When you think of Parisian apartments, more often than not, it’s the 19th-century Haussmannian version that comes to mind. Blessed with high ceilings, ornate plaster mouldings, uniform floor-length windows and polished marble fireplaces, these apartments are the epitome of Parisian elegance, especially when they have been renovated to reflect a contemporary sense of subdued sophistication, as we have frequently featured at Yatzer like here and here. With that being said, it’s always refreshing to come across a Parisian residence like Maison Sémonville that defies both the perfection of the Haussmannian typology and the interior design sensibility of less is more. Such is the case with Maison Sémonville, a 17th century “hôtel particulier” built at the beginning of the reign of Louis XIV, eclectically refurbished by interior design practice CM Studio Paris in celebration of the building’s architectural heritage and the life of its original occupant, Charles Louis Huguet, the marquis de Sémonville.

当你想到巴黎的公寓时，更经常的不是，它是19世纪的豪森曼尼版本。这些公寓是巴黎优雅的缩影，特别是当他们被翻新以反映出当代的柔和精致感的时候，正如我们在这里和这里经常表现的那样，这些公寓都是巴黎优雅的缩影。有了这样的说法，它总是让人耳目一新，就像MaisonS.Monville这样的巴黎住宅，这既使haussmanian类型学的完善又不完善，室内设计的敏感性也就更小了。这就是在路易十四统治之初建造的17世纪“HENGTELparticier”的MaisonS.Monville，由室内设计实践CMStudioParis在庆祝建筑遗产和其原始乘坐者的生活，查尔斯·路易斯·胡古特(CharlesLouisHuguet)，侯爵·莫维尔(MarquisdeS.Monville)的生活中。

Photo by Francis Amiand.

FrancisAminand的照片

Photo by Francis Amiand.

FrancisAminand的照片

Photo by Francis Amiand.

FrancisAminand的照片

Photo by Francis Amiand.

FrancisAminand的照片

Photo by Francis Amiand.

FrancisAminand的照片

Founded by John Coury and Florent Maillard who share a passion for architecture, history and antiques, CM Studio Paris is drawn to projects involving historic buildings, creating interior designs in perfect harmony with their architectural heritage. In the case of this project, more than anything, the duo were inspired by the life of the eponymous marquis de Sémonville, Charles-Louis Huguet de Montaran, specifically his tenure as France’s ambassador to the Ottoman Empire. Also drawing from the baroque heritage of the centuries-old mansion, they have completely redesigned and restructured the building’s interior and yet ingeniously the rooms appear as if they have always been like this. Suspended in time, the antique-filled, richly layered interiors espouse an eclectic aesthetic that not so much rejects modernity but seems unaware of its existence.

由约翰·库利和弗洛伦特·梅拉德共同热爱建筑、历史和古董的约翰·库利和弗洛伦特·梅拉德创建的巴黎CM工作室吸引了涉及历史建筑的项目，与他们的建筑遗产完美地和谐地创造了室内设计。在这个项目中，最重要的是，这两人的灵感来自同名的蒙维尔侯爵查尔斯·路易斯·胡盖特·德蒙塔兰的生活，特别是他担任法国驻奥斯曼帝国大使的任期。他们还借鉴了巴洛克式的古老豪宅遗产，彻底重新设计和重组了建筑的内部结构，但这些房间看起来却很巧妙，就好像它们一直都是这样。悬挂在时间里，古色古香，层次分明的内部赞成折中的美学，不那么多拒绝现代，但似乎没有意识到它的存在。

Photo by Francis Amiand.

FrancisAminand的照片

Photo by Francis Amiand.

FrancisAminand的照片

Photo by Francis Amiand.

FrancisAminand的照片

Photo by Francis Amiand.

FrancisAminand的照片

Photo by Francis Amiand.

FrancisAminand的照片

Photo by Francis Amiand.

FrancisAminand的照片

Photo by Francis Amiand.

