一饮而尽 | Drink all

当你走进这里，所有的梦与想，都被允许，欢乐或忧愁，我们一饮而尽。这次的项目是以正宗意大利菜和产自威尼斯的Prosecco起泡酒为卖点的时尚酒馆——“ La Goccia ”，La Goccia为意大利语“一饮而尽”的意思。整个项目设计师通过观感、触觉、听觉及消费感受向消费者传达“新式小酒文化”、“自由的混搭感”以及“自由搭随便耍”等耍家文化概念来凸显成都本土与国际相融的城市特点。

▼项目概览，overview

▼侧门入口，entrance

“引”桥 Leader

项目位于成都中心太古里商圈，紧邻量子光电竞场和滑板广场，是一个年轻、时尚、充满活力的社区活动中心，然而这个片区类似案例已有不少，那么如何确立好自己独特的IP呢？设计师试图从威尼斯与成都的渊源入手，13世纪马可·波罗见到成都水上繁荣之景象，恍然以为见到“东方威尼斯”。这一点，单单从地名就能如实反映，《华阳国志》记载：“蜀江众，多作桥，故蜀立里多以桥名。

Located in the Taikooli business district of Chengdu, close to Quantum Optoelectronics and Skateboard Plaza, this project is located in a young, fashionable and vibrant community activity center. There are many similar cases in this area, so how to establish your own unique IP? The designer tried to start from the origins betwen Venice and Chengdu. When Marco Polo saw the prosperous waters scene of Chengdu in the 13th century, he thought he saw “Venice of the East.” This can be accurately reflected from the place name alone. “Huayang Guozhi” once recorded: “Sichua have many bridges, so the place in Sichua are often named after multiple bridges.

▼店铺外观，exterior view of the store

▼入口处的狮头是威尼斯的标志，the lion is the symbol of Venice

于是，设计师从东西方不同特点的桥梁中，去寻找共鸣点，并从中抽离出了最基本的构成语言——“拱”。无论是翡冷翠的Vecchio,还是威尼斯的里阿尔托，或者是中国的卢沟桥，“拱”是他们共有的特点。除此之外，项目中也大量运用了威尼斯的元素来为该店添加特色。狮子是威尼斯的标志，设计师选用艺术装置来抽象的表达，入口处的狮头便是用切片的方式，将导光板插入墙面，形成艺术装置。

Therefore, the designer searched for resonance points from Eastern and the Western bridges with different characteristics and extracted the most basic formation language – “arch”. Whether the Vecchio, or the Rialto in Venice, or the Lugou Bridge in China, the “arch” is the common feature. In addition, the project also uses a lot of elements from Venice to add features to the store. The lion is the symbol of Venice. The designer chooses the artistic device to express it in an abstract way. The lion at the entrance is a sliced way to insert the light guide plate into the wall to form an artistic device.

▼入口吧台及散座区，scattered dinning area and the bar

▼散座区，scattered dinning area

▼入口吧台，the bar at the entrance

▼中岛吧台，the Nakajima bar

▼酒柜细部，details

“造”塔 | “Building” tower

整个项目面积约380㎡，分为上下两层，一楼以意餐为主，楼上则更侧重于酒吧。原始建筑空间，一楼的平面进深很浅，设计师试图将吧台置于中间，结果发现，实现不了中岛的格局。纠结中，发现一个惊喜，南侧外墙后面有一个可利用的空间，于是设计师把外墙向南移动了两米多，增加了二十几平米的面积，中岛吧台的格局也成立了。

▼剖面图，section

▼移动南侧外墙形成中岛吧台以及南侧散座区，moved the outer wall to the south and increased area of twenty square meters

▼座椅及吊灯细部，details of the furniture

▼楼梯，staircase

北侧是外摆区，为了让空间的进深更有层次，设计师将北侧的开启面尽可能的做大，室内外的界面模糊化处理。再加上地面材质一体化的延伸，外摆区三米多的尺度也纳入一体化的空间视觉感受里。因此，原本局促的空间延伸得到了极大的改善。为了打破在竖向空间上的限制，设计师对二层楼板进行了开凿，形成了天井，并把吧台背后的酒架，直接冲上二层，形成了十四层拥有七米高的酒塔。在平面布局上，酒塔是由两个“L”型和中间一个“T”型所组成的围合结构。因此，室内空间形成了三座有立体感的高塔，气势感十足。

The north side is the outer swing area. In order to make the space more layered, the designer enlarges the opening surface on the north side as much as possible, and he also blurs the interface between indoor and outdoor. Coupled with the extended ground material integration, the outer pendulum area with more than three meters in length is also included in the integrated spatial visual experience. As a result, the space extension that was originally cramped has been greatly improved. In order to break the limitation in the vertical space, the designer excavated the two-story floor to form a patio, and moved the wine rack behind the bar directly to the second floor, forming a four-story, seven-meter-high wine tower. In the planar layout, the wine tower is a closed structure consisting of two “L” shapes and a middle “T” shape. Therefore, the interior space has formed three high-rise towers with a sense of three-dimensionality.

▼二层卡座，seating area at the 2nd floor

▼家具细部，details

▼外摆区，the outer seating area

▼桌椅细部，details

“借”竹 | “Introducing” bamboo

竹是四川的特产，而借景则是中国古典园林常用的手法，两者看似跟意大利餐吧没多大关系，不过意外的惊喜总是会被用心的人发现。当拿起酒杯，或敬朝阳或敬月光，寒窗外的竹影可不仅仅温柔了你我，逆风飞翔的也不仅仅是东西方的设计差异。然而设计它也不仅仅局限于室内，这和外部的环境也紧密相关，设计师发现酒吧南侧墙外是茂密的竹林，对设计师而言，这几乎是捡来的宝贝。于是设计师在南侧外扩的墙体上留了一排高窗，并听取灯光顾问的建议，在竹下加一排光源，于是，神来之笔应运而生。竹影的生成让空间变的灵动富有生机，形成了在空间进深轴线上的第六道，也是最后一道景观。

Bamboo is a specialty of Sichuan, and introducing scenery is a common method used in Chinese classical gardens. The introducing scenery and bamboo seem to have little to do with Italian restaurants, but unexpected surprises are always discovered by people who are careful. When you pick up the glass, you can respect the sun or the moonlight. The bamboo shadow outside the window is not only gentle to you, but also the design difference between East and West. However, the design is not limited to indoors, which is closely related to the external environment. The designer found that there is a dense bamboo forest in the south side of the bar . For the designer,it is almost a cherished treasure. So the designer left a row of high windows on the wall outside the south side, and he listened to the lighting consultant to add a row of light sources under the bamboo. Therefore, inspiration becomes a reality. The generated bamboo shadows makes the space become more dynamic and full of vitality, forming the sixth landscape on the axis of the space,which is the last landscape.

▼南侧外扩的墙体上留了一排高窗，在竹下加一排光源，a row of high windows on the wall outside the south side, and a row of light sources under the bamboo

▼一层平面图，first floor plan

▼二层平面图，second floor plan