Architects: Beczak / Beczak / Architekci Project: CWA House / Two-Bedroom Residence Design Team: Magdalena Beczak, Maciej Beczak Location: Owczarnia, Poland Area 183.0 m2 Project Year 2017 Photography: Jan Karol Gołębiewski

建筑师：Beczak/Architekci项目：cwa House/两居室住宅设计小组：Magdalena Beczak，Maciej Beczak地点：Owczarnia，波兰183.0平方米项目年2017年摄影：Jan Karol gołębiewski

This two-bedroom residence, located in Owczarnia, a village near Warsaw, to a large degree owes its form to its owners, who, wanting a personalized, unique look, agreed to a spatial composition that departed from that of the archetypal home. The result was a building they came to call “the sarcophagus,” “the battleship” or “the crystal.”

这座位于华沙附近村庄Owczarnia的双卧室住宅在很大程度上归功于它的主人，他们想要一种个性化、独特的外观，同意采用一种与原型住宅不同的空间构成。其结果是建造了一座他们称之为“石棺”、“战舰”或“水晶”的建筑物。

Its asymmetrical roof consists of four planes of differing slopes covered in graphite panels that flow down into the northern and eastern walls, creating a seamless shell. The southern and western walls were finished with wooden boards that join with the wooden surface of the terrace, together becoming one compositionally inseparable part in this interlocking form.

它的不对称屋顶由四个不同的斜面组成，上面覆盖着石墨板，向下流入北部和东部的墙壁，形成一个无缝的外壳。南面和西面的墙壁都是用木板完成的，这些木板与露台的木质表面连接在一起，成为这一连锁形式中不可分割的一部分。

The home’s ultimate geometry reflects the functional considerations of its design. The ridge of the roof sweeps up from the ground floor to the upper story, making each subsequent room able to take advantage of a higher ceiling. The space thus created above the children’s rooms was used for mezzanines, that above the utility area became a storage space and additional storage room also opened up over the bathroom and closet. Walking the hall, one sees the asymmetrical gable of the roof soaring upward, braced by ever higher girders. The roof hits its peak height above the upstairs rooms. Having mounted its summit, it then rumbles rapidly downward, creating very rich interiors in terms of their structural variety. This descent halts in the far corner of the living room, where an exposed roof truss marks its lowest point. The crescendoing ceiling heights and geometrically-varied girders create interiors that take on a sense of dynamism and lack of repetition.

住宅的终极几何学反映了其设计的功能考虑。屋顶的山脊从一楼一直延伸到高层，使随后的每一个房间都能利用更高的天花板。因此，儿童房间上方的空间被用作梅扎宁，公用设施上方的空间变成了一个储藏室，浴室和壁橱上方也打开了更多的储藏室。走在大厅里，人们可以看到屋顶上不对称的山墙高耸，由越来越高的梁支撑着。屋顶在楼上房间的上方达到了顶峰。登上顶峰后，它迅速向下隆隆，在结构多样性方面创造了非常丰富的内部结构。这一下降停在客厅的远角，在那里暴露的屋顶桁架标志着它的最低点。不断上升的天花板高度和几何变化的大梁创造了一种充满活力和缺乏重复感的内部结构。

A crucial design consideration was to let the maximum amount of light into the living room, which was thus situated in the sunniest part of the plot. Its long horizontal window catches the noonday sun, while its high vertical windows welcome the sunset.

一个重要的设计考虑是让最大限度的光进入客厅，因此，这是位于最阳光的部分的情节。它的长长的水平窗口吸引着正午的阳光，而它高高的垂直窗户迎接日落。

The ground floor contains a living room, dining room and kitchen, as well as an office and a sleeping area for the children consisting of two rooms and bathroom. The upper floor holds the master bedroom, which has a bathroom and walk-in closet.

底层设有起居室、餐厅和厨房，以及一间办公室和一个供儿童睡觉的区域，包括两个房间和浴室。上层是主卧室，里面有浴室和步入式壁橱。

A freestanding fireplace attached to a long stainless steel pipe was placed in house’s lowest corner, in the living room. The interiors have been left in a very raw state, with their finishings planned to make use of the same materials employed for the core construction, i.e. bricks for the walls and concrete for the floors and ceilings.

一个独立的壁炉连接在一个长长的不锈钢管上，放置在房子的最低角落，在起居室里。室内建筑处于一种非常原始的状态，他们的装修计划使用用于核心建筑的相同材料，即墙用砖，地板和天花板用混凝土。