在纽约办公室的会议室里，约万诺维奇的木质扶手椅与由阿姆勒·贝诺伊特为约万诺维奇设计的鹅卵石桌搭配在一起。这三件家具都来自室内设计师的oops系列，而看到的灯具都是复古的。意大利的黄铜落地灯可以追溯到20世纪50年代，从窗户看到的黑色搪瓷铝台灯也是如此。进一步整合空间的是朱利安·施纳贝尔（Julian Schnabel）于2016年创作的一幅名为《沃尔特·惠特曼三世（瀑布）》的纸上画（颜料上的墨水）。这是阿尔敏·瑞奇画廊的。

In the New York offices meeting room, Yovanovitchs Woody Armchairs are paired with the Pebble Table, which was designed by Armelle Benoit for Yovanovitch. All three pieces of furniture are from the interior designers Oops collection, while the light fixtures seen are vintage. The Italian brass floor lamp dates back to the 1950s, as does the black enameled aluminum table lamp seen by the window. Further uniting the space is a 2016 work on paper, (ink on pigment print on paper), by Julian Schnabel, titled Walt Whitman III (Waterfall). It is from Almine Rech Gallery.

对于那些熟悉约万诺维奇工作的人来说，他那40人的巴黎办公室也许会浮现在脑海中。与许多室内设计师的办公室一样，2017年完工的这艘旗舰就像一幅画布，约万诺维奇能够在上面描绘出他设计思想过程的内部运作。这也是一个现在和未来的客户可以近距离看到他的风格的地方。约万诺维奇希望纽约的前哨站也能如此亲密（三名员工将永久驻扎在那里），尤其是该公司吸引了越来越多的美国客户。

For those familiar with Yovanovitchs work, his expansive 40-person Parisian office might spring to mind. As with many interior designers offices, that flagship—completed in 2017—serves as a canvas on which Yovanovitch has been able to paint out the inner workings of his design thought process. Its also a place where current and prospective clients can come see his style up close for themselves. Yovanovitch hopes the same of the more intimate (three staffers will be permanently based there) New York outpost—especially as the firm attracts a growing U.S. clientele.