Metallic Structure House in the Midst of a Beautiful Forest of Pine Trees
2015-09-09 14:38
Located at 180km from São Paulo, Mororó house was completed in 2015 by studio MK27.
Mororóhouse位于距圣保罗180公里处,于2015年由MK 27工作室完成。
Description by Studio MK27: The Mororó House is in a mountainous region, 180 km from the city of São Paulo, known for its low temperatures. The architecture sought to create generous internal spaces for the cold days, such as, for example, a cozy living room and an enclosed bathhouse with a pool, where the views can be appreciated while being protected by a skin of glass.
MK 27工作室描述:莫罗豪斯位于一个山区,距离圣保罗市180公里,以低温著称。这座建筑试图为寒冷的日子创造宽敞的内部空间,例如,一个舒适的客厅和一个带游泳池的封闭浴室,在那里可以欣赏风景,同时还可以用玻璃皮来保护。
Externally, the same continuous volume creates a duality between an opaque block – where the living room, bedrooms and service areas are – and the transparent stretch of the heated pool and sauna. The volumetry of the house was given by a sixty-five meters extrusion of an icon-house, with pitched roof. Furthermore, an external wooden deck connects the spaces and creates a solarium to be used during the summer months.
从外部看,同样的连续体积在一个不透明的街区(客厅、卧室和服务区所在的地方)与透明的恒温游泳池和桑拿浴室之间创造了一种双重性。这所房子的体积测量是由一座有倾斜屋顶的图标屋的65米挤压而成的。此外,一个外部木甲板连接了空间,并创建了一个日光浴室,供夏季使用。
In the opaque part of the volume, which is 50m long, the openings were minimized and used as sliding doors to intensify the integration between inside and out. This relation between empty and full in the façade allows for an excellent thermal performance, with a high degree of electric energy conservation. The transparent stretch is fourteen meters long and the internal ventilation was spatially designed to avoid condensation on the glass by the heated pool, which would harm the relation with the view.
在体积的不透明部分,50米长,开口被最小化,并用作滑动门,以加强内外一体化。这种空和满之间的关系在正面允许一个优良的热性能,与高度的电能节约。透明的拉伸长度为14米,内部通风的空间设计是为了避免温水池在玻璃上凝结,这会损害与景观的关系。
The house was not situated on the top of a rugged site, as initially desired by the clients, but in its lowest part – in the midst of a beautiful forest of pine trees. This solution allowed the building to be surrounded by nature, creating an intimate relation with the site.
这座房子并不是像客户最初想要的那样,坐落在一个崎岖的土地上,而是在它的最底层-在一片美丽的松树林中。这一解决方案使建筑物被自然包围,与现场建立了密切的关系。
The initial premise of the project was to have a quick and cheap construction. Therefore, the architecture found industrialized solutions such as metal structures and steelframe walls. The site, despite high rainfall, remained always clean. Unlike the Brazilian constructive culture, few elements were made entirely on site, but instead mounted or assembled there. The time to build this house was less than the usual, even with the site’s difficult access.
该项目最初的前提是快速、廉价地建造。因此,该建筑找到了工业化的解决方案,如金属结构和钢框架墙。尽管降雨量很大,但这个地点仍然很干净。与巴西的建设性文化不同,很少有要素完全在现场制造,而是安装或组装在那里。建造这座房子的时间比平时少了,尽管现场很难进入。
The use of the internal materials, such as wood, made the house a cozy one, like the traditional chalets in the mountains. Following the desires of the future residents, the kitchen could be integrated to the spaces via wooden sliding doors – that could be entirely opened. Thus, it was not only possible to design ample and continuous spaces on the inside, but also to have central spaces for the quotidian life which organized the house plan.
内部材料的使用,如木材,使房子是一个舒适的房子,就像山中的传统粉笔。根据未来居民的愿望,厨房可以通过木质滑动门整合到空间中,可完全打开。因此,不仅可以在内部设计充足和连续的空间,而且还可以为组织房屋规划的商生活设置中心空间。
Project: Mororo House / metallic structure house Area: 730.0 sqm Project Year: 2015 Architects: Studio MK27 Location: Campos do Jordão – SP, Brazil Architect in Charge: Marcio Kogan Co-Autora: Maria Cristina Motta Desing Team: Carlos Costa, Carolina Castroviejo, Elisa Friedmann, Laura Guedes, Mariana Simas, Mauro Augusto, Oswaldo Pessano, Pedro Ribeiro, Rafael Costa Interior Design: Diana Radomysler Photographs: Fernando Guerra
项目:莫罗罗房屋/金属结构房屋面积:730.0平方米项目年:2015年建筑师:MK 27工作室地点:Campos do Jord o-SP,巴西建筑师:Marcio Kogan Co-Autora:Maria Cristina Motta设计团队:Carlos Costa,卡罗莱纳·卡斯特罗维霍,ELISA Friedmann,Laura Guedes,Mariana Simas,Mauro Augusto,Oswaldo Pessano,Pedro Ribeiro,Rafael Costa室内设计:Diana Radomysler照片:Fernando Guomysle
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