Consisting of a small bench, a longer angled bench, a large circular bench, a low table, a screen and an occasional table, the collection is characterised by a geometric simplicity and elegant, slender form complimented by a muted yet bold palette. This uncomplicated but strong aesthetic is inspired by naive illustrations of furniture, but still there is surprise and delight. The benches have a flexible, stretched-fabric seating structure giving an unexpectedly soft, comfortable seat in contrast to the slim, defined appearance.
该系列由一张小长凳、一张较长角度的长凳、一张大圆形长椅、一张低矮的桌子、一张屏风和一张偶然的桌子组成，其特点是几何简单、优雅、细长，配以一种低调但大胆的调色板。这种朴实但强烈的美学灵感来自于朴素的家具插图，但仍然有惊喜和喜悦。长凳有一个灵活的，拉伸织物的座椅结构，提供了一个意想不到的柔软，舒适的座位，而不是苗条，明确的外观。

“I started thinking that technology actually moves forward so fast. 10, 15 years ago we were all hooked up to a specific working desk; you needed electrical power and also the connection to internet and so on. And now you don’t need that. People work in the coffee shop, at home, in the park, they work everywhere. That led me on to thinking this is more or less going back in time to the hunters and the nomads. They all end up meeting at this fireplace in the night; the Campfire.”
“我开始认为技术实际上发展得太快了。10，15年前，我们都被连接到一张特定的办公桌上；你需要电力，也需要连接互联网等等。现在你不需要了。人们在咖啡店，在家里，在公园里工作，他们到处工作。这让我觉得这或多或少是回到了猎人和游牧民族的时代。他们晚上都在这个壁炉碰头；营火。“

“When we discussed the project it was more of an emotional way of talking about it. You cant actually put a finger on it, what it is. Its just a feeling of being safe or feeling that you have contact with everyone.”
“当我们讨论这个项目时，更多的是一种情感上的谈论它的方式。你实际上不能把手指放在上面，它是什么。这只是一种安全的感觉，或者是你和每个人都有接触的感觉。“

Campfire series was launched last week during the annual Designers Saturday Oslo
篝火系列于上周在奥斯陆举行的年度设计师大会上推出。