PIER ONE - MINAS KOSMIDIS

2019-09-19 16:22

                            
“Pier One” is developed through the impressive metallic volume of a building which is located in an advantageous location. It has a180° view towards the waterfront of Limassol. The old and new piers, the endless sea, the old port and the new marina unfold in front of the visitor’s eyes. All the above elements of the surrounding area have been sources of inspiration during the design process. Moreover, the fact that the metropolitan areas of Limassol and Larnaca are natural reserves for various species of birds and especially flamingos has been a major factor for the design concept of the project.
“1号墩”是通过位于有利位置的建筑物的令人印象深刻的金属体积来开发的。它对Limashol的海滨有A180°的视野。旧的和新的码头,无尽的大海,旧的港口和新的码头在游客的眼前展开。在设计过程中,周围区域的所有上述元件都是灵感的来源。此外,Limashol和Larnaca的大都市区是各种鸟类的自然储备,尤其是火烈鸟,是该项目的设计理念的一个主要因素。

                            

                            

                            

                            

                            
The new bar-restaurant should be formed on a single level separating in the minimum extent the interior and exterior space. In the inside, the operating and secondary services (kitchens, warehouses, WC, etc.) were already constructed and had to be maintained in their original state. As a result, the interior space that could be re-designed was limited to a glass volume, with openings on three of four sides, of which one was actually leading on the terrace and therefore it had to remain partly open. The exterior space consisted of a spacious roofed terrace of nearly five meters height. The metallic structure of the building, its beams and columns were all visible and painted white, playing an important role in the overall impression of the building’s shell. All this empty, white-metallic volume of the building had to liven up and transform into a bar-restaurant that will be able to narrate a clear and interesting story to the visitors.
新的酒吧餐厅应该在一个单一的层次上形成,在最小的范围内,内部和外部空间分开。在内部,经营和辅助服务(厨房、仓库、厕所等)已经建好了,必须保持原来的状态。因此,可以重新设计的室内空间被限制在玻璃体积上,四面中的三面都有开口,其中一面实际上是通向露台的,因此它必须保持部分开放。外部空间包括一个近五米高的宽敞的屋顶露台。建筑物的金属结构、梁和柱都是可见的,漆成白色,在建筑物外壳的整体印象中起着重要作用。所有这些空洞的,白色金属的建筑,不得不活跃起来,并转变成酒吧餐厅,将能够讲述一个清晰和有趣的故事给游客。

                            

                            

                            

                            

                            
In the interior, a white cubic metallic frame has been constructed, coated on both sides with a thin oak wooden layer, which functions as a grid, where a variation of wooden elements such as little slats and illuminated rings create a three dimensional composition. The metallic grid which was designed as a conceptual idea of a “box in a box” has adequate dimensions in order to surround the whole interior dining area. Moreover, the rectangular openings of the grid, in various sizes, leave proper openings towards the view. Moving on the terrace, the feeling of the surrounding area, the view of the blue sea and the horizon as well as the old port was intentionally left unobstructed. The exterior bar, that has been placed centrically on the floor plan, towards the side of the exterior staircase and covered by backlit slabs of onyx, creates the ideal background for the metallic white composition on the first level which reproduces the pattern with the rings and slats of the interior grid. The volume of the bar is the center of attention on the terrace and being lighted during the night invites the passing by to approach and explore the space. The highest points of the external volume of the terrace are occupied by a flock of pink metallic flamingos in flight formation, which give the impression that by flying, they make their passage through the restaurant symbolizing beauty and freedom. The tropical plants, the pink color of the lighting fixtures and the multicolored bottles on the shelves of the bar complete the color palette of the terrace. Furthermore, furniture made by white metallic frames, having as a background the wooden surface of the floor introduce the white of the building’s structure into the space. The furniture’s fabrics on the other hand, balance between beige and blue (sand-sea) shades with pink touches which compose the final image of the narrative of “Pier One”.
在内部,一个白色的立方体金属框架已经被建造,涂在两边的薄橡木层,这作为一个栅格,其中一个变化的木制元素,如小板条和照明环创造了一个三维的组成。金属栅格被设计为“盒子中的盒子”的概念,它有足够的尺寸来包围整个内部用餐区。此外,网格的矩形开口,在不同的大小,留适当的开口朝向视图。在露台上移动,周围地区的感觉,蔚蓝的海景,地平线,以及旧的港口,都是故意不受阻碍的。外部标杆位于平面图中央,朝向外部楼梯的一侧,覆盖着背光的红玛瑙,为第一层的金属白色成分创造了理想的背景,它用内部栅格的环和板条再现了图案。酒吧的音量是露台上的焦点,晚上被点亮,邀请路过的人靠近并探索空间。露台外部体积的最高点被一群粉红色的金属火烈鸟占据着,这给人的印象是,通过飞行,它们穿过餐厅,象征着美丽和自由。热带植物,照明装置的粉红色和酒吧货架上的五颜六色的瓶子完成了露台的调色板。此外,由白色金属框架制成的家具,以地板的木质表面为背景,将建筑物结构的白色引入空间。另一方面,家具的面料,米黄色和蓝色(沙海)之间的平衡与粉红色的接触,构成了最后的形象的叙事“第一码头”。

                            

                            

                            

                            

                    

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Kimberley

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