The space has been divided in a high central part, flanked on both sides by a balcony which is detached from the façade on the street side. At the rear of the store, two balconies end in two large walls behind which two identical stairs lead to the central space.
这一空间被划分在一个高的中心部分，两侧都有一个阳台，阳台与街道一侧的立面分开。在商店的后面，两个阳台以两堵大墙结尾，两道相同的楼梯通向中央空间。

This spatial organization – in combination with the striking blank-finished central columns and beam structure – aims for a pronounced graphic composition of horizontal and vertical lines. Because of this the visitor experiences new views at random positions in the shop.
这种空间组织-结合醒目的空白-完成中心柱和梁结构-目的是一个显着的平面组成的水平和垂直线。正因为如此，游客在商店的任意位置上都会体验到新的风景。

In strong contrast with this clarity, the spaces below and above the balconies were conceived as large-scaled niches. Both the partitions with book tablets and the ceilings have been carried out in darkly-stained wooden paneling, they look like boxes slid within the tight white structure. The wooden paneling evokes a warm traditional atmosphere while the simple and sober detailing of tablets, furniture, and lighting look for a strong contemporary treatment.
与这种清晰度形成强烈对比的是，阳台下面和上面的空间被认为是大尺度的壁龛。带有书板的隔板和天花板都是用深色的木制镶板进行的，它们看起来就像盒子在紧密的白色结构中滑动。木制面板唤起了一种温暖的传统氛围，而简单而清醒的细节，平板电脑，家具和照明寻找一个强大的当代处理。

The same can be said concerning the floor in dramatically flamed dark-brown marble which consciously references the ‘classic’ modernistic architecture of Mies van der Rohe and Adolf Loos. The monumental marble console, the desk and low central marble steps ensure a harmonious balance between old and new.
同样可以说，在地板上戏剧性地燃烧着深褐色的大理石，其中有意识地引用了“经典”现代主义建筑米斯，范德洛和阿道夫卢斯。不朽的大理石控制台，桌子和低矮的中央大理石台阶确保了新旧之间的和谐平衡。Without using any ornament, the subtle balance of structures and furniture such as display cases, reading lamps gives Copyright the feel of a contemporary book shop and the air of a traditional library.
在不使用任何装饰的情况下，结构和家具如陈列柜、阅读灯的微妙平衡给版权提供了当代图书商店和传统图书馆的空气的感觉。Publications:Kunsttijdschrift Vlaanderen, June 2012
Kunsttijdsch深层Vlaanderen，2012年6月Photography:Alberto Piovano
阿尔贝托·皮奥瓦诺