This is the reconstruction and reconfiguration of a postwar two storey detached house, about 100m2, located in the area of Thisio in Athens, in a plot which is fully covered.
这是战后两层分离房屋的重建和重新配置，约100平方米，位于雅典的提奥西奥地区，是一个完全覆盖的地块。

Beside the restoration work which had to be done for the statics of the building, the configuration of the far spatial organization was another significant intervention of the study.
除了必须为建筑物的静力学而做的恢复工作之外，远空间组织的配置是研究的另一个重要干预。

The indoor organization of the detached houses of ‘50s was almost standard. On the ground floor, one could find the daytime functions: the sitting room, the living-room, the kitchen, perhaps a small wc; on the other floor, the nightly functions: the 3 bedrooms, the bathroom, the store room-laundry and the back balcony which had access to the camber through metal stairs. All the rooms locked over the street, as usual, because life in the neighborhood was intrinsic to it.
50年代独立住宅的室内组织几乎是标准的。在底层，人们可以找到白天的功能：起居室、厨房，也许是一个小小的厕所；另一层，夜间的功能：3间卧室、浴室、储藏室-洗衣房和后阳台，它们可以通过金属楼梯进入曲面。像往常一样，所有的房间都锁在街道上，因为附近的生活是它固有的。

The building was to be bought by the new owners because it had an important advantage (besides its location)- the back of the second floor had a view of the Acropolis.
这个建筑是由新的主人买的，因为它有一个重要的优点（除了它的位置）-二楼的后面有雅典卫城的景色。

The aim of the study of the house was the exploitation of that view and how it would be able to become the most important element in the final spatial configuration in order to serve the owners both interns of their needs and in terms of aesthetics. Of course, the purchase would depend on this solution.
研究房屋的目的是利用这种观点，如何能够成为最终空间结构中最重要的要素，以便为业主提供其需求和美学方面的实习人员。当然，购买取决于此解决方案。

All this was achieved, to a maximum, through this study and its application afterwards, which literally brought things upside down. So on the ground floor, besides the entrance was/we created the bedroom with the owners’ private bathroom, a small living-room which is transformed into a guest-house after changing the movable elements, which separate it from the bedroom, a small wc for the guests and a storeroom.
所有这一切都达到了最大的目的，通过这项研究及其以后的应用，这确实使事情变得颠倒了。所以，在一楼，除了入口，我们在卧室里创造了主人的“私人浴室”，一个小客厅，在换了可移动元件后变成了一个客人房间，这把它与卧室分开了，一个小的厕所供客人和一个储藏室。

As the ground-floor gets light only through the two windows that overlook the street, walls and doors have been removed and replaced with big movable panels made of wooden surfaces with either walnut finishing or that of the walls.
由于一楼的光线只能穿过两个俯瞰街道的窗户，墙壁和门都被拆除了，用木质表面制作的大的活动面板代替了核桃整理或墙壁。

Opposite the entrance, a staircase with steps made of solid walnut “planted” on the wall leads to the floor where a single space has been created, which includes a living-room, a dining-room, a kitchen with a straight continuation towards the veranda. The big glass wall was built so that it could become a large frame with a view to the Acropolis. From the veranda, a steel stair leads to the terrace; from there somebody has the superlative view to the Attica sky, to Acropolis, to the “observatory”, to Athens…
在入口处对面，有一个楼梯，用实心胡桃“种”在墙上的台阶上，通向地板，在那里创造了一个单独的空间，其中包括一个客厅、一个餐厅、一个一直延伸到阳台的厨房。这堵大玻璃墙的建造是为了使它成为一个大框架，可以看到卫城。从阳台上，有一个钢楼梯通向露台；从那里有人可以看到阿提卡天空、雅典卫城、“天文台”和雅典…。

The needs and the aesthetics of the owners as well as the architect’s were concurrent. A monochromatic was created, in the shades of the earth shell, natural materials were used, non-sterile, where furniture, items, memories can coexist harmoniously, without affectation.
业主和建筑师的需求和美学是并发的。在地球外壳的阴影中产生了单色，自然材料被使用，非无菌的，其中家具、物品、记忆可以和谐共存，而不会影响。

The beige is the main color of the coated surfaces of the walls and of the floors, of the marble floors, of the hollows and of the most cloths, in a coexistence with the wood of the walnut and the black of the metal constructions, of the switches, of some items which stand for other seasons. You are in a constant conversation with the lively frame of Acropolis and bring you into a pleasant nostalgic attitude, somewhere else… The metal elements, which were used for the restoration, remained visible, as well as the building elements of the old construction.
米色是墙壁和地板的涂层表面、大理石地板、空心地板和大多数布的主要颜色，与核桃木、金属结构的黑色、开关以及其他季节的一些物品共存。你不断地与卫城的生动框架进行对话，并使你进入一个愉快的怀旧态度，在其他地方的…。用于修复的金属元素和旧建筑的建筑元素仍然可见。

The old outwards hollows remained and maintained and at the frontage the railing and the gutters were redesigned. The colors that were used for the internal were also used for the external. The lighting was studied for showing the building both inside and outside but with respect to the region of Thisio, the monument of Acropolis, the atmosphere that is brought by the building.
旧的向外空隙仍然存在并保持着，在正面，栏杆和排水沟被重新设计。用于内部的颜色也用于外部。对照明进行了研究，以显示建筑物的内外，但相对于蒂希奥地区，雅典卫城纪念碑，该建筑所带来的气氛。