△马祖道一禅师（公元709-788年）

“菩提本无树，明镜亦非台，本来无一物，何处惹尘埃。”

-Bodhithisnotree,mirrorisnotTaiwan,ithasnothing,wheretomakedust.-

--huinengsbodhigatha

禅， 在大千世界中无处不在，是一种智慧。禅文化，已兴盛千百年，对中国影响甚巨。惠能大师是汉族佛教的开创者，在众多禅宗诗偈中，他这首无疑是影响最大、流传最广的。

Zen,everywhereintheworld,isakindofwisdom.Zenculture,whichhasflourishedforthousandsofyears,hasagreatimpactonChina.MasterhuinengisthefounderofhanBuddhism.Amongmanyzenpoems,hispoemisundoubtedlythemostinfluentialandwidespreadone.

马祖道一禅师是中国佛教史上承前启后的重要人物，在思想渊源上直接继承了惠能倡导的“即心即佛”主张，他改革佛教，发扬禅宗，被胡适称为中国最伟大的禅师。

MazudaozenmasterisanimportantfigureinthehistoryofChineseBuddhism.Fromtheperspectiveofideologicalorigin,hedirectlyinheritedtheideaof-theheartistheBuddha-advocatedbyhuineng.HereformedBuddhismandpromotedzenBuddhism,andhushicalledhimthegreatestzenmasterinChina.

活禅的发源地。马祖禅师在靖安的道场-法药寺，名声远扬，传承至今。法药寺弘扬正法、沐浴佛恩，使得靖安感染了超乎物质形态的神韵，禅文化对靖安影响深远。

Jinganmedicinetemple

Thebirthplaceoflivingzen.Mazuzenmasterinjingansashram-dharmamedicinetemple,famespreadfarandwide,andcontinuestothisday.ThedharmamedicinetemplecarriesforwardthedharmaandablatesBuddhasgrace,whichinfectsjinganwiththecharmbeyondmaterialform,andthezenculturehasaprofoundinfluenceonjingan.

靖安，也是一个山清水秀的地方，森林覆盖率高达84%。有人说，下雨的时候，你一定要去靖安，因为那才是她最美的时候，是白云深处有人家。没有骄阳的肆虐，只有薄雾漫漫的氤氲，雾漫靖安如诗如画，恍若仙境。

Jinganscenery

Jinganisalsoabeautifulplacewithbeautifulmountainsandbeautifulwaters.Theforestcoveragerateisupto84%.Somepeoplesay,whenitrains,youmustgotojingan,becausethatishermostbeautifultime,isthedepthsofthewhitecloudshaveafamily.Noscorchingsunwreakinghavoc,onlythemistisboundlessdense,mistjinganpoeticpicturesque,likeawonderland.

WJID维几设计，将当地丰富的禅宗文化与自然底蕴植入明镜湾的设计中。明镜湾背靠靖安古老的法药寺与霁峰塔，承袭千年禅宗历史，极具人文价值与信仰力量。设计师以禅的哲学为空间依循，注重空间序列，深刻营造了旷世弥贵的禅佛意境。

Jinganscenery

ThedesignofWJIDdimensionintegratestherichlocalzencultureandnaturalheritageintothedesignofmirrorbay.Backedbyjingansancientdharmamedicinetempleandjifengpagoda,mingjingbayinheritsthousandsofyearsofzenhistoryandhasgreathumanisticvalueandbeliefpower.Designerswithzenphilosophyasthespacetofollow,payattentiontothespatialsequence,tocreateaprofoundsenseofkuangshimiexpensivezenBuddha.

迎宾前厅明亮气阔，空间氤氲着禅风的气宇风华，极简素雅，迎合禅意。正中的艺术装置灵感来自于马祖禅师凿井投药典故。一勺水，洗净铅华，洗去世间尘染，传递美好祈愿，宛如新生。

△mirrorbayreceptionhall

Thereceptionhallisbrightandspacious,andthespaceisdensewithzenair.Itisverysimpleandelegant,cateringtozen.Theartinstallationinzhengzhongisinspiredbythelegendofzenmastermazuwhodugawelltopourmedicine.Aspoonfulofwater,washawaythelead,washawaythedustbetweenthedead,passthegoodwishes,justlikeanewlife.

