Project: Matanzas Vacation House Architects: Cristián Izquierdo Lehmann Collaborators: Angela Koch Location: Matanzas, VI Región de O’Higgins, Chile Area: 178 m2 Year: 2018 Photographer: Roland Halbe

项目：Matanzas度假屋建筑师：Cristián Izquierdo Lehmann合作者：Angela Koch地点：Matanzas，VI Región de O‘Higgins，智利地区：178平方米：2018年摄影师：Roland Halbe

The Matanzas vacation house is located on the edge of a windy ravine facing the Pacific Ocean. The project is conceived as a centralized pavilion to take refuge from the landscape, and a terrace to contemplate it. The pavilion gradually opens to the outside, mediated by patios, while the terrace is suspended over the horizon in a panoramic way. Both are superimposed one on the other, almost without touching, preserving their formal integrity.

马坦萨斯度假屋坐落在一个面对太平洋的多风峡谷的边缘。该项目被认为是一个集中的亭子，以躲避景观，和一个平台，以思考它。展馆在天井的调节下逐渐向外开放，而露台则以全景的方式悬挂在地平线上。两者相互重叠，几乎没有接触，保持了形式上的完整性。

The pavilion is an exposed wooden structure governed by a continuous modulation at 67 cm., arranged on a circular base slightly separated from the ground. It is composed of a central squared room, from which four rectangular pieces emerge, forming four open courtyards at their corners. The centerpiece concentrates the places to cook, eat and live. Its 4 vertical enclosures are made up of a sliding window and a wall-case in a ratio of 5: 7, and are rotated symmetrically over the center of the plan, generating two continuous diagonal paths between the opposite courtyards. Each wall-case houses a different use (bookcase, TV, kitchen or fireplace) and an equal door in its corners. After these are the bedrooms, open to a patio through large windows that extend twice the modulation of the central opening, and closed to the next patio by a wall. The central piece, the bedrooms and the patios make up an interconnected space over the continuous travertine plinth.

展馆是一个裸露的木结构，在67厘米的连续调制下，排列在一个与地面稍微分开的圆形基座上。它由一个中央正方形的房间组成，四个长方形的部分从里面冒出来，在它们的角落形成了四个开放的庭院。这个中心集中了做饭、吃饭和生活的地方。它的四个垂直围护室是由一个滑动窗口和一个墙壳组成的，比例为5：7，并在平面图的中心对称旋转，在相对的庭院之间形成两条连续的对角线路径。每个壁橱都有不同的用途(书柜、电视、厨房或壁炉)，每个墙角都有一扇相等的门。然后是卧室，通过大窗户向露台开放，窗户是中央开口的两倍，然后靠墙向下一个天井关闭。中央部分、卧室和露台构成了一个连绵不断的石灰华平台上的相互连接的空间。

The ceiling of the central area is arranged at a higher height, dilated from the rest of the house on 4 pillars adjacent to the doors of the bedrooms. Its structure consists of a rigid grid of variable section, which tapers to its ends as its load decreases. Each square hosts a skylight in the middle, whose systematic repetition gives a light similar to an outdoor terrace. On this roof the house develops its obverse: an open terrace without borders to contemplate aspects of the landscape that the pavilion under it suppresses. Both soils are necessary to mediate with the environment. This unity of purpose allows us to understand the different parts as members of the same whole.

中央区域的天花板布置在较高的高度，从房子的其余部分扩展到相邻卧室门的4根柱子上。它的结构由一个变截面的刚性网格组成，随着荷载的减小，网格的两端逐渐变细。每个广场的中间都有一个天窗，其系统的重复给出了一个类似于室外露台的光线。在这个屋顶上，房子向外延伸：一个没有边界的开阔的露台，用来观想它下面的亭子所压制的景观的各个方面。这两种土壤都是与环境相协调所必需的。这种目的统一使我们能够将不同的部分理解为同一整体的成员。