A Contemporary Reinterpretation of the 70’s by Fabio Fantolino in the City of Turin

2018-06-25 13:24

                            

                            
Designer: Fabio Fantolino Studio Project: Sette House / Contemporary Reinterpretation of the 70’s Location: Turin, Italy Year 2016 Photographer: Giorgio Possenti
设计师:法比奥·范托利诺工作室项目:Sette House/当代重新诠释70年代的位置:意大利都灵,2016年摄影师:乔治·波斯森提
The interior of the apartment is characterized by ample external views while the use of wood and colour enhance the ambience.
室内的特点是丰富的外部景观,而木材和色彩的使用加强了气氛。

                            
Inside the large lounge, the suspended bench beautifully accompanies the eye from the american walnut bookcase along the windows, becoming functional seating, interrupted by the columns on which electric blue appliques are suspended, giving a touch of typical colour from the 70’s.
在大休息室里,悬挂的长凳在窗户旁的美国胡桃书架上美丽地伴随着眼睛,变成了功能齐全的座椅,被悬挂着电蓝色花纹的柱子打断了,给人一种70年代的典型色彩。

                            
The contrasts between structurality and the design of furnishing accessories are also enhanced by the colours and materials chosen. In particular, the neutral wool rug, the Edmond Flexform sofa in cotton, the two Mesh by Phanto armchairs in streaked green velvet and the coffee table designed by Fabio Fantolino in walnut and blue glass.
结构和装饰配件的设计之间的对比也通过颜色和材料的选择得到加强。特别是中性的羊毛地毯,棉质的爱德蒙·弗莱克斯特沙发,法比奥·范托利诺在胡桃木和蓝色玻璃中设计的咖啡桌,这两张网眼由Phanto扶手椅铺在条纹绿色天鹅绒上。

                            
Protected by a sequence of wooden swinging lamellas, the dining area develops around the table. This, designed by the architect, has a chrome-plated steel structure and a semi-gloss black lacquered wood surface and is complimented by dark velvet Verpan chairs with a black structure and by the Bidone by Phanto ceiling light.
在一系列木制摇摆板的保护下,餐桌周围的餐区展开。这是由建筑师设计的,有镀铬钢结构和半光泽的黑色漆木表面,并辅之以黑色结构的深色天鹅绒维潘椅子和Phanto天花板灯。

                            
Blue glass, dating back to the 1970s, embedded in a wooden frame divides the kitchen island area. In the entrance, wood panelling disguises the wall cabinets while two chromed imposing tubes catch the eye, serving as illumination for the Circle by Phanto. To balance the scene, a grey resin floor exalts the furnishings.
蓝色的玻璃,可以追溯到20世纪70年代,嵌在一个木框里,隔开了厨房的岛屿区域。在入口处,木镶板伪装墙壁橱柜,而两个显色显赫的管道吸引眼球,作为照明的圆圈由Phanto。为了平衡现场,灰色树脂地板高举家具。

                            
The master suite continues the chromatic and simple lines of the living area: in the bedroom a blue velvet bed and light grey wood panelling embraces the corner featuring a mirror and valet stand illuminated by Parachilna Aballs T hanging lamps.
主套房延续了客厅的色彩和简单的线条:卧室里有一张蓝色的天鹅绒床和浅灰色的木板镶板,角落里有一面镜子和一个由Parachilna Aballs T型吊灯照明的代客站。

                            
The two bathrooms have opposing styles: the master bathroom is elegant, where hexagonal white mosaic tiles contrast with American walnut furniture and the Calacatta grey marble of the washbasin; the guest’s bathroom is rather more scenographic with a Rosso Levanto marble washbasin resting on a walnut cabinet with black lacquered wood and circular chromed details set against black mosaic tiles.
这两个浴室有相反的风格:主浴室很优雅,那里有六边形的白色马赛克瓷砖,与美国胡桃家具和脸盆的卡拉塔灰色大理石对比;客人的浴室更多的是带有RossoLevanto大理石洗脸盆,坐落在一个核桃壳上,黑色的漆树和圆形镀铬的细节设置在黑色马赛克瓷砖上。

                            

                            

                            

                            

                            

                            

                    

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