Stockholm gallery Andréhn-Schiptjenko’s presentation at Chart. Photography: Joakim Züger

Chart, the largest annual showcase of contemporary Nordic art and design, returns to Copenhagen from today through Sunday 1 September. Now in its seventh year, the fair is bigger and bolder than ever. In addition to the usual takeover of two landmark museums, Kunsthal Charlottenborg and Den Frie Centre of Contemporary Art, the programme also includes new locations throughout the city.

海图是北欧当代艺术和设计年度最大的展览，从今天到9月1日星期日返回哥本哈根。现在，在它的第七个年头，博览会比以往任何时候都更大、更大胆。除了通常接管两个具有里程碑意义的博物馆-Kunsthal夏洛滕堡博物馆和Den Frie当代艺术中心-外，该方案还包括在整个城市的新地点。

The theme this year is materiality: ‘In the age of digital screens and virtual realities, contemporary practices are turning towards the use of physical materials and crafts. We want to explore how materiality, physicality and presence can open new conversations about our shared existence,’ says Nanna Hjortenberg, director of Chart.

今年的主题是物质性：“在数字屏幕和虚拟现实的时代，当代的实践正转向使用物理材料和手工艺。我们想探索物质、物质和存在是如何开启关于我们共同存在的新的对话的，“海图的主管NannaHjortenberg说。

Sharp Kiss, 2019, by John Copeland. Courtesy of V1 Gallery

夏普吻，2019年，约翰科普兰。由V1画廊提供

Rare for a fair of its scale, Chart is run as a non-profit, the joint effort of multiple regional galleries to champion established and emerging talents at an international level. Compared to a commercial enterprise, it’s more original, coherent and convivial, the perfect interlude between summer and the inevitable surfeit of art world happenings further down the calendar. For those in the Danish capital this weekend, here is a list of highlights.

很少有这样规模的展览会，图是作为一个非盈利的，多个地区画廊的共同努力，以支持建立和新兴的人才在国际一级。 与商业企业相比，它更具独创性、连贯性和欢乐性，夏季与艺术世界不可避免的巨大变化之间的完美插曲在日历上更进一步。 对于本周末在丹麦首都的那些人来说，下面列出了一些亮点。

01 Chart Art Fair Comprising 29 galleries, the art fair takes over Kunsthal Charlottenborg, a former palace and now the foremost art destination in central Copenhagen. The unconventional presentation – a lack of booths, and multiple galleries sharing a space – is as always a conversation-opener. Keep an eye out for newcomer Avlskarl Gallery, with a focus on painters affiliated with the Städelschule; as well as V1, one of the founding galleries, who is bringing ‘an incomplete survey exhibition of birds in contemporary art’, featuring a mix of Scandinavian and international names such as Robert Nava, Rose Eken and Misaki Kawai.

01海图艺术博览会，包括29个画廊，艺术博览会接管了昆萨斯夏洛滕堡，一个以前的宫殿，现在是最重要的艺术目的地在哥本哈根中心。这种非常规的展示方式-没有展位和共享一个空间的多个画廊-和往常一样是对话的开场白。关注新来者Avlskarl画廊(Avlskarl Gallery)，重点关注与圣德尔舒勒(St Delschule)有关联的画家；以及创建画廊之一V1，他带来了一场“当代艺术鸟类的不完整调查展览”，展出的是斯堪的纳维亚语和国际名称，比如罗伯特·纳瓦(Robert Nava)、罗斯·埃肯(Rose Eken)和美萨基·卡瓦伊(Misaki

02 Chart Emerging ‘The Gatherer, The Dumpsterdiver, The Raver, The Hunter, The Alien, and The Witch’ is the title of Chart’s programme for young artists, curated by Art Hub Copenhagen’s Helga Christoffersen. The six characters in the title are the invention of Oslo-based artist-musician duo Tokyo Twins, who are presenting an eponymous performance piece that imagines a non-capitalist, consumer-free society. They headline a five-artist show, also at Charlottenborg, that looks at the embrace of fiction and creation of alter-egos as a means of facing reality.

