Its very rare for architects to meet a client who is ready and willing to accept almost any kind of approach. The challenge was accepted – and the architects took the opportunity for little jests and pranks at every step. The final interior has an atmosphere of restrained kitsch, with incongruous mixtures – bright colours and contemporary shapes in giant classical stucco; level concrete floors with marble-faced walls; floors laid with classic French honey-tone herringbone alongside the kind of multicoloured concrete tiles you can find in street architecture in Spanish towns.
对于建筑师来说，遇到一个准备好并愿意接受几乎任何一种方法的客户是非常罕见的。挑战被接受了——建筑师们在每一步都抓住机会开玩笑和恶作剧。最后的内部有一种克制的庸俗气氛，不协调的混合物-明亮的颜色和巨大的古典灰泥中的当代形状；大理石面墙的水平混凝土地板；经典的法国蜂蜜色调人字形地板，以及你可以在西班牙城镇的街道建筑中找到的五颜六色的混凝土瓷砖。

The designers intentionally used items which dont match – either in style, or shape, or appearance.The interiors are filled with unusual items, which the designers gathered from every corner of the globe: an unevenly-proportioned chest of drawers clad in leather, Russian abstractionist paintings, bizarre Belgian light-fitting made of tubes, a specially-rusted extractor hood above the blue granite kitchen island...
设计师有意使用不匹配的项目-无论是在风格，或形状，或外观。设计师们从地球的每一个角落收集到的室内装饰中都充满了不寻常的东西：一个不均匀的抽屉柜，穿着皮革，俄罗斯抽象派绘画，比利时奇怪的光装，由管子制成，在蓝色花岗岩厨房岛上有一个特别生锈的抽油烟机。

Its an emotionally-charged interior that manages to be bright, yet calm enough for easy living.
这是一个充满情感的内部，设法是光明的，但足够平静的容易生活。