Architects: Studio 11 Project: Workspace in Minsk Team: Maksim Vavinski, Tatiana Kashuro, Alexandr Zhmakin Location: Minsk, Belarus Year 2017 Photographer: Dmitrii Tsyrenshchikov

建筑师：Studio11项目：Minsk团队工作区：MaksimVavinski,TatianaKashuro,AlexanderZhmakin位置：Minsk,BelarusYear2017摄影：DmitriiTsyrenshchikov。

This office is the workspace of Studio11 – a young team of architects and designers from Belarus – and is based in Minsk. The layout consists of two work rooms, a kitchen, a separate room with materials and samples and a water closet. The interior did not have any initial stylistic orientation and was formed gradually. It is safe to say that this space gathers up our professional preferences and is a physical expression of personal philosophy in design. Here one can find a number of techniques and objects that were used in our projects. One such element is a ceramic module which we developed for one of our interior projects. Things like this are very dear to us they fill the workspace with personal history and additional internal meaning. Such things are very dear to us. They fill the workspace with personal history and additional internal value.

这个办公室是Studio11的工作空间，这是一支年轻的来自白俄罗斯的建筑师和设计师团队，总部设在明斯克。布局包括两间工作间，一间厨房，一间有材料和样品的独立房间，以及一间厕所。内部没有任何最初的文体取向，而是逐渐形成的。可以肯定地说，这个空间聚集了我们的专业偏好，是个人设计哲学的物理表达。在这里，我们可以找到一些在我们的项目中使用的技术和对象。一个这样的元素是一个陶瓷模块，我们为我们的一个内部项目开发。像这样的事情对我们来说是非常珍贵的，它们充满了个人的历史和额外的内在意义。这样的事情对我们来说是非常宝贵的。它们用个人历史记录和附加的内部值填充工作区。

In general our office is a reinterpretation of the modernist artistic thrust from the perspective of modern trends. The interior looks functional, sterile and is compositionally verified in shape and color. The floor is a rough concrete screed painted in light gray, almost white color. The surface is very lively, keeping all the pores and cracks. The ceiling is nothing more than the surface of reinforced concrete slabs. The walls are partially painted in a complex blue hue in one horizontal level, and the top of the walls has a worn white plaster finish. The curtains have the same color layout, which adds compositional integrity to the walls. There is one rather small wall partition that is made of glass blocks, which showcases the value of this magnificent material and refers us to the architectural elements of such master craftsmen as, for example, Alvar Aalto.

总的来说，我们的办公室是从现代潮流的角度对现代主义艺术主旨的重新诠释。内部看起来功能，无菌，并构成验证在形状和颜色。地板是一层粗糙的混凝土板，上面涂着浅灰色，几乎是白色。表面非常活泼，保持所有的毛孔和裂缝。天花板只不过是钢筋混凝土板的表面而已。墙壁在一个水平上部分涂上了复杂的蓝色色调，墙壁顶部有一层磨损的白色灰泥。窗帘有相同的颜色布局，这增加了组成完整的墙壁。有一个相当小的墙隔墙，是由玻璃砌块组成的，它展示了这种宏伟材料的价值，并向我们介绍了这些大师的建筑元素，例如阿尔瓦·阿尔托(Alvar Aalto)。

The centerpiece of the kitchen area is a clean volume of salmon color dining island with airy round pending lamps. Together with the walls, the island and the light balls create a clear formal composition of color and shape.

厨房区域的中心是一卷干净的鲑鱼色餐岛，里面有通风的圆形挂着的灯具。与墙壁，岛和轻球创造了一个明确的形式组成的颜色和形状。

The wall of the main workspace is set on fire by a huge painting of a young Belarusian artist Zakhar Kudin. The bodacious spirit of the painting reminds of the Fauvists’s works of the beginning of the previous century. Such expression organically smooths the restrained character of space. The composition is complemented by a nearby standing Innovation daybed. Together they create a rather fin de siècle image of a modern interpretation of the “Barcelona Day Bed” by Mies van der Rohe set against a Matisse story. The coziness in this loud emptiness is created by green plants, graphic works, furniture of the Soviet period and all kinds of samples of fabrics, materials and products.

主工作区的墙壁是由一个年轻的白俄罗斯艺术家ZakharKudin的巨大绘画点燃的。这幅画的大胆精神让人想起了上个世纪初福士的作品。这种表达有机地平滑空间的约束特征。该成分由附近的创新日床补充。他们一起创造了一个相当简单的形象，是米斯范德罗赫(MiesvanderRohe)对《巴塞罗那日间床》的现代解读。这种大声的空旷是由绿色植物、图稿、苏联时期的家具和各种织物、材料和产品样品所创造的。