Design: Fan Life Studio Project: Flower 17 Hot Pot Restaurant Chief designer: LIU Jing Design team: TAN Qingyue, PANG Liyuan, GAO Haifeng, SONG Lesi, SHI Pizhi, LIU Xin Project location: No. 3, 5F, Block A6, Tongde Kunming Plaza, Panlong District, Kunming City, Yunnan Province, China Project area: 704㎡ Completion time: October 2017 Photos and text provided by: Fan Life

设计：凡生活工作室项目：花店17热火锅餐厅首席设计师：刘菁设计团队：谭庆月、彭、高海峰、宋乐西、史必智、刘馨项目地点：云南省昆明市盘龙区同德昆明广场A6座3楼5楼：704㎡竣工时间：2017年10月

Let me bloom in my own way let me bloom in my own way you have your way to bloom and i have my way to die … just like what singer Cheer sang in her song “Attitude of flowers” Flower 17 sings the clear and clean childishness and pride of the young and it shows the ordinary attitude of life: corrupt, rebirth and bloom

让我以我自己的方式绽放，让我以我自己的方式绽放，你有你的方式绽放，我有我的死亡之路，…。就像歌手啦啦队在她的歌曲“花的态度”中唱的一样，17朵花唱着清澈的童心和年轻人的骄傲，它展示了平凡的生活态度：腐败、重生和绽放。

Flower, being the first symbol of life and beauty It was appeared in many ancient civilizations. In the Bible, Jesus said to his followers: The Lily flowers you saw on your way are much more precious than the treasure that King Solomon had at his richest time. In the Buddhist Scripture, Sakyamuni said to his disciple: Everything that I perceived in my life is in this flower that I am holding

花是生命和美的第一象征，它出现在许多古代文明中。在圣经中，耶稣对他的追随者说：你在路上看到的百合花比所罗门王最富有的时候所拥有的宝藏珍贵得多。在佛经中，释迦牟尼对他的弟子说：我一生中所感受到的一切，都在这朵我所持的花里。

Age 17, a budding age with a pure but stubborn and rebel character; an age which is bold but quite, enthusiastic but fresh. The flower is just like the slightly enlighten mind of age 17, with a potential of beauty and waiting to bloom. In Flower 17, the earthly hot pot bumps into the aloof gorgeous flowers; flower is part of the meal, presenting a wonderful scene of flower and fire. Flowers dancing in the air remind diners to embrace unknown future life which is full of imagination with an eased mood. Flowers in poetries present nice images to people while flowers in reality are the carrier of beauty. The naturally grew flowers together with branches and leaves create geometry outlines with strong sense of line. They give strong visual impact as they are blooming all over partitions, curtains, mirror frames, lights and grilles.

17岁，一个初出茅庐的时代，有着纯洁但固执和叛逆的性格；一个大胆而又充满热情但新鲜的时代。这朵花就像17岁时的略带启发性的心灵，有着美丽的潜力，等待着绽放。在“花儿17”中，地球上的火锅撞上了超然的绚丽的花朵；花是这顿饭的一部分，呈现出一幅美丽的花火景象。花儿在空中翩翩起舞，提醒食客们拥抱未知的未来生活，充满想象力，心情舒畅。诗歌中的花朵给人以美好的形象，而在现实中，花朵则是美的载体。自然生长的花朵与枝叶一起创造出几何学轮廓，具有强烈的线条感。他们给予强烈的视觉影响，因为他们是盛开的所有分区，窗帘，镜框，灯和格栅。

The drafts from the designer are not yet wiped off, reminding diners of their 17; The layout and details of the design is inspired by the shape of blooming flower — the curves of morning glory and blooming rose. Lamps and lanterns in the shape of tulip in bud reflect a mood of waiting for blooming. The slightly enlighten mind is record in the diary of 17 years old, when it is unfold, our memories will go back to age 17. The crystal umbrella lamp hunted from Thailand early this year are echoing to the dreamlike and crystal like age of 17 Rooms decorated with pink or green flowers are fresh and natural, and the flower language “hope and beauty” carries designer’s best wishes towards growing up.

设计师的草稿还没有被抹掉，这让食客们想起了他们的17幅画；设计的布局和细节都是由盛开的花朵的形状所激发的-那是一条牵牛花和盛开的玫瑰花的曲线。灯和灯笼呈郁金香花蕾的形状，反映出一种等待绽放的心情。17岁的日记中记录着些许的启蒙精神，当它展开时，我们的记忆将追溯到17岁。今年初从泰国猎获的水晶伞灯，与17间装饰着粉红色或绿色花朵的房间的梦幻水晶般的年龄相呼应，鲜花语言“希望与美”承载着设计师对成长的美好祝愿。

In this huge sea of flowers, which tells stories of flower-like ages, designer’s idea is being presented more and more clear. Rose blooms are used in the stage area to get to a stage play-like climax of design. And then there is the play of dreamlike piano music, showing a mature beautiful picture of time after 17. Obvious visual spots in the interior space are decorated with blooming trees. It is like the artistic conception and mood which described in Xi Murong’s poetry “How to let you meet me in my most beautiful moment” because the moment that flowers bloom marks the trace of time. Walking through the dreamlike art flower gallery which makes diner think of a romantic wedding, it comes to the private room. The mass of blossom in the private room is clean and clear, and the flower umbrella on the wall tells all old stories. The whole decoration is done by hand, and it took the 4 designers and their co-workers half a month to get it done.

在这巨大的花卉海洋中，讲述着类似花卉时代的故事，设计师的想法越来越清晰。玫瑰花在舞台区域被用来达到舞台戏式的设计高潮。还有梦幻般的钢琴音乐演奏，17岁以后呈现出一幅成熟的美丽画面。室内空间中明显的视觉点缀着盛开的树木。这就像西慕容诗歌“如何让你在我最美丽的时刻遇见我”所描绘的意境和意境，因为花开的那一刻标志着时间的痕迹。漫步在梦幻般的艺术花廊，让食客想到浪漫的婚礼，它来到了私人房间。私人房间里盛开的花朵是干净而清晰的，墙上的花伞讲述了所有古老的故事。整个装修是手工完成的，4位设计师和他们的同事花了半个月才完成。

The layout is like the life cycle, when flowers fall and songs end, they are ready and awaiting to move to the next phase, and ready to hug the profundity and multiplicity of life. Pasternak put it this way: We are not to live a life, or years or months or days, but a few moments.

布局就像生命周期，当花儿落下，歌声结束时，它们就准备好了，等待着进入下一个阶段，准备拥抱生命的深邃和多样性。帕斯捷尔纳克这样说：我们不能活下去，也不能活几年、几个月或几天，而要过几分钟。

All languages could not compare with a flower Could not compare with one encounter And the cute little minds that we left Hope everything’s just right

所有的语言都比不上一朵花，无法与我们离开的一次邂逅和可爱的小心灵相提并论，希望一切都是对的