墙上艺术装置菩提，意为「觉悟、智能、知识、道路」之意，有断绝烦恼而成就涅盘智慧象征，菩提子为最常见的佛缘之物，在此也见证着室内的平静与美好，盘旋中带着绿意与菩提的祝福，源源不绝的倾倒给求禅若渴的众生们。

Artinstallationonthewallthebodhi,meaning-consciousness,intelligence,knowledge,way-,hascutofftroublesandachievementnirvanasymbolofwisdom,thebodhisonofBuddhaisthemostcommonthingintheworld,inthisalsowitnessingtheindoorquietandbeautiful,withagreencirclewiththeblessingsofthebodhi,anendlesssupplyofdumpingtothetothezenbeings.

接待大堂气势磅礡，悬挂式墙壁通透周间。设计师先采用东方古典建筑的对称美学，稳定空间比例，又给予空间极具气势的高挑空设计，让空间带出波澜壮阔又宁静四野的庄严感，进而引进禅风氛围。空间序列齐整，以现代风格诠释东方佛学，用禅韵营造当代美学理念。

Thereceptionlobbyhasimposingandhigh-hangingwallswithtransparentsurrounding.ThedesignerfirstadoptsthesymmetricalaestheticsofOrientalclassicalarchitecture,stabilizesthespaceproportion,andgivesthespaceaveryimposingdesignofhighceiling,sothatthespacebringsasolemnsenseofgrandeurandtranquility,andthenintroducesthezenatmosphere.Thespacesequenceisneat,interpretingOrientalBuddhismwithmodernstyle,andcreatingcontemporaryaestheticconceptwithzenrhyme.

空间设计大量运用了讲究对称的东方结构美学。在空间的四面八方，或四角成对，或两两相对中，于步移景异间，都能看见优雅而对称的结构美。

在这个充满禅佛气息的东方建筑空间，不断看到了经过淬炼的现代美学思维，简练与东方结构的配搭下，显出毫无违和的舒适美与细腻感。

ThespacedesignUSEStheOrientalstructureestheticswhichpaysmuchattentiontothesymmetry.Inalldirectionsofthespace,orinpairsoffourcorners,orinpairsofopposite,indifferentsteps,canseeelegantandsymmetricalstructuralbeauty.

InthisOrientalarchitecturalspacefullofzenandBuddhaatmosphere,Ihaveseentherefinedmodernaestheticthinkingconstantly.WiththecombinationofsimplicityandOrientalstructure,itshowsthecomfortablebeautyanddelicacywithoutanycontradiction.

空间的装置，都是静置的，放入生命力的质感，盆栽或是绿意，画面会更生动，既而带来希望。

在有限的生命中，用单纯的纯粹，去面对一切的虚妄与搅扰，用心去感悟最真实的生命，达到自觉、自醒、自知的境界，是绿意盎然的力量，这也是禅意最大的本质。

Thedeviceofthespace,itisstaticbuy,putthesimplesenseofvitality,pottedorgreen,thepicturecanbemorevivid,bringhopehowever.

Inthelimitedlife,withpurepure,tofaceallthevanityanddisturbance,thehearttounderstandthemostreallife,toconsciously,wakeup,self-knowledge,isthepowerofgreen,thisisthegreatestessenceofzen.

佛家认为世间万物皆具灵性，空间不封死，可流通，空间是活的，拥有流通路径，即使一粒尘埃，也可自由飘散。

所谓未央之道，留有余地，设计师将区分空间的墙壁有意的留有缝隙或小空间，或弧形拱形或直接留空，也呼应了中国传统的空间开合哲学。

Buddhismbelievesthateverythingintheworldisspiritual,spaceisnotsealed,butcanflow,spaceisalive,withacirculationpath,evenagrainofdust,butalsofreetodisperse.

