Design: Studio 1408 Project: RS Apartment Location: Bucharest, Romania Photographer: Cosmin Dragomir

设计：Studio1408项目：RS公寓位置：布加勒斯特，罗马尼亚摄影师：CosminDragomir。

This project represents an experiment of materiality: Antithetic Juxtaposition of metal and wood, with the debut of a new finish in the local design language – Bluesteel. Metal sheets are heated and tempered in special industrial ovens. Reaching the temperature of 200 degrees Celsius, steel starts to progressively change its color in shades of yellow and red, then around 300 degrees it catches purple, blue tones. This technique is used by watch makers for tempering watch parts, giving them this beautiful, intense blue tint.

这个项目代表了一个物质性的实验：金属和木材的对立并置，并在本地设计语言蓝型钢中首次亮相。金属板材在特殊的工业烤箱中加热和回火。达到200摄氏度的温度，钢开始逐渐改变其颜色的黄色和红色，然后约300度，它捕获紫色，蓝色的色调。这一技术被手表制造商用于调整手表零件，给他们这种美丽的，强烈的蓝色色调。

Wood and metal, opposites by tactile and visual perception, can actually match as a state: both are used here as rough, unfinished materials. This antithetical visual assembling reveals a pleasant, elegant interior, industrial scenery which is well-balanced by the gray shades.

木材和金属，通过触觉和视觉感觉的对立面，实际上可以匹配为一种状态：两者都作为粗糙的，未完成的材料在这里使用。这种对立的视觉组合展示了一个令人愉快的，优雅的室内，工业的风景，这是很好的平衡灰色阴影。

From a functional point of view, the planimetry has been modified to suit the clients day-to-day needs, eliminating unjustified parietal obstacles. Thus, the space has been reconfigured to a more “plan libre” type and through it, also the way in which the habitation activities interact with one another; by this we improved the quality of living in these spaces.

从功能的角度来看，平面测量已经被修改，以适应客户的日常需要，消除了不合理的顶叶障碍。因此，空间被重新配置成一种更“计划式”的类型，并通过它，以及居住活动相互作用的方式；通过这一点，我们改善了在这些空间中的生活质量。

In the same conceptual language, we have created scenographies that prevail throughout the transitioning of the spaces. The frames / perspective views form sequential compositions via collages of materials and volumes. These sequences appear gradually throughout the day, by cycling from daytime – exposing the compositions to natural, organic daylight – all the way to nighttime – presenting the true compositional scene of the soft artificial lighting.

在同样的概念语言中，我们创造了在整个空间过渡过程中盛行的场景。框架/透视视图通过拼贴材料和卷形成顺序构图。这些序列在白天逐渐出现，从白天开始循环-把作品暴露在自然的、有机的日光下-一直持续到晚上-呈现出柔和的人工照明的真实构成场景。