Architects: Paulo Moreira Architectures Project: Rehabilitation of a Historic House Team: Paulo Moreira, Joana Venâncio, Olivia Lillus, Letizia Giovannini, Charlotte Pigozzi Builder: Manuel Sousa Costa Location: Porto, Portugal Area: 57 m2 Photography: Prompt Collective

建筑师：保罗·莫雷拉建筑项目：修复历史建筑团队：保罗·莫雷拉、Joana Ven ncio、Olivia Lillus、Letiia Giovannini、夏洛特·皮戈齐建造者：Manuel Sousa Costa Location：Porto，葡萄牙地区：57平方米摄影：即时集体

The house is situated on a small triangular plot on Rua dos Caldeireiros, in the centre of Porto. The building has almost 57 m2, distributed over three floors, with a 4-meter façade and a plot end of 75 cm width. Conservation works undertaken on the façade respected the original constructive characteristics: the rendered surfaces were restored and the existing joinery was replaced by new wooden frames.

这所房子坐落在波尔图中心的Rua dos Caldeireiros的一小块三角形地块上。该建筑有近57平方米，分布在三层，有一个4米的外观和75厘米宽的地块。在立面上进行的养护工作尊重原有的建设性特征：修复了渲染的表面，用新的木框架取代了现有的细木工。

The intervention / rehabilitation sought to give the building its original character back, with a minimum of changes conditioned by the new functional programme. Structurally, the project was reduced to replacing and consolidating a few elements.

干预/修复工作力求使建筑物恢复原来的性质，并尽量减少新的功能方案的变化。从结构上讲，该项目被简化为替换和合并几个要素。

The intervention on the roof consisted in recovering two wooden rafters and replacing the remaining elements with others of similar characteristics to the original, including the reconstruction of the battens that “held up” the stucco ceiling. The process of ‘denuding’ the walls and ceilings revealed the textures of the materials (unified by the white colour applied).

对屋顶的干预包括收回两个木制萝卜，并用与原来相似的其他元素取代其余的元素，包括重建“支撑”灰泥天花板的板条。“剥落”墙壁和天花板的过程揭示了材料的质地(由所应用的白色统一)。

Old connections with the neighbouring houses were uncovered. These ‘discoveries’ inspired the creation of small niches that emphasise the reciprocal relationship between architecture, objects and history.

与邻近房屋的旧联系被发现。这些“发现”激发了小型壁龛的创建，强调建筑、物体和历史之间的相互关系。

Sporadically, some contemporary pieces were introduced to achieve a balance between new and old elements. The intention of making the house’s ‘skeleton’ visible was also adopted in the storage area, on the ground floor and in the bathrooms, where it was finished with a cement render. In works of this dimension, these simple operations allow surface space and height to be ‘gained’, providing the small house with a level of convenience in keeping with a contemporary quality of life.

偶然地，一些当代作品被引入，以实现新旧元素之间的平衡。使房屋的“骨架”可见的意图也在储藏区、底层和浴室采用，在那里用水泥渲染完成。在这个维度的作品中，这些简单的操作允许表面空间和高度被“获得”，为小房子提供了与当代生活质量保持一致的便利程度。