Architects: Schwartz and Architecture Project: Lichen House Project Team: Wyatt Arnold, Christopher Baile, Erik Bloom, Laura Huylebroek Location: Glen Ellen, Sonoma Valley, California, United States Photography: Richard Barnes Photography

建筑师：Schwartz和建筑项目：地衣屋项目组：Wyatt Arnold，Christopher Baile，Erik Bloom，Laura Huylebroek Location：格伦·艾伦，加利福尼亚索诺马河谷，美国摄影公司：Richard Barnes摄影公司

The Lichen House nestles within the fog and oaks in the hills above California’s Sonoma Valley. The free-ranging branches of the site’s mature live and coastal oak trees support veils of draping Ramalina Lichen that filter sunlight, capture moisture and nutrients for their hosts, and remove pollutants from the air through photosynthesis. A hypersensitive organism, lichen retreats or dies in adverse or contaminated environments but quickly expands its net with conditions advantageous for growth. It is a bellwether for the environmental health of this unique microclimate.

Lichen家坐落在雾中，橡树落在加州索诺玛山谷上方的山上。该地点成熟的活橡树和沿海橡树的自由分枝支撑着披着褶皱的RamalinaLichen面纱，这种面纱可以过滤阳光，为宿主吸收水分和营养，并通过光合作用从空气中去除污染物。苔藓是一种超敏感生物，在恶劣或受污染的环境中退却或死亡，但在有利于生长的条件下迅速扩张其网。它是这个独特的小气候环境健康的领头羊。

This precise relationship between lichen and host provides inspiration for an architecture specifically tailored to its site – both as a response to it and as an augmentation of its best attributes. The Lichen House works in concert with nature’s mechanisms, not to mimic them blindly, but to expand our understanding and experience of them through architecture.

地衣和宿主之间的这种精确关系为专门为其站点量身定做的架构提供了灵感-既是对它的回应，也是对其最佳属性的增强。丽琴宫与自然的机制是一致的，不是盲目地模仿它们，而是通过建筑来扩展我们对它们的理解和体验。

Lichens grow and spread to produce their own food using sunlight – they do not feed on or harm the trees they inhabit. They establish an ethos for design inspiring symbiotic, rather than dominant, relationships between built and unbuilt worlds – one that mirrors the gesture and fluidity of movement in the architecture.

地衣的生长和传播利用阳光来生产自己的食物-它们不以它们居住的树木为食，也不伤害它们所居住的树木。他们建立了一种设计精神，鼓励共生的，而不是主导的，之间的关系，已建成和未建成的世界-一个反映的姿态和流动性的运动在建筑。

Beginning with its strategic solar orientation and geometry, the Lichen House owes its form to passive thermal tactics ‐ the maximization of daylight and expansive southern views protected by a deep overhanging shade trellis. The undulating metal fin trellis is both a formal reference to the surrounding lichen’s geometry as well as a spatial reference by recreating the filtered dappled light of the lace lichen’s net. It filters the high summer sun and allows solar heat gain in the winter when the sun is low in the sky.

从它的战略太阳方向和几何结构开始，丽臣宫的形式归功于被动的热策略-最大限度地利用日光和广阔的南面景观，由一个深的悬垂的树荫格子保护。起伏的金属翅片格架既是对周围地衣几何形状的正式引用，也是通过重新创建花边地衣网的滤过斑点光的空间参考。它过滤高夏天的太阳，并允许太阳在冬季获得热量时，太阳在天空中较低。

The home’s wings extend toward long expansive views to the south and west with the freedom to precisely dial in orientation to focal points in the landscape. Each room is then carefully tuned to its own spatial “microclimate” considering, privacy, views, solar orientation, quality of light, and air flow. A series of gardens and open spaces work in concert with each zone of the house interior.

住宅的翅膀向南、西延伸，自由精确地与景观中的焦点对齐。然后，将每个房间仔细调整到自己的空间“微气候”，考虑隐私、视图、太阳方向、光线质量和气流。一系列的花园和开放空间与房屋内部的每个区域一致。