Allegedthewayofweiyang,leaveleeway,thewallthatstylistwilldifferentiatespacehasapertureintentionallyorsmallspace,orarcarchorleavedirectlyempty,alsoechothespaceofChinesetraditionopensclosephilosophy.

中国美学中的留白，宛若水墨画，白纸上，寥寥数笔，挥毫泼墨，气韵天成，无画处皆是妙境，方寸之地亦显天地之宽。

留白的艺术，点到为止，大面的墙，不做过多装饰，简单的线条，给观者留有挥发想象的空间。留白不是空白，而是一切都刚刚好。

TheblankspaceinChineseaestheticsisjustlikeinkpainting.Onthewhitepaper,onlyafewstrokesandafewstrokesofinkhavecreatedawonderfulatmosphere.

Theartthatleaveswhite,pointsofar,thewallofbigface,donotdotoomuchadornment,simpleline,leavethespacethatvolatilizesimaginationtotheviewer.Whitespaceisnotblankspace,buteverythingisjustright.

高耸的拱柱，如古宅大院，结构线性艺术壁灯，与对称的垂壁墙完美搭配，在极简的氛围中，宏大气势与混搭美学并存，禅意也升华出时尚感。

Toweringarchcolumns,suchastheoldcourtyard,linearstructureofartisticwalllights,andsymmetricalhangingwallperfectmatch,inaminimalistatmosphere,grandmomentumandmixedaestheticscoexist,zenalsosublimationoffashionsense.

设计师在视觉上多处呈现留白之美，以留白、纯粹、极简的东方精髓，描摹空间气度。

从建筑外到内，“墙面”纯粹浑然天成，“色彩”朴实内敛自然。空间的骨干呈现，讲究现代，但内涵气质，却散发着东方，完整表达了海派东方的经典并蓄。

Thedesignerpresentsthebeautyofblankinmanyplacesonthevision,withblank,pure,extremelysimpleOrientalessence,tracingspacebearing.

Fromoutsidethebuildingtoinside,-metope-pureartlessnature,-colour-guilelessinsidecollectnature.Thebackboneofthespaceispresented,payingattentiontothemodern,buttheconnotationoftemperament,butexudestheeast,completeexpressionoftheShanghaischoolofOrientalclassicsandstorage.

半透端景墙，洞烛先机禅。禅的体悟，需用心去感受。点亮明光烛火，洞悉人生姿态，心若能如明镜，万事就了然于心。

在这通透的开放式接待大厅，打造一墙的半透光景，再点亮万壑烛光，让气阔的空间，多了更多的人生故事与缥缈的视觉氛围。

Halfthroughtheendofthewall,thefirstopportunityformeditation.Zenawareness,weneedtofeeltheheart.Lightthelightcandle,insightintotheattitudeoflife,iftheheartcanbelikeamirror,everythingintheheart.

Inthetransparentopenreceptionhall,awallofhalf-transparentsceneryiscreated,andthenwanhecandleislit,soastocreatemorelifestoriesandetherealvisualatmosphereinthespaciousspace.

沙盘区的回字空间，大面落地玻璃，可以感受完整大面的舒适临光。阳光萦绕带出平静波长，渗入屋顶空间上的片片莲花瓣中。佛教中的莲花，代表一种智慧和觉悟的境界。

艺术装置运用串起的花瓣，将光透过琉璃折射的静态串起，转化为超凡脱俗，盈光婷婷的脉络，象征众生精神上摆脱苦境，达到轻松、快乐、无碍、自在的佛境。

Backtothewordspaceinthesandtablearea,largefloor-to-ceilingglass,youcanfeelthecomfortofthewholelargeface.Thesunlightswirlsincalmwavelengthsintothelotuspetalsontheroofspace.ThelotusflowerinBuddhismrepresentsastateofwisdomandenlightenment.

