Project: Willisdene House Architects: Archier Location: Hobart, Tasmania Year 2017 Photographer: Benjamin Hosking

项目：WillisenieHouseArchitect：Archer位置：Hobart，塔斯马尼亚语，2017年摄影师：BenjaminHosking

The Willisdene house leverages Australia’s largest latent asset – the stereotypical backyard – to create a new heart for the dwelling and family, re-conceptualise the relationship between the house and garden, and to embed landscape in the ritual of everyday life.

Willisdene的房子利用澳大利亚最大的潜在资产-典型的后院-为住宅和家庭创造一个新的心脏，重新构思房子和花园之间的关系，并将景观嵌入日常生活的仪式中。

This project was conceived sitting in the backyard of Willisdene House 10 years ago. The design positions the yard at the heart of the project, reframing the relationship between the house and garden, incorporating it into the everyday rituals of the dwelling.

这个项目是10年前构思的，坐落在Willisdene House的后院。该设计将庭院置于项目的核心位置，重新构建了住宅与花园之间的关系，并将其纳入住宅的日常礼仪中。

The courtyards bathe the new building in Tasmanian sunlight and create a frame to view the cloud formations, fashioned by Mount Wellington. They provide solar access for heating and crossflow ventilation for cooling.

庭院在塔斯马尼亚的阳光下沐浴这座新建筑，并创建一个框架，以查看由惠灵顿山形成的云图。为供暖提供太阳能通道，为冷却提供横向通风。

Material selections are genuine, simple and durable. Finishes have been kept to a minimum and where they have been used they are robust and natural, to ensure their longevity.

材料的选择是真实、简单和耐用的。成品一直保持在最低限度，并已使用，他们是坚固和自然的，以确保他们的寿命。

The project features bespoke basins by ceramicist Lindsey Wherrett, lights by Archier and artwork by Nathan Grey.

该项目的特点是陶艺家林赛·惠勒特(Lindsey Wherrett)定制的面盆，阿尔奇(Archier)的灯光和内森·格雷(

The original Willisdene House was built almost 100 years ago. The investment in quality architecture and construction will see it through for another century and more.

最初的威利斯登住宅建于近100年前。在高质量的建筑和建设上的投资将使它度过一个世纪甚至更长的时间。

With two simple moves, the design integrates the backyard into the ritual of the every day from inside the house: A long north facing pavilion reaches out to the west, providing all daylight to the kitchen, dining and sitting space; a small courtyard and lounge cap this volume, with large picture windows that frame a delightful gum tree to one side and the central court on the other.

通过两个简单的动作，这个设计将后院融入了每天从屋内开始的仪式：一个朝北的长廊向西延伸，为厨房、餐厅和休息室提供了充足的阳光；一个小庭院和休息室盖住了这卷书，一面是大画窗，一边是一棵令人愉悦的树胶树，另一边是中央庭院。

With no budget for high-tech ESD features, our approach was to optimise efficiency through basic passive principals, coupled with thoughtful material selection. Large north facing windows allow for plenty of solar gain in the winter whilst the eaves provide shade in the summer. Operable windows allow for crossflow ventilation and additional insulation has been added throughout the existing dwelling to increase its performance. Material selections are simple and durable. Finishes have been kept to a minimum and where they have been used they are robust and natural, to ensure their longevity.

由于没有用于高科技ESD功能的预算，我们的方法是通过基本被动原则优化效率，再加上周到的材料选择。大型北向窗户在冬季可获得大量的太阳能增益，而屋檐则在夏季提供遮阳。可操作的窗户允许交叉流动通风，并在整个现有住宅中增加了额外的隔热层，以提高其性能。材料选择简单耐用。已将饰面保持在最低限度，并且在使用它们的地方，它们是坚固和自然的，以确保其寿命。

Throughout the space we have leveraged our experience of prototyping and producing products. From our locally-made Ashfield towel rails to the handmade ceramic basin collaboratively created with Lindsey Wherrett – here, the products are designed for the space, not the space for the products. The tones in the custom ceramic basin were selected from the under growth of Mount Wellington, adding a layered response to site and context.

在整个空间中，我们利用了我们的原型和生产产品的经验。从我们当地生产的阿什菲尔德毛巾栏杆到与林赛惠勒特合作创建的手工陶瓷盆，这些产品都是为空间而设计的，而不是产品的空间。自定义陶瓷盆中的色调是从惠灵顿山的欠生长中挑选出来的，增加了对场地和环境的分层反应。