Architects: Neil Dusheiko Architects Project: Black Ridge house Location: Walthamstow, United Kingdom Photography: Tim Crocker

建筑师：尼尔·杜希科建筑师项目：黑色山脊屋位置：Walthamstow，联合王国摄影：Tim Crocke

From the architect: The Black Ridge house is an extension to an existing 3-bedroom Victorian terraced house forming part of the Warner Estate in Walthamstow. The project creates a light filled spacious extension with an open plan kitchen, dining, living area at ground floor. There is a new master bedroom and skylit bathroom in the first-floor rear extension and a green sedum roof blanket.

来自建筑师：黑岭房子是一个现有的三居室维多利亚式梯田房屋的延伸，构成沃森斯托华纳庄园的一部分。该项目创造了一个光填充宽敞的扩展与开放式厨房，餐厅，客厅在底层。有一个新的主卧室和滑雪浴室在一楼后延伸和一个绿色的刚玉屋顶毛毯。

The home incorporates many energy saving features including a high degree of insulation, robust airtight detailing, under floor heating in the extension, extensive skylights and highly insulated doubled glazed metal windows. The design of the extension was inspired by the roof lines and rhythm of the early Warner houses. The building form responded to site constraints, with the roof line being respectful to the neighbouring properties.

家庭包含了许多节能功能，包括高程度的绝缘，坚固的密封细节，地板加温的延伸，广泛的天窗和高度绝缘的双层玻璃金属窗户。扩建的设计灵感来自华纳早期房屋的屋顶线条和节奏。该建筑形式回应了现场的限制，屋顶线尊重邻近的财产。

The extension forms a contrast to the Victorian brickwork so that the two elements of the house are distinct and a separate visual language is used. Our design embraces the philosophy of Biophilic design principles, addressing our innate attraction to nature and natural processes. By constructing the extension out of a natural product [timber] whose surface is formed by a natural process [fire] – we celebrate nature. The design also includes ideas of wabi-sabi – a world view that is based on the acceptance of transience and imperfection. Beauty is seen as being “imperfect, impermanent and incomplete”.

扩展与维多利亚时期的砖块形成了鲜明的对比，使得房屋的两个元素是不同的，并且使用了单独的视觉语言。我们的设计包含了生物友好型设计原则的哲学，解决了我们对自然和自然过程的内在吸引力。通过构造出表面由自然过程(火)形成的自然产物[木材]的延伸-我们颂扬自然。该设计还包括wabi-sabi的想法-一种基于对短暂性和缺陷的接受的世界观。美被视为“不完美、无常和不完整”。

The Shou Sugi Ban technique of burning is used on wood with differing age, water and sap content and the results are not always controlled – this process allows for a richness of texture, colour and grain which is at once beautiful and spontaneous. Thinner timber cladding panel on the first floor and a charred black Shou Sugi Ban panelled cladding panel with a wide format on the ground floor breaks up the massing and differentiates between the two levels giving a different sense of scale and detail.

在不同年代、不同水分和不同汁液含量的木材上采用寿素板燃烧技术，结果并不总是受到控制-这一过程使纹理、颜色和粮食变得丰富多彩，既美观又自然。一楼更薄的木材覆层面板和一层宽格式的烧焦的黑寿司板，打破了两层的堆积和差别，给出了不同的尺度和细节感。

The kitchen island utilises a live edge on the counter top giving a sense of a hand-crafted approach to the kitchen within a modern interior. As well as natural oak for the worktop and cupboard doors. The sliding timber door was made from reclaimed timber panels, paired with exposed black steel track further creates a modern industrial feel.

厨房岛利用台面上的活动边缘，让人感觉到现代内部的厨房采用手工打造的方法。还有天然橡木，用于工作台和橱柜门。滑动式木门由再生木地板制成，与外露的黑色钢轨进一步创造了现代工业感。