Architects: Branco-DelRio Arquitectos Project: Redondo House Project Team: João Branco, Paula del Río Collaborators: Gerson Rei Location: Coimbra, Portugal Photographs: do mal o menos

建筑师：Branco-Delrio ArquArchtos项目：Redondo House项目小组：Jo o Branco，Paula del Río合作者：Gerson Rei Location：Coimbra，葡萄牙照片：do mal o menos

Description by architect: The Redondo house is the last of a row of four buildings built at the beginning of the 20th century in the center of Coimbra. Its cylindrical shape responds to the oblique cross between two streets, and gives the building a certain singularity and its name. The original organization in two independent houses: an apartment on the ground floor and a house with two floors and garret on the upper levels, was maintained. The original layouts were very fragmented: several small rooms around a large hall. Their high ceilings conferred the inside space a characteristic sense of verticality.

建筑师描述：雷东多住宅是20世纪初在科英布拉中心建造的四栋建筑中的最后一座。它的圆柱形响应于两条街之间的斜交，给出了建筑物的某种奇异点和名称。最初在两所独立住宅中的组织结构保持不变：一楼有一套公寓，上层有两层楼和一座阁楼。最初的布局非常零散：几个小房间围绕着一个大厅。他们高高的天花板赋予了室内空间一种典型的垂直感。

The intervention is based in 3 1 operations: 1. Through a series of precise cuts on the walls connecting the vertical ones, the horizontal space is introduced, whereas the original room proportions are kept readable on the ceilings. The resulting space is the sequence of the original ones, with its rhythms of windows, doors, details, lights and shadows. 2. All the infrastructures are integrated and hidden to maintain the original character of space. The result gives the feeling that nothing was done. 3. All the practical functions are solved with a series of free standing pieces: furniture. The reduced materiality of all these objects (built on oak and sucupira wood) give the whole a certain unity and balance.  1. On the original garret, the elimination of a whole roof plane creates an uncovered patio. An ambiguous space between inside and outside, open and private, with a beautiful view of the city.

干预的基础是31次手术：1.通过一系列与垂直墙相连的精确切割，引入水平空间，而在天花板上保持原来的房间比例可读性。由此产生的空间是原始空间的顺序，有窗、门、细节、灯光和阴影的节奏。2.所有基础设施都是集成和隐藏的，以保持空间的原始特征。结果给人一种没有做任何事情的感觉。3.所有的实用功能都是通过一系列独立的部件来解决的：家具。所有这些物体(建在橡木和木制品上)的实质性程度降低，给了整体一定的统一性和平衡。1.在原阁楼上，消除整个屋顶平面会形成一个无盖露台。内外之间的暧昧空间，开放与私密，有美丽的城市景观。