Project: D2 Townhouse Architect: Jake Moulson Lead roles in JM: Robert Berry and Stephanie Gallia Full team at JM and assistance: Alicia Borkowska, Aoife Donnelly, Adelina Fasan, David Hemingway, Bradley Roast, Kristin Trommler Location: Dublin, Ireland Year 2018 Photography: Tim Crocker

项目：D2乡屋建筑师：杰克·穆尔森在JM中扮演主角：罗伯特·贝里和斯蒂芬妮·加利亚在JM和协助：Alicia Borkowska，Aofe Donnelly，Adelina Fasan，David Hemingway，Bradley Roast，Kristin Trommler Location：都柏林，爱尔兰年2018年摄影：Tim Crocke

Situated in the heart of Georgian Dublin, a now largely commercial area, D2 Townhouse is a 5-storey dwelling, sandwiched between offices and car parks. Distinguishing it from neighbouring townhouses is its substantial garden, which contains one of the few remaining original coach houses in Dublin. This complete, rare Georgian domestic typology, with a simple classical façade to the rear, marks D2 as singularly important in conservation. Discovered as an unoccupied office, in a state of extreme overgrowth and disrepair, and with a series of increasingly insensitive and utilitarian additions, when Jake Moulson was invited to begin work on the D2 Townhouse in 2013, it was in urgent need of attention. Invited to restore the building to a single family home, Jake Moulson’s aim was to revive and amplify its original spirit, applying contemporary experimentation, daring and ingenuity, reigniting its spatial drama and making it an oasis in Dublin’s city centre.

D2镇位于佐治亚州都柏林的中心地带，现在主要是商业区，它是一栋5层楼高的住宅，夹在办公室和停车场之间。它与邻近的联排别墅区别开来的是它巨大的花园，里面有都柏林为数不多的几座原来的马车屋之一。这一完整的，罕见的格鲁吉亚国内类型，与一个简单的古典外观的后方，标志着D2特别重要的保护。2013年，杰克·穆尔森(Jake Moulson)应邀在D2镇开始工作时，发现它是一间空置的办公室，处于极度过度增长和年久失修的状态，加上一系列越来越不敏感和功利的补充，因此它迫切需要关注。杰克·穆尔森受邀将这栋建筑修复成一个单一的家庭住宅，他的目标是重振和弘扬它的原始精神，运用当代的实验、大胆和独创性，重新点燃它的空间戏剧，并使它成为都柏林市中心的绿洲。

Proposing D2 Townhouse as a nucleus for fantastical departure, JM’s approach has been holistic and itinerant. Looking to each corner and detail, and to all the building’s possible atmospheres, every aspect of it, both physical and historical, has been brought into rhythmic interplay. Riffs are initiated between imagined pasts and projected futures, leading to gradations and non-sequiturs of materials, tones and technologies. Augmentation of the building’s existing, astonishing light, through interventions that allow it to flow between micro-spaces, makes each window, room and door a directional layer, opening onto the next. An accumulation of deep, inhabitable bays, viewing platforms, light-boxes, light-capturing devices and reflective surfaces frame the sky and redistribute it into the house. The building’s formal front melts into the garden and rear. Its grand, imposing entrance retreats to a softer, lined connection to the roof. Scorched timber corridor gives way to cantilevered and patterned iron-clad toilet, brass pantry, godless chapel for the family’s art collection, and a geological, sci-fi kitchen.

建议D2镇作为一个核心的幻想离开，JM的方法是整体的和巡回的。看到每一个角落和细节，以及所有可能的建筑氛围，它的每一个方面，无论是物理的和历史的，都被带入了有节奏的相互作用中。断断续续是在想象的过去和预测的未来之间开始的，导致材料、音调和技术的渐变和无序。通过干预，使建筑物的现有的、令人惊讶的光线得以在微空间之间流动，使每个窗口、房间和门成为一个定向层，打开下一个窗口。一堆深的、适合居住的海湾、观景台、灯箱、捕光装置和反射面构成了天空的框架，并将其重新分配到房屋中。这座建筑的正式正面融化在花园里和后面。它雄伟的入口撤退到了一个更柔软，衬里的屋顶连接。烧焦的木材走廊让位于带有悬臂和图案的铁皮马桶、黄铜储藏室、家庭艺术收藏的无神论礼拜堂，以及一个地质学的科幻片厨房。

Every one of JM’s interventions is bespoke. The cuts/removals, the additions, linings and the furniture are all part of JM’s architectural vision. The design includes a unique cast-iron cladding system, digitally prototyped with a repeating and changeable pattern, a bespoke laser-etched Adamesque steel floor, a kitchen curtain in thermo-formed Corian, an onyx-lit under-stairs toilet, wild whiplashes of colour, idiosyncratic inserted joinery and mirrors dissecting views and sharpening light.

JM的每一次干预都是定制的。削减/移除、增加、衬里和家具都是JM建筑愿景的一部分。该设计包括一个独特的铸铁包层系统，数字化原型与重复和可变的模式，一个定制的激光刻蚀的阿达梅斯克钢地板，厨房窗帘在热成型的柯里安，一个红玛瑙点燃楼梯下厕所，狂野的颜色鞭打，独特的插入式细木工和镜子解剖视图和锐利的灯光。

Simultaneously, conservation best practice has been applied to every aspect, including using breathable materials, lime renders and custom solutions such as pressure-differential ventilation voids to the lower ground floor to draw away moisture.

同时，对每一个方面都应用了养护最佳做法，包括使用透气材料、石灰渲染和定制的解决方案，如压力差通风空隙到下地面，以抽出湿气。

In the Coach House, custom frameless glazing has been added along the eaves over the rafters, alongside a glass floor to take light down to reimagined and re-purposed stalls whilst incorporating bat cavities, to protect and fortify local ecologies.

在Coach House中，在屋檐上添加了自定义的无框玻璃，并在玻璃地板旁安装了玻璃地板，以便在安装蝙蝠洞的同时，将光线照到重新设想和重新使用的档位上，以保护和加强当地的生态环境。

Channelling the D2 Townhouse’s Georgian inheritance, with its formality and flamboyance, JM wanted to reinvigorate an imagined life, give the house back its body, to re-dress it sharply against the aged grit and grain of its surfaces, and to love where it had been neglected. An uncompromising project, where the utmost consideration, craft and innovation were poured into each minute and macro detail, every successive glimpse and angle offers a departure. The result is a disorientating and seductive compression-piece – of temporalities, palettes and aesthetics, mixing dialogues between art, architecture, design, science and fictions, from the intimate to the flamboyant, and from the restrained to the spectacular.

JM想用它的形式和华丽来引导D2镇的继承，用它的形式和华丽来恢复想象的生活，把房子还给回它的身体，用它的表面的旧砂砾和纹理来重新打扮它，并且爱它被忽视的地方。一个不妥协的项目，其中最大的考虑，工艺和创新倾注到每一分钟和宏观细节，每一次一瞥和角度提供了一个起点。其结果是一段混乱而诱人的压缩-时间、调色板和美学，把艺术、建筑、设计、科学和小说之间的对话，从亲密的到华丽的，从克制的到壮观的。