The café bar –O13 (ocean thirteen) is located in one of the most advantageous position in the city of Thessaloniki. In the city center in Aristotelous Square, under the gallery which was designed by Ernest Hébrard is facing the coast. It is viewing the Thermaikos Gulf, the port, the Aegean Sea, the Mediterranean Sea and our thoughts to the “ocean”.
福林酒吧-O13（海洋十三）位于塞萨洛尼基市最有利的位置之一。在亚里士多德广场的市中心，由ErnestHingBrard设计的画廊面向海岸。它正在查看Thermaikos海湾、港口、爱琴海、地中海和我们对“海洋”的想法。

Communicating vessels with the “water” being the basic element to this interaction, like the trends-the waves of art of the fashion of the design each season.
与“水”交流的船只是这种相互作用的基本要素，就像每一个季节设计时尚的潮流一样。

There are strong influences from the latest 50’s and 60’s. There are references in the modernism of 50’s and Eames from the other side of the Atlantic Ocean, and to the Italian finesse design of the 50’s-60’s and Gio Ponti, both in the forms and the use of the materials with the objective of affordable non pretentious luxury.
最近的50年代和60年代有强烈的影响，50年代的现代主义和大西洋彼岸的伊姆斯，以及意大利50年代-60年代和吉奥·庞蒂的巧妙设计，无论是在形式上还是在使用材料上都有参考，其目的是以负担得起的非浮华奢侈品为目标。

Geometric shapes, with a strong presence of the rhombus both on wall-papers and fabric with the colors of passion, the blue sea, sky, and red intensity combined with wooden surfaces from walnut sometimes like constructed elements and sometimes taking shapes of intense symbolism like fish scales that consist elements-parts of the puzzle of this area.
几何形状，强烈的菱形存在于壁纸和织物上，带有激情的颜色，蓝色的海洋、天空和红色的强度与胡桃木表面的木制表面结合在一起，有时像构造的元素，有时像鱼鳞一样具有强烈的象征意义，构成了这个地区拼图的一部分。

An important element is that the surfaces of oxidized bronze, like the rest time has left its mark up, to recall other times, gold and red sunsets that anyone can see the sea of Thessaloniki and sometimes the gold and silver reflections of fish in the water under the Mediterranean Sun.
一个重要的因素是，氧化青铜的表面，就像休息时间一样，留下了痕迹，回忆起其他时候，人们可以看到塞萨洛尼基海的黄金和红色日落，有时也能看到鱼在地中海阳光下的金银倒影。

On the whole scene the shutters around the windows are coming to complete, the shading element of most houses, in Italy, France, Spain, Portugal beach in the Mediterranean and Atlantic in earthy tones like those of the floor walls and ceiling.
在整个场景中，窗户周围的百叶窗即将完成，大多数房子的遮阳元素，在意大利，法国，西班牙，葡萄牙海滩在地中海和大西洋的泥土色调，如地板墙壁和天花板。

Furniture and fixtures designed with influences from those decades.
家具和夹具设计的影响来自于这几十年。

Items symbols design like fiat 500 and the Vespa complete the transfer in an atmosphere of refined carefree generation of that season, like being a part of Fellini’s film “Dolce vita”.
项目符号设计，如菲亚特500和卫斯帕完成转让在一个精致无忧无虑的时代的氛围中，就像费里尼的电影“多尔塞维塔”的一部分。