“La Maison du Grec” is about a Greek “bistro” with gastronomy based on Greek traditional recipes, with fresh ingredients from Greece in combination with a more innovative way of production and implementation. The goal was to create a *place to be*, an attraction in the center of Kifissia where customers can enjoy meals, coffee and drinks throughout the day...
“La Maison du Grec”讲述的是一家希腊“小酒馆”，它以希腊传统食谱为基础，以希腊的新鲜配料为基础，结合一种更创新的生产和实施方式。我们的目标是创造一个“去的地方”，在基菲西亚中心的一个吸引人的地方，在那里，顾客们可以全天享用美食、咖啡和饮料.

Of course, in order to achieve that an identity should be created, a strong “Brand” which exudes a specificity and uniqueness.
当然，为了实现这个身份应该创造一个强大的“品牌”，它散发出一种特殊性和独特性。

The design of the space and the creation of a pleasant environment were achieved by the complexity of the interior. The space is developing in two levels where the main functions located in the first level, while a few tables for the lonely customers located in the second level. The inner courtyard at the back of the store is a pleasant surprise for the visitor to discover an isolated and remote place from the disturbance and the movement of cars.
空间的设计和令人愉快的环境的创造是通过内部的复杂性来实现的。该空间是在两个层次中开发的，其中主要功能位于第一级，而对于位于第二级中的孤独客户来说，只有几个表。商店后面的内部庭院对于游客来说是一个令人愉快的惊喜，可以发现干扰和汽车移动的隔离和远程的地方。

The inner courtyard is also an inspiration for the central design idea, a concept that would tie up perfectly with the business plan.
内部庭院也是对中心设计理念的启发，是一个与商业计划完美结合的概念。

The old Athenian houses with inner courtyards and the old mansions of Kifissia became a benchmark and inspiration both themselves and the individual decorative elements. The decorations on the ceilings and the floors, the plaster and marble figures but also the elaborate metal manufactures doors and gates are some of them. Except that none of these was used without renegotiate with the modern lifestyle. A design which is primarily “redesign” of the objects and forms from the past with a modern look not only from the creator, but also from the viewer which try to regain their lost glory. The antefix is perhaps the most characteristic element which connects the classical and modern era Greece. One element that is extensively used in buildings of all kinds, in all architectural styles in almost every season! This item according to the designers never found the recognition that deserves as an autonomous artistic creation; it has always been complementary and secondary. This blossom antefix, enlarged and made of wood now, stands in a prominent position as a stand-alone work of art trying to find the recognition it deserves.
带有内院的雅典老房子和基菲西亚的老宅邸成为了他们自己和个人装饰元素的基准和灵感。天花板和地板上的装饰品，石膏和大理石图案，还有精致的金属制品门和大门就是其中的一部分。但没有一个是在不与现代生活方式重新谈判的情况下使用的。一种主要是对过去的物体和形式进行“重新设计”的设计，其现代外观不仅来自创造者，也来自试图重新获得失去的荣耀的观众。它也许是连接古典和现代希腊的最具特色的元素。一个元素，广泛使用在各种建筑，在所有的建筑风格，几乎每一个季节！这一项目，根据设计师们从未发现的认可，值得作为一种自主的艺术创作，它一直是互补和次要的。这朵盛开的史前画，现在是由木材扩大而成的，作为一件独立的艺术作品，它站在了一个突出的位置，试图找到它应得的认可。

A Greek bistro with gastronomy based on Greek traditional recipes.
一种以希腊传统食谱为基础的具有美食的希腊小酒馆。

The space is developing in two levels. The inner courtyard is an inspiration for the central design idea.
空间正在两个层次发展..内院是中央设计理念的灵感源泉..

The old Athenian houses with inner courtyards became a benchmark and inspiration both themselves and the individual decorative elements. The decorations on the ceilings and floors, the plaster and marble figures, the metal manufactures doors are some of them. The design is a “re-design” of the objects and forms from the past. The antefix is the most characteristic element which connects the classical and modern era.
带有内庭院的雅典旧民居成为了他们自己和个人装饰元素的基准和灵感。天花板和地板上的装饰品，石膏和大理石图案，金属制造的门就是其中的一部分。设计是对过去的对象和形式的“重新设计”。前奏是连接古典与现代的最具特色的元素。