Architects: Anthrosite Architects Project: Brass House Location: Newcastle, Australia Area: 330 m2 Year 2017 Photographs: Jon Reid

建筑师：人类遗址建筑师项目：黄铜屋位置：澳大利亚纽卡斯尔地区：330平方米2017年照片：乔恩·里德

The site is situated within an atypical urban/ rural condition. To the western front boundary addresses a 60km/h road connecting neighbouring headland communities with the city centre. To the east; a state conservation area bordering a secluded beach. Addressing these opposing conditions was a key consideration in the development of a central covered outdoor living room; the Garden Room. Providing relief from the vehicular traffic and oriented to capture distant filtered ocean views and the native bushland setting.

该地点位于非典型的城市/农村条件下。在西部前线，边界是一条60公里/小时的公路，连接邻近的边远社区和市中心。向东；与偏僻的海滩接壤的州保护区。解决这些对立的条件是开发中央有盖的室外起居室的一个关键考虑因素：花园室。提供减轻车辆交通和定向捕捉远过滤海景和本土灌木丛设置。

The terrain of the site informed both the building setout and planning opportunities. Set on an existing ridge form, the building follows the existing ground stepping down to create direct internal relationships with the outdoors whilst providing internal separation through subtle changes in level.

该地点的地形通知了建筑物的布局和规划机会。设置在一个现有的山脊形式，建筑物遵循现有的地面逐步下降，以创造直接的内部关系与户外，同时提供内部隔离通过微妙的变化水平。

Given the site’s bushland setting, the design had to address bushfire requirements. An informed response minimised the impact of BAL 40 requirements to back of Brass house areas and allowed living spaces to be uncompromising by standard controls.

鉴于该网站的灌木丛地设置，设计必须解决丛林火灾的要求。一个明智的反应，尽量减少BAL 40要求的影响，支持黄铜住宅地区，并允许居住空间是不妥协的标准控制。

Key design briefing requirements included: kitchen as the heart of the home, covered outdoor area engaging the landscape, children and adult bedroom separation and a valued entry experience.

主要设计简介要求包括：以厨房为中心的家居，覆盖户外区域的景观，儿童与成人卧室的分离和有价值的进入体验。

Throughout the design process, the importance and impact the landscape; whether native or constructed, has been an emphasis of the design. Each room is oriented and framed towards a garden to enhance the experience and relationship between indoor and outdoor.

在整个设计过程中，景观的重要性和影响；无论是本土的还是建筑的，都一直是设计的重点。每个房间都面向一个花园，以加强室内和室外的体验和关系。

Our belief in an economic hierarchy allows for the right balance between cost and value to be achieved. We believe the primary investment should be made to spaces and items which impact the users on a daily basis. At Brass House, the design revolves around the Garden Room, the value of custom detailed, timber windows and doors, brickwork and in-situ concrete elements soften through native landscaping. For the interiors, built-in joinery is carefully crafted and enhanced through a white neutral pallet to strength the landscape experience.

我们对经济等级制度的信念使我们能够在成本和价值之间实现适当的平衡。我们认为，主要的投资应该是在空间和项目，影响用户的日常基础上。在黄铜屋，设计围绕花园房间，价值定制详细，木材门窗，砖瓦和现场混凝土元素软化通过本土景观。对于内部，内置细木工是精心制作和加强通过白色中性托盘，以加强景观体验。

Without exhausting the budget external enclosure details; claddings, flashing and rainwater goods etc. which impact users on a peripheral level have been simplified. Utilising standard products, materials are simply crafted and finished dark monochromic to sit within the native bush context.

在不耗尽预算的情况下，外部外壳的细节；对周边水平影响用户的包裹、闪光灯和雨水物品等都简化了。利用标准的产品，材料是简单的制作和完成黑暗单色坐在本地灌木丛的背景。

Design is a process. Each project is a result of an understanding of the site; conditions and constrains, of working with people, engaging the client, with consultants, contractors and craftsmen, of collaboration to achieve outcomes not originally foreseen. Brass House follows this philosophy. The design outcome is a result of an informed response to these numerous threads.

设计是一个过程。每个项目都是对现场的了解、条件和限制、与人合作、聘用客户、与咨询人、承包商和工匠合作，以实现原先未预见的成果的结果。黄铜屋遵循这一理念。设计结果是对这些线程的明智响应的结果。