02图新出现的“Gatherer、Dumpster跳水、Raiver、Hunter、外星人和女巫”是图的年轻艺术家的节目的标题，由艺术中心Copenhagen的HelgaChristoffersen策划。标题中的六个人物是以奥斯陆为基础的艺术家-音乐家DuoTokyo双胞胎的发明，他们正在呈现一个同名的表演作品，它意象是一个无资本主义的、无消费者的社会。他们的标题是一个5位艺术家的表演，也是在夏洛滕伯格（Charlotenborg），它看着小说的拥抱，创造了ALTER-EGOS作为一种面向现实的手段。

Still from Element, 2016, by Tokyo Twins. Courtesy of the artist

仍然来自元素，2016年，东京双生。艺术家的礼遇

03 Chart Architecture The courtyard at Charlottenborg is home to pavilions by the five finalists of Chart’s annual architecture prize, selected by a jury that includes artist Lea Porsager and Wallpaper* design editor Rosa Bertoli. From Ikea mattresses to recycled paper to latex cells, the pavilions each repurposes a common material in an unusual way, and hosts to a different food and beverage offering during the fair.

在Chartlotenborg的庭院建筑是由五个入围的“年度建筑奖”入围的，由包括艺术家LeaPorsager和壁纸*DesignEditorRosaBertoli的陪审团选择。从宜家的床垫到再生纸到乳胶室，每个展馆都以不寻常的方式重新设计一个普通的材料，并且在交易会期间接待不同的食品和饮料产品。

04 Chart Design Fair A short walk from Charlottenborg, Den Frie is the first artist’s association in Denmark and a unique architectural landmark, inspired by Egyptian temples and Greek mythology. It plays host to the design fair, which has refined its roster this year to focus exclusively on contemporary collectible design. The Nordics are home to few leading contemporary galleries – notably Etage Projects (which returns with a typically strong showing of pieces by FOS and Sabine Marcelis), so this year the fair has broadened its remit to include emerging design studios and design collectives that don’t yet have gallery representation. We’re especially looking forward to Catrine Raben Davidsen’s wallpaper and Japanese screen, Stoft Studio’s ‘story-driven’ design objects and Nick Ross’ minimalist furnishings.

04年海图设计博览会离夏洛滕堡不远，丹弗里德是丹麦第一个艺术家协会，也是一个独特的建筑地标，灵感来自埃及寺庙和希腊神话。它主办了设计博览会，它已经完善了今年的名册，专门关注当代收藏品设计。北欧美术馆很少有当代顶级画廊-尤其是伊蒂奇项目(FOS和萨宾·马塞利斯(Sabine Marcelis)以典型的强势展示作品归来)。因此，今年的展览扩大了范围，将新兴的设计工作室和还没有画廊代表的设计集体包括在内。我们特别期待圣殿拉宾戴维森的壁纸和日本屏幕，斯托夫特工作室的“故事驱动”设计对象和尼克罗斯的极简家具。

Easy Chair, 2013, by Fredrik Paulsen. Photography: Viktor Sjödin. Courtesy of Etage Projects

“简易主席”，2013年，Fredrik Paulsen著。摄影：Viktor Sj din。伊蒂奇项目的礼遇

05 Alexandre Estrela: All and Everything In an effort to improve institutional representation at Chart, and highlight the synergies between the Nordic and Central American art scenes, the fair has invited Mexico City’s Museo Tamayo to present a satellite exhibition at Den Frie, featuring the Portuguese artist Alexandre Estrela (who is preparing a solo show at the Tamayo, to open later this year). Estrela’s practice deals with the variability of time and space, and his two installations at Den Frie, The Golden Record (All and Everything) and Solar Watch will imagine planetary movements through a cast bronze solar system and a metal sundial respectively. Until 17 November.

