Architects: Paul Bernier Project: House on Lac Grenier Location: Les Pays-d’en-Haut Regional County Municipality, Canada Design Team: Paul Bernier, Anick Thibeault Photography: Adrien Williams

建筑师：Paul Bernier项目：位于莱克格勒尼埃的房屋：LEPay-d‘en-Haut地区县市，加拿大设计团队：Paul Bernier，Anick Thibeault摄影：阿德里安·威廉姆斯

The land is completely wooded. It is crossed by a stream and borders a lake. These characteristics and the need to build at a distance from the stream suggested a lengthwise placement, with the house slipped in between the stream and the slope. We chose to make a low rise house, mostly one-storey, whose sinuous shape is guided by the nature that surrounds it. The building itself folds, opens and tightens like a river digging its bed.

这片土地完全树木茂密。它被一条小溪穿过，与湖边接壤。这些特点和在离溪流很远的地方建造的需要表明了纵向的布置，房子在溪流和斜坡之间滑行。我们选择建造一座低矮的房子，大多是一层楼，其曲折的形状是由周围的大自然所引导的。建筑物本身折叠，打开和收紧，就像一条河在挖掘它的河床。

From the path leading up to the entrance, the building appears as a mostly opaque volume that follows the contours of the site. The garage is concealed from view. To the right, an opening in the palisade invites visitors to come inside. Along the south facade, the volume of the house bends and opens up to let in the light and make the most of the forest view. Further along, the volume bends again, turning toward an opening in the woods that offers a view of the stream flowing into the lake. On the north side, smaller openings frame perspectives of the surrounding landscape and allow the building’s occupants to enjoy the gentle murmur of the stream, which still runs over the property. Atop the roof, a small tree-house-like room looks out onto the surrounding greenery.

从通往入口的路径，建筑显示为沿场地轮廓的大部分不透明体积。车库是隐蔽的。向右，栅栏的一个开口邀请游客进来。沿着南面的立面，房子的体积弯折起来，打开，让光线进入，充分利用森林的景色。此外，体积再次弯曲，转向森林中的开口，以提供流入湖泊的河流的视图。在北侧，较小的开口框架视角的周围景观，并允许建筑物的占用人享受溪流的温和杂音，仍然流过该物业。在屋顶上，像房间这样的小树屋看着周围的绿化。

Upon entering, an imposing piece of furniture made of hickory wood welcomes us. Its shape offers a place to sit and storage for clothing. This then directs us to the living area, a large and bright space that ends in a cantilevered. On the south side, the outer wall disappears and becomes a large glass opening onto the forest.

一进门，一件由山核桃木制成的令人印象深刻的家具欢迎我们。它的形状提供了一个坐和储存衣服的地方。这就把我们引向了生活区，这是一个巨大而明亮的空间，它的尽头是一个悬臂。在南面，外墙消失了，变成了一个大玻璃，打开了森林。

The materials used for the surfaces are clean and simple; white walls and polished concrete floors that contrast with the wilderness outside and let the surrounding nature express itself.

用于表面的材料是干净和简单的；白色的墙壁和抛光的混凝土地板，与外面的荒野形成鲜明对比，让周围的自然表现出来。

The large open space also houses three wooden objects: pieces of furniture arranged on an axis that invites us into a sequence of spaces that form the living area.

大的空地也有三个木制的物体：家具的碎片排列在一个轴上，让我们进入一系列的空间，形成了居住的区域。

The cabinet of the entry hall also acts as a screen, protecting the more private area of the bedrooms. Behind this screen, stairs lead to the reading room: a quiet, secluded, wood-paneled space on the green roof. From this vantage point, perched on the roof, the building appears to blend into the natural surroundings.

入口处的橱柜也起到了屏风的作用，保护了卧室中较为私密的区域。在这个屏幕后面，楼梯通向阅览室：绿色屋顶上有一个安静、隐蔽、木板镶板的空间。从这个位于屋顶的有利位置上看，这座建筑似乎与自然环境融为一体。