The complexity of this challenge, as well as the ambition of everyone involved opened up our ability to think about the details, from material choices, the iconic teak veneered elevators and walls to the customer experience.
这一挑战的复杂性，以及每个参与其中的人的雄心，让我们有了思考细节的能力，从材料的选择，标志性的柚木镶板电梯和墙壁，到客户体验。

During the construction of palace, Note Design Studio worked closely with SARC Architects and Skanska and had long conversations with the client, discussing everything from colour choices to custom-made trolleys. The dialogue continued with the chefs, who talked about the tone of voice of the table setting.
在建造宫殿期间，NoteDesignStudio与SARC建筑师和Skanska密切合作，与客户进行了长时间的交谈，讨论了从颜色选择到定制手推车等各种问题。与厨师的对话继续进行，他们谈到了餐桌设置的声音。

We imagined, not what Palace could be, but what it should be. For us, the space should not only convey a sense and respect for tradition, and highlight the local atmosphere, but also be expressive on its own.
我们想象的不是宫殿是什么，而是应该是什么。对于我们来说，空间不仅应该传达一种对传统的意义和尊重，也应该突出当地的气氛，而且也要表达自己的表现。

At Palace, every detail has been carefully thought of, not only in the interior design, but also in the collaboration with Agency Leroy on the graphic elements, to ensure that the palette was elegant and sophisticated, yet warm and welcoming.
在皇宫，每个细节都得到了仔细的考虑，不仅在室内设计方面，而且在与代理勒罗伊(Agency Leroy)在图形元素方面的合作中也是如此，以确保调色板优雅而精致，但又温暖而又受欢迎。

Having spent most of my life in Helsinki — working with Palace has been a humbling experience. We were given a chance to influence the interior of a space I have known since I was a child. I remember my grandfather speaking about Palace and its grandeur. Being given the change to create the new Palace is far beyond what I ever imagined.
在赫尔辛基度过了我一生中的大部分时间-在皇宫工作一直是一段谦卑的经历。我们有机会影响我从小就认识的一个空间的内部。我记得我祖父说过宫殿及其壮丽。被赋予了建造新宫殿的改变，这远远超出了我的想象。