The Scandi aesthetic is lauded for good reason – simplicity, practicality and minimalism combined in one neatly wrapped package. The only downside is that it has become somewhat predictable as it is interpreted worldwide; a byword for pale wood, muted tones and ethereal lighting. Not so at Hotel Norge, a Bergen icon recently revamped by Dutch studio Concrete, which has energised the familiar Nordic design aesthetic with vibrant notes.

斯堪的纳蒂的美学被称赞是有理由的-简单，实用性和极简主义结合在一个干净的包装。唯一的缺点是，它已经变得有点可预测，因为它在世界范围内被解释；它的代名词苍白的木材，无声的色调和虚幻的照明。但在诺格酒店(HotelNorge)，一位卑尔根的图标最近被荷兰工作室混凝土改造过，它用充满活力的音符增强了人们熟悉的北欧设计美学。

This is best witnessed in the lobby of the 415-room hotel where a giant sun that changes colour throughout the day takes centre stage in a space dressed in surprisingly harmonious tones of emerald green, sapphire blue and mustard yellow. The innovative lighting is perhaps no surprise given that Flos served as the project’s lighting consultant and the design nous doesn’t end there.

这在415个房间的酒店大厅里最明显。在那里，一天中变化颜色的巨大太阳占据了舞台的中心，这个空间以翠绿、蓝宝石和芥末黄色的和谐色调出现。创新的照明也许是不足为奇的，因为Flos作为项目的照明顾问，而设计理性并没有就此结束。

In Café Norge, a room marked by an iconic wooden staircase that rises up to a mezzanine, inherited from the space’s previous life as the lobby, Nordic design is visible at every turn. Seating by Muuto, tables by Hay and ottomans by Normann Copenhagen fly the flag, whist pendant lighting by Lee Broom and rugs by Van Besouw introduce international flair.

在卡佛诺格，一个由标志性的木梯标志着的房间，从空间的前一生活中继承下来，从空间中继承下来，作为大厅，北欧的设计在每一个转弯都是可见的。由Muguto、Hay和Ottman的桌子坐着NormannCopenhagen的座位，悬挂着国旗，由李扫帚和VanBesouw的地毯照明的地毯引入了国际上的天赋。

Guestrooms are on a similar wave, each one an inviting hub of oak, brass and flashes of colour, all lit by Flos-designed hanging lamps. There’s no better place to escape the city’s bitter winter climes.§

客房是在一个类似的波浪，每一个都是诱人的枢纽橡木，黄铜和闪烁的颜色，所有照明都由Flos设计的吊灯。没有比这更好的地方来逃避城市恶劣的冬季气候了。