05 Alexandre Estrela：为了改善图表的机构代表性，并突出北欧和中美洲艺术场景之间的协同作用，本届博览会邀请墨西哥城的Tamayo Museo Tamayo在Den Frie举办一个卫星展览，葡萄牙艺术家Alexandre Estrela(他正在筹备今年晚些时候在Tamayo举办的个展)。Estrela的练习涉及时间和空间的变化，他在Den Frie的两个装置，黄金记录(所有的一切)和太阳观察将分别想象行星通过一个铸造青铜太阳系和一个金属日晷的运动。直到11月17日。

06 Chart Curio: Matters – Rethinking Materials The Designmuseum Denmark has unveiled a new series of vitrines in its outdoor Museum Plaza, just in time to be taken over by the fair’s Curio programme – another platform for young design talent. Curated by Line Christiansen, the dean of Domus Academy, Curio will feature five designers (one from each of the Nordic countries) who have challenged the conventional understanding of usability and waste. We’re especially taken by the work of Denmark’s Kathrine Barboe Bendixen, who has rinsed cow intestines and transformed them into glowing lamps with an ethereal beauty. Until 29 March 2020.

06 图库里奥： 重要事项- 重新思考材料丹麦设计博物馆在其户外博物馆广场推出了一系列新的玻璃，正好被展览会的库里奥计划接管- 另一个年轻设计人才的平台。 由 Domus 学院院长 Line Christiansen 保管，Curio 将由五名设计师（ 北欧国家各一名）组成，他们对可用性和浪费的传统理解提出了挑战。 丹麦的凯瑟琳·巴博·本迪克森的作品特别吸引我们，他冲洗了牛的肠子，把它们变成了发光的灯，具有一种空灵的美。 直至 2020 年 3 月 29 日。

Inside Out (detail), by Kathrine Barboe Bendixen. Photography: Mathias Kruse Jørgensen

书名/作者Inside Out(细节)，作者：Kathine Barboe Bendixen.摄影：Mathias Kruse J rgensen

07 Window Shopper Fashion comes under the Chart umbrella for the first time with ‘Window Shopper’, an off-site exhibition developed by artist Esben Weile Kjær, and taking over display windows at the likes of Magasin du Nord and Mads Nørgaard. It’s about ‘the envy which people in the art world feel towards people in the fashion world, and art uttering its critique of capitalism as a love poem,’ says Kjær, who has invited interventions from the Danish feminist icon Ursula Reuter Christiansen, and artistic duo New Noveta, among others.

07 Window Shopper时装公司首次在“橱窗”(Window Shopper)的保护伞下亮相，这是艺术家Esben Weile Kj r开发的一个场外展览，并接管了Magasin du Nord和Mads N rgaard等公司的橱窗。Kj r说，这是关于“艺术界的人们对时尚界的人感到嫉妒，以及艺术对资本主义作为一首情诗的批判”。他邀请了丹麦女权主义偶像乌苏拉·鲁特·克里斯蒂安森(Ursula Reuter Christian)和艺术二重奏新诺维塔(New Noveta)等人的干预。

08 Nasher Prize Dialogues The highlight of this year’s talks programme is a collaboration with the Nasher Sculpture Center (another example of Chart’s efforts at engaging international institutions), bringing together Nina Baier, Martin Boyce, and Michael Elmgreen, to discuss the ways they deploy architecture and design within their artistic practices. The talk (31 August, 3-4pm, Apollo Canteen at Kunsthal Charlottenborg) anticipates Elmgreen - Dragset’s solo exhibition at the Nasher, opening 14 September, and also coincides with their ongoing intervention at the Hammershøi galleries of the Statens Museum of Kunst, Denmark’s national gallery. ‘There I Belong: Hammershøi’ by Elmgreen - Dragset is at SMK until 1 September. §

08年Nasher奖对话今年会谈的重点是与Nasher雕塑中心的合作(图表努力与国际机构接触的另一个例子)，将尼娜·拜尔、马丁·博伊斯和迈克尔·埃尔姆格林聚集在一起，讨论他们如何在自己的艺术实践中部署建筑和设计。这次会谈(8月31日下午3点至4点，位于Kunsthal夏洛滕堡的阿波罗餐厅)预计到埃尔姆格林(ElmGreen)。

MathiasStigsen和AndreasKoernerforChartArchitecture2019Snug作为地毯馆（渲染）中的Bug（渲染），MathiasStigsen和AndreasKoerner（2019年图表架构）中的bug作为bug（渲染）。