TheartinstallationUSESflowerpetalsstrungtogethertoconnectthestaticlightrefractedbycoloredglass,transformingitintoatranscendentandfreefromvulgarity,fulloflightandtinglingveins,symbolizingthespiritofalllivingbeingstogetridofsufferingandachievearelaxed,happy,undisturbedandfreeBuddhastate.

屋中室顶结构，以中国传统建筑样貌，勾勒出斜屋顶梁构，让精神如入传统庙宇意象，实际呈现为风雅利落的现代骨干式建筑。长木为隔栅，天花立面间皆是，无形中拉长空间的高度与深邃，放大场面气势。

Theroofstructureofthemiddleroom,withtheappearanceoftraditionalChinesearchitecture,Outlinestheinclinedroofbeamstructure,allowingthespirittoenterthetraditionaltempleimage,whichactuallypresentsastheelegantandagilemodernbackbonearchitecture.Longwoodenfence,smallpoxisbetweenthefacade,virtuallyelongatedspaceheightanddepth,magnifyingthescenemomentum.

洽谈区的设计围绕圆与弧。舒适的区域，一场域，四面景，可透视窗外，或看穿门外，观画里的美好弧度，洽谈品茗。虽是室内空间，但走开放式格局，在与会商谈时，空间不受侷促，充满开放的轻松感。

Negotiationareadesignaroundthecircleandarc.Comfortablearea,afield,allaroundthelandscape,canseethroughthewindow,orthroughthedoor,viewthebeautifulradiansinthepainting,negotiatetea.Althoughistheindoorspace,butwalkstheopenpattern,whentheconferencetalks,thespacedoesnotsuffertheconstraint,fillstheopenlightfeeling.

木，朴实无华，自然、纯粹、时尚。空间的天花装置始终以木作为主角，做细格栅接出圆弧包覆，使弧的柔，更弱化了空间因挑高而带来的孤寂。禅意的清境在空气里绽放，自然色系放大了禅的圆融。

Wood,plain,natural,pureandfashionable.Thesmallpoxdeviceofthespaceregardsleadingrolewithwoodfrombeginningtoend,dofinegrilletoreceiveacirculararctocover,makearcsoft,moreweakenedthespacebecausecarrytallandbringloneliness.Theclearboundaryofzenisblossomingintheair,andthenaturalcolorsystemamplifiestheharmonyofzen.

洽谈区天花板木栏栅设计，以视觉界定空间焦点，隔栅直线无形延伸了空间宽度，也延伸出空间的优越。

洽谈椅有巧妙的圆弧扶手，恰与墙面抽象画成圆弧协调姿态，象征微笑拥抱以及佛家笑对人生，知足常乐的人生态度。

Discussionareaceilingwoodenfencedesign,tovisuallydefinethespatialfocus,barrierlineinvisibleextensionofthespacewidth,butalsoextendthesuperiorspace.

Thenegotiatingchairhastheartfulcirculararcarmrest,justcoordinatestheposturewiththemetopeabstractdrawingcirculararc,thesymbolsmilestoembraceaswellasthebuddhisttosmiletothelife,thelifemannerwhichcontentisalwayshappy.

Dreamlightingatrecitingpavilion

禅文化带来的是净化人心的力量，是惬意自如的生活方式。走入禅，明心能见性，步入诵经阁里，门开能见阔，室内通透相伴，反景入室，享屋内大景，共构于此，好不惬意。诵经阁的庄严淡雅，让禅文化底蕴，真正注入空间氛围，深刻引领对悟禅之人，进入精神所在。

Zenculturebringsthepowertopurifypeoplesheartsandacomfortableandcomfortablewayoflife.Intozen,mindcanseethenature,intothechantingpavilion,thedoorcanseewide,indoortransparency,accompaniedbytheviewofthehouse,enjoythebigview,atotalstructureinthis,verycozy.Thesolemnandelegantrecitingpavilionallowsthezenculturetoreallyinjectthespaceatmosphereandguidethepeoplewhounderstandzentoenterthespirit.