Project: Apartment for a Musician Architect: Ing.arch.Štěpán Havlík, a-sh Project location: Ústí nad Labem, Czech Republic Project size 69,4 m2 designed area, 103 m2 total usable area (includes a recording studio that’s not a part of the project) Year 2015 Photo credits: Jakub Skokan, Martin Tůma / BoysPlayNice

项目：一位音乐家建筑师的公寓：Ing.arch.Štěpán havlík，a-sh项目位置：捷克共和国项目规模69，4平方米设计面积，103平方米总可用面积(包括不属于该项目一部分的录音室)2015年照片学分：Jakub Skokan，Martin Tůma/BoysNice Playice

The subject of design is the furnishing and facilities of a part of the apartment for a musician and his partner. The space in question is a new apartment on the second floor of a new apartment building in Ústí nad Labem. Certain elements of the apartment – floors and windows – were left intact, according to the wish of the client.

设计的主题是一位音乐家和他的合作伙伴的公寓的一部分的家具和设施。所涉空间是乌斯特纳德·拉贝姆一栋新公寓楼二楼的一套新公寓。根据客户的意愿，公寓的某些部分-楼层和窗户-完好无损。

The inspiration brought in by the owner into the first ideas about the living space came from the interest in the furnishing of old cottages heavily scattered on the surrounding hills of the České Středohoří landscape. Another influence was the client’s love for the sunlit homesteads of Provence. Despite being quite disparate, these visions seemed very concrete. The goal of this project was to combine these inspirations into one compact entirety. I did not wish the design to stay in the past by repeating all the well-known borrowed architectural phrases. I rather wanted to create a real and contemporary answer to the specific demands of the customer. In this sense, the design was a search for the atmosphere of these studied references. The interior extracted its solid wood furniture from cottages and its light from Provence. The selection of materials and their tones was well influenced by the surrounding nature. There are three basic materials in the interior: a dark cement coating, oak wood and a whitened birch plywood.

业主对居住空间的最初想法所带来的灵感来自于对散布在埃斯克圣埃多霍岛(ČEskéStředohoří)周围山丘上的老别墅家具的兴趣。另一个影响是客户对普罗旺斯阳光明媚的家园的热爱。尽管完全不同，但这些愿景似乎非常具体。该项目的目标是将这些灵感整合成一个整体。我不希望通过重复所有著名的借来的建筑短语来保留过去的设计。我更想为客户的具体需求创造一个真实和现代的答案。从这个意义上说，设计是为了寻找这些研究文献的氛围。室内从农舍中提取实木家具，从普罗旺斯提取光线。材料的选择及其色调受周围大自然的影响很大。室内有三种基本材料：深色水泥涂层、橡木和白桦树胶合板。

The whole design with a strongly modelled ceiling from light coloured and whitened birch plywood (in reference to rock-climbing walls – the owner is a climber) uses the large glass areas of the balcony window to bring plenty of light into the space. The light slips across the ceiling, bending at the edges as if on water surface. It is furtherly important that the space is well lit. The ceiling hides a system of points for hanging either elements like hammocks or exercising bars and also spot lighting. At the same time, it hides a visually unappealing girder or ventilation above the kitchen island. The decision to implement this lowered and diffracted ceiling was not easy, because it perceptibly lowers the headway height of the room. However, the distinctiveness and functionality of the solution convinced us that this is the right path.

整个设计采用浅色白桦树胶合板(指攀岩墙-业主是登山者)，采用阳台窗户的大玻璃区域，为空间带来充足的光线。光线从天花板上滑过，在边缘弯曲，就像在水面上一样。更重要的是，空间要明亮。天花板隐藏了一个点系统，用来悬挂吊床或运动杆之类的元素，也包括点灯。同时，它隐藏了一个视觉上没有吸引力的主梁或厨房岛上方的通风设施。执行这一降低和绕射天花板的决定并不容易，因为它明显地降低了房间的前进高度。然而，解决方案的独特性和功能性使我们相信这是正确的道路。

The original unnecessarily large (however dark) entrance has been divided by a closet wall into a hallway and walk-in closet. The entrance hall is therefore much lighter. Furthermore, at the very moment of entrance, there is a much stronger visual connection with the window at the back, near the dining table. The closet room in the centre of the disposition works as a filter into the bedroom and recording studio. The kitchen takes form by the extrusion of large “drawers“ coming out of the walls. Similarly, the countertop by the sink is formed by pulling out a part of mass that it then placed on the other wall. The inserted countertop and sink are made of African granite with a structured surface. The wall with randomly placed shelves is also covered with plywood so it would be soft at touch and for leaning against and therefore becomes a living space. Also in this wall there is a small wine cabinet. The shelves wall with small drawers across the room is a space for books, sound system and other objects from the equipment of the musician.

原本不必要的大入口(无论多暗)都被壁橱隔开，分成走廊和步入式壁橱。因此，入口大厅要轻得多。此外，在入场的那一刻，餐桌附近的窗户与后面的窗户有着更强的视觉联系。在配置中心的壁橱房间作为过滤器进入卧室和录音室。厨房是由从墙上出来的大抽屉挤压而成的。同样，洗涤槽的台面是通过取出一部分质量，然后放在另一面墙上形成的。插入台面和水槽是由非洲花岗岩和结构表面。墙上随机放置的架子也是覆盖着胶合板，所以它将是软的接触和靠在一起，因此成为一个生活空间。在这面墙上还有一个小酒柜。整个房间的架子墙上都有小抽屉，这是一个空间，可以容纳来自音乐家设备的书籍、音响系统和其他物品。