The proposal involves two elements that, as a tuning fork, give shape to an open square. A square that, alike a sound box, allows the city’s involvement in the cultural life taking place in the building.
该建议涉及两个要素，作为一个音叉，使形状的开放广场。一个广场，就像一个音箱，允许城市参与建筑中发生的文化生活。

It is an escape from enclosed solutions bringing out the advantages of such site, a great emptiness included in the urban plot delimited by the volumes that define the program, all with an edifice that does not stand out over the whole. The larger volume with the auditorium, exhibition zone and café, is located in the northern part of the site, next to the higher buildings; at a lower level, the square defines it’s elevation by means of the volume that contains administration and library, coexisting with Alfafar’s former plot.
这是一种从封闭的解决方案中解脱出来的一种方法，它展示了这样的网站的优点，这是一种巨大的空虚，它包含在城市地块的范围内，由定义程序的卷组成，所有这些都有一座不突出于整个城市的大厦。大礼堂、展区和咖啡厅的面积较大，位于场地的北部，靠近较高的建筑物；在较低的层，广场通过包含行政和图书馆的容量来确定它的海拔，与阿尔法尔以前的地块共存。

The proposal aims to achieve reconciliation between formal compaction and functional autonomy of each of the parts of the program, as well as the relation of these with the square. Access to the auditorium is easy and clear, and takes place a level over the stalls. The bifocal disposition of the auditorium is determined by its easy adaptation and division depending on the number of spectators and on the event taking place: plays, Movie Theater, conferences… Moreover this disposition also permits a scale control of a hall of such dimensions. The auditorium has orchestra, stage and sound and image cabins.
该方案旨在实现程序各部分的正式压实和功能自主之间的协调，以及这些与广场的关系。去礼堂是很容易和清楚的，而且在摊位上都有一个台阶。礼堂的双焦点布置取决于观众的数量和发生的事件，由其容易的适应和划分来确定：戏剧、电影院、会议……此外，这种配置还允许对这种尺寸的霍尔进行规模控制。礼堂有管弦乐队、舞台和声音和图像小屋。

Access is situated on the same level as the temporary exhibition hall, generating a lobby which guarantees functional independence. In the upper floor, seeking zenith light, the Edgar Neville gallery can be found.
通道位于与临时展馆相同的水平，产生一个保证功能独立性的大厅。在上层，寻找天顶光，可以找到EdgarNeville画廊。

From the access a light slope invites you to enter the square; here and opened towards the entrance, is the café. At the minor volume’s ground level, administration can be found controlling the complex. The library at a lower level, with zenith illumination by means of a high ceiling, is also opened to the public square. At basement level, two parking floors can be found as well as the annexed spaces.
从入口处有一个小坡，邀请你进入广场；这里，向入口开放，就是咖啡厅。在较小体积的基层，行政可以发现控制复杂。较低层的图书馆也向公共广场开放，天顶以高天花板照明。在地下室层，可以找到两层停车场以及附属空间。

The building is shaped by means of a unitary coating, sometimes perforated, generating a continuous weave. The skylights are solved by means of a constructive detail borrowed from Aalto’s work, increasing them in number and reducing their dimension. This solution does not pretend to be a simple cover, but looks forwards to the determination of a space by means of one of its most important variables: its illumination. The later becomes dramatic and magic in those places where possible (access, circulation areas, workshops, parking’s…); and becomes homogeneous where needed in spaces such as the library and administration.
建筑物的形状是由单一的涂层，有时穿孔，产生一个连续的组织。通过从Aalto的作品中借用一个建设性的细节来解决天窗问题，增加了它们的数量，减少了它们的维数。这个解并不假装是一个简单的覆盖，而是期待通过其最重要的变量之一来确定一个空间：它的光照。后者在那些可能的地方变得戏剧性和神奇(进入，流通区域，车间，停车场的…)；在需要的地方，如图书馆和管理部门，会变得同质化。

In the Edgar Neville gallery the illumination possibilities are from a neutral zenith light so desired in a museum to, by means of artificial light and the closing of all skylights, the light perfection demanded in nowadays contemporary art museums. These zenith perforations are also present in the square’s floor, illuminating the parking and giving shape to the square. We can also find them in some vertical surfaces in a minor scale that, together with the horizontality of the volumes, confer the whole the aspect of an elegant sound system.
在EdgarNeville画廊中，照明的可能性从博物馆中所需的中性天顶光到，通过人工光线和关闭所有天窗，现代艺术博物馆所需的光线完美。这些天顶穿孔也出现在广场的地板上，照亮了停车场并形成广场的形状。我们也可以在一些垂直的表面上找到它们，它的比例很小，加上体积的水平性，赋予了一个优雅的音响系统的整个方面。

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