The sea food restaurant - cocktails bar called *Gin Fish*, is located in one of the best spots of the city of Thessaloniki. Opposite the “landmark” of the city the White Tower, facing at the same time the sea front.
一家名为“金鱼”的海鲜餐厅-鸡尾酒吧，坐落在塞萨洛尼基市最好的景点之一。对面是城市的“地标”白塔，同时面向海滨。

With direct view to Thermaikos Gulf, the port and in a more expanded point of view to liquid element, water, Aegean, Mediterranean Sea and to the natural environment of any marine existence.
从直接的角度来看，港口和一个更加膨胀的观点是液体元素、水、爱琴海、地中海和任何海洋存在的自然环境。

The fish market of Mediterranean ports, the marine products sold in them, and the way these are caught, were reference and inspiration for the design of the project.
地中海港口的鱼类市场、销售的海洋产品以及这些产品的捕获方式，都是项目设计的参考和灵感。

Large openings-metal frames were created in the façade for the direct contact with the liquid element, so that there is a “flow” to inwards. These same frames create recesses – benches to the outer side, framed by wood paneling – vertical fishbone flooring installation.
大开口-金属框架是为了与液体元素直接接触而在立面上创建的，这样就有了向内流动的“流动”。这些相同的框架创造凹槽-长凳的外部，框架木板-垂直鱼骨地板安装。

The same vertical floor is used inside the bar-restaurant, on its normal “form”, as a full/empty game between the vertical and horizontal surface of the façade and the floor.
同一垂直地板在酒吧-餐厅内使用，以其正常的“形式”，作为一个完整的/空的游戏之间的垂直和水平表面的外观和地板。

Internally there is a clear separation of the “pure” dinning space, bar space and the open kitchen space. With an amphitheatric set up and mood, everyone has a view and “contact” with the sea and the “landmark” of the city.
内部有明确的“纯的”餐厅、酒吧空间和开放式厨房空间。每一个人都有一种观点和“接触”，有大海和城市的“陆标”。

Enjoying and tasting the great choices of both the menu and the cocktails in every point of the bar-restaurant.
享受和品尝美味的菜单和鸡尾酒在酒吧餐厅的每一点。

If you sit in front of the open kitchen you mentally “participate” in the creations of the Chefs. In the bar you also “participate” in the preparation of the sushi and the shellfish under the moto of the neon letters. Natural ingredients (such as wood, marble), collaborate with metal surfaces, textures, sometimes reflected, lucent, oxidized, selected with influences from the anatomy and shape of the fish.
如果你坐在开放式厨房前，你会在心理上“参与”厨师的创作。在酒吧里，你也可以“参与”寿司和贝类的准备工作。天然成分(如木材，大理石)，配合金属表面，纹理，有时反映，朗讯，氧化，选择受影响的解剖和形状的鱼。

“Timeworn” wood by the sea water salt, in fishbone form is used in the floor and the façade. Coating from tiles-mosaic and wallpaper, in shapes, reflections and iridescence like fish skin are used for the bar and the cava.
“时间磨损”木材由海水盐制成，鱼骨形式用于地板和FAOEade。来自瓷砖-马赛克和壁纸的涂层、形状、反射和虹彩如鱼皮被用于酒吧和CAVA。

Hanging oxidized bronze lamps, like big hooks, with bright opal balls, like bait, dominate across the roof, while huge parts of literally “goldfish”, sometimes transformed into floor lamps and sometimes into hanging lamps.
悬挂着像大钩子一样的氧化青铜灯，像鱼饵一样明亮的蛋白石球在屋顶上占据主导地位，而真正意义上的“金鱼”的巨大部分，有时变成落地灯，有时变成吊灯。

The scene, complete the choices of furniture, fabrics and colors. Deep orange color is used in columns and ceiling and orange shades in fabrics, like lobster, shrimp and crab, after boiling them, ready to be eaten. Blue color as the deep sea is also used.
现场，完成家具、面料和色彩的选择。深橙色用于柱和天花板，橙色阴影在织物，如龙虾，虾和螃蟹，煮沸后，准备吃。蓝色作为深海也被使用。

Furniture from several decades to a different version-point of view, coexist harmoniously, while the jean fabric dominates in the wallpaper, playing its role not only in the color palette, but also in the word game of “Gin Fish”…
从几十年来的家具到不同的视点，和谐共存，而让面料在壁纸中占主导地位，不仅在调色板中发挥作用，而且在“杜松子鱼”的字游戏中发挥了作用。