条线。然后我们意识到我们不再只有一个合成物，而是一个实际的结构。一个非常有机的雕塑。”

Doshi Levien.

“I remember the exact moment the idea arrived. I was sketching, and exploring the coming together of linearity and geometry, with free form. This balance, this interplay is really a subject close to my heart. I was drawing fine lines next to intuitive, curvaceous, sculptural forms. Nipa picked up the hole-punch, pierced one of the shapes and put a line through it. We then realised we no longer had just a composition, but an actual structure. A very organic sculpture.”

Doshi Levien.

Doshi Levien

Doshi Levien

是由设计师Nipa Doshi和Jonathan Levien创立的，他们

皇家艺术学院。这家总部位于伦敦的工作室以其文化、技术、工业设计和精湛工艺的结合而享誉国际。

Doshi Levien was founded by the designers Nipa Doshi and Jonathan Levien, who met at the Royal College of Art. The London-based studio is internationally renowned for its marriage of culture, technology, industrial design and fine craftsmanship.

Nipa Doshi在印度长大，并在国家设计学院学习，该学院是根据Charles

Ray Eames的宣言建立的;Jonathan Levien接受了精细橱柜制作和工业设计的培训。他们一起努力创造超越理性和功能品质的作品，在他们的项目中注入一种真正的内在美。

Nipa grew up in India and studied at the National Institute of Design, founded on the manifesto by Charles and Ray Eames; Jonathan trained in fine cabinet making followed by industrial design. Together, they strive to create work that transcends rational and functional qualities, to imbue a sense of true inner beauty in their projects.

Nipa Doshi的实践植根于她多元的教

和敏锐的视觉文化眼光;Jonathan 的工业精密，结合了一个制造商的手的敏感性和对材料的深刻理解。研究的层次性、物质性和设计过程的触感——绘画、雕塑、色彩制作——使得作品以清晰的思想和看似毫不费力的对细节的关注而著称。

Nipa’s practice is rooted in her plural upbringing and astute eye for visual culture; and Jonathan’s in industrial precision, combined with the sensibility of a maker’s hand and deep understanding of materials. The layering of research, materiality, and the tactility of their design process – painting, sculpting, colour making – result in work that is distinguished by their clarity of ideas and seemingly effortless attention to detail.

Doshi Levien的作品之所以如此与众不同，不仅仅是因为他们对色彩、材料和形式的自信，更重要的是他们将细致的设计理念转化到生产环境中的能力。这使他们能够在从色彩到纺织品、从鞋类到照明、从家具到陶瓷的各个行业和类别中连贯地工作，常常将他们对一种工艺的理解带进他们对另一种工艺的工作中。

What makes Doshi Levien’s work so distinctive is not just their confident relationship to colour, material and form, but their ability to translate meticulous design ideas to the context of production. This has enabled them to work coherently across industries and categories, from colour to textiles, footwear to lighting, furniture to ceramics, often bringing their understanding of one process to their work on another.