Restoration of a Small Apartment for Tourist Use / Archiplan Studio

2018-04-25 20:26

                            

                            
Interior Design: Archiplan Studio Project: Brolettouno Apartment / Restoration of a Small Apartment Location: Mantova, Lombardia, Italy Photographer: Davide Galli
室内设计:阿基普兰工作室项目:Brolettouno公寓/修复一个小公寓位置:Mantova,Lombardia,意大利摄影师:Davide Galli
The project involves the restoration of a small apartment for tourist use in the historical centre of Mantova. The apartment BROLETTOUNO belongs to a long design research path, which emerges in various interventions on built heritage.
该项目涉及修复曼托瓦历史中心一间供游客使用的小公寓。BROLETTOUNO公寓属于一个长期的设计研究路径,它出现在对建筑遗产的各种干预措施中。

                            
Basically we try to keep together two worlds, the one of the old and the one of the new, in a balance able to guarantee the identity of both of them. Light and shadow are kept together in their ambiguity and plurality, without sacrificing the reasons of one at the expense of the other.
基本上,我们试图把两个世界联系在一起,一个是旧的,另一个是新的,在一个平衡中能够保证这两个世界的同一性。光和影在它们的模糊性和多元性中保持在一起,而不牺牲其中一个的原因而牺牲另一个的原因。

                            
In particular the project emphasizes the differences and the heterogeneities of single spaces, in which ambiguity and contradiction prevales on the stylistic unitarity.
特别强调单个空间的差异性和异质性,其中歧义和矛盾倾向于文体的统一性。

                            
In this way the precision of the design element is able to emerges, besides the imperfection of the material element to which the action of time gave a singular energy.
这样,设计单元的精度就能显现出来,除了时间作用给出奇异能量的物质元素的缺陷之外。

                            
The furniture elements, all designed, define themselves as object cantankerous on one side and refined on the other, a sort of bestiary, and institute hybrid relationships with single spaces in which they are placed. The signs left by time, human work and aesthetic intention of different ages remain, while new signs overlap each other in a complexity which does not cancel the other knowledges.
家具元素,都是设计出来的,把自己定义为一边是对象,一边是精致的物体,是一种兽类,并与放置它们的单一空间建立混合关系。时间、人类工作和不同年龄的审美意向所留下的符号依然存在,而新符号又在复杂性中相互重叠,不排斥其他知识。

                            
Beauty can be found everywhere and does not belong to the intrinsic value of the material. It emerges in fragments overall, in evocative forms and their relationships. I believe that relationships represent the most important theme of our design path.
美无处不在,不属于物质的内在价值。它在整体上以片段的形式出现,以可唤起的形式和它们之间的关系出现。我相信关系是我们设计道路上最重要的主题。

                            
Our favorite relationships try to keep together the opposites, as force and fragility, perfect and imperfect, the gloss of a newly crafted product and the unpredictability of materials fell in abandonment. Every project represent a route and a synthesis attempt for open and evolving questions.
我们最喜欢的关系试图保持对立的关系,如力量和脆弱,完美和不完美,新制造的产品的光泽和材料的不可预见性的放弃。每个项目都代表着开放和不断发展的问题的一条路线和一种综合尝试。

                            

                            

                            

                            

                            

                            

                            

                            

                    

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