From the moment he graduated from Honk-Ik University in 1992, Jaehyo Lee has won recognition both in Korea and internationally through his works that were artisanal created from wood, stone or metal. His works demonstrate a solid respect for raw materials and its innovative approach reflects their characteristics and charges them with a profound symbolism. Jaehyo Lee believes that although the realization of some art works from unusual materials can be easier though, by using day to day materials, used in carrying out some amazing creations, the “wow effect” stage can be exceed.

从1992年毕业于洪艾克大学的那一刻起，李对雄就通过他的作品赢得了韩国和国际上的认可，这些作品都是由木材、石头或金属制成的手工作品。他的作品表现出对原材料的尊重，其创新之道体现了其特点，并赋予了其深刻的象征意义。李世雄认为，虽然一些不寻常材料的艺术作品可以更容易地实现，但通过日复一日的材料，用于进行一些令人惊叹的创作，“魔兽世界效应”阶段是可以超越的。

Through his creations, Jaehyo Lee willingly plays with the boundaries between art and modern design, some works have strong symbolic charge and a spiritual message, while others can enclose in supplies after receiving the touch of some geometry of beauty. Each work requires a huge amount of work, the sculptures being crafted by Jaehyo Lee together with a team of artisans in his workshop from Yangpyeong. At the achievement of the collection named Transformations, Lee uses logs and bent nails. The works evoke the nature and the return to organic roots, artistically valorizing the logs from the section. The black spaces between the logs are none but a result of the partially combustion and carbonization of the logs before finishing. Jaehyo Lee’s works are an artistic representation of the Yin and Yang duality through some harmonious geometric curves. Via Jaehyo Lee website

通过他的创作，李爱雄心甘情愿地发挥艺术与现代设计的界限，有些作品具有强烈的象征色彩和精神信息，而另一些作品则可以在收到一些美的几何图形的触摸后，将其封装在一起。每件作品都需要大量的工作，这些雕塑是由李以雄和一组工匠一起在他来自阳平的工作室里制作的。在完成名为“转换”的集合时，Lee使用原木和弯曲的钉子。作品唤起了自然和回归有机的根，艺术价值的圆木节。圆木之间的黑色空间除了部分燃烧和炭化外，没有其他，而是在完成之前的部分燃烧和炭化的结果。李氏的作品是通过一些和谐的几何曲线来表现阴阳二元性的艺术表现。通过Jaehyo Lee网站