FrancisAminand的照片

Located on rue Quincampoix, a narrow, ancient street in the centre of Paris, one of the oldest in the city, what the mansion lacks in exterior views of Haussmannian, tree-lined boulevards, it has gained in a richly curated interior décor that combines a trove of precious antiques and ancient objects dating from the 16th, 17th and 18th centuries with an eclectic selection of contemporary artworks. Every piece of furniture, artwork and all decorative objects have been thoughtfully selected and positioned in relation to each room’s historical character with heritage features such as Versailles style parquet flooring, decorative screens and panelled doors setting the tone. Undoubtedly, the most impressive space is the double-height drawing room which features massive, timber roof beams with hand-carved ornamentations, a monumental stone fireplace inscribed with Old French words, and a beautifully shaped, wooden balustrade on the mezzanine level. Rather than being humbled by the imposing architecture, the designers have approached the interior design of the space with the same kind of maximalist sensibility by introducing, among other things, two large, imposing paintings by Italian Renaissance painter Andrea Vicentino. The paintings not only enliven the room with vibrant colours, echoed by the sumptuously upholstered sofas, armchairs and ottomans, but they also subtly conjure the presence of the marquis de Sémonville by depicting the meeting of Ottoman and Venetian ambassadors.

位于巴黎市中心的一条狭窄的古街昆坎波瓦街(Rue Quincampoix)，是巴黎最古老的街道之一，豪斯曼尼亚林立的林荫大道的外部景观正是这座豪宅所缺乏的，它在一处精心策划的室内装饰中获得了收获，它将16、17和18世纪的珍贵古董和古物与各种当代艺术品结合在一起。每件家具、艺术品和所有装饰物品都经过深思熟虑的挑选，并根据每个房间的历史特征进行了定位，这些特色包括凡尔赛风格的地板、装饰性屏风和镶有镶板的门。毫无疑问，最令人印象深刻的空间是双高的客厅，其中有巨大的木屋顶梁和手工雕刻的装饰物，一个刻有古老法语单词的巨大石头壁炉，以及阁楼水平上一个形状优美的木制栏杆。设计师们没有被雄伟的建筑所折服，而是以同样的极大主义情感对待空间的室内设计，其中包括介绍意大利文艺复兴时期画家安德里亚·维森蒂诺(Andrea Vicentino)的两幅宏大而壮丽的绘画。这些画不仅以鲜艳的色彩活跃了整个房间，还附和了华丽的软垫沙发、扶手椅和脚凳，还通过描绘奥斯曼和威尼斯人大使的会面，巧妙地让人联想到了蒙维尔侯爵(Marquis de Sémonville)的出现。

Photo by Francis Amiand.

FrancisAminand的照片

Photo by Francis Amiand.

FrancisAminand的照片

Photo by Francis Amiand.

FrancisAminand的照片

Photo by Francis Amiand.

FrancisAminand的照片

Photo by Francis Amiand.

FrancisAminand的照片

Photo by Francis Amiand.

FrancisAminand的照片

Photo by Francis Amiand.

FrancisAminand的照片

The marquis’ Oriental connection has also inspired the design of the master bathroom which draws from Ottoman architecture and has been embellished with royal red marble. Just as richly textured is the kitchen which is bedecked in black marble counters, timber cabinetry and a deep red wall paint. For the master bedroom, the designers have ventured away from oriental and baroque references for a more modern aesthetic in order to create a hypnotic, intimate boudoir atmosphere. Enfolded in powder pink walls, the room’s intimacy is enhanced by oriental rugs, Venetian mirrors, vividly coloured velvet fabrics and a seductive collection of contemporary photographs. The fact that such disparate elements constitute such a cohesive, harmonious ensemble tells you all you need to know about the enchanting brilliance of Maison Sémonville

MarquisOriental连接也激发了主浴室的设计，该浴室取自奥斯曼建筑，并装饰了皇家红色大理石。厨房的纹理也很丰富，厨房里有黑色大理石柜台、木柜和深红色墙漆。对于主卧室来说，设计师们已经远离了东方和巴洛克的参考，以更现代的美学，以创造一个催眠、亲密的建筑氛围。在粉粉的粉红色墙壁里，房间的亲密性得到了增强，东方地毯，威尼斯镜子，生动的彩色丝绒织物和一个有吸引力的当代照片。这种不同的元素构成了这样一个凝聚力、和谐的集合告诉你所有你需要了解的麦森塞蒙维尔的迷人的辉煌。

Photo by Francis Amiand.

FrancisAminand的照片

Photo by Francis Amiand.

FrancisAminand的照片

Photo by Francis Amiand.

FrancisAminand的照片

Photo by Francis Amiand.

FrancisAminand的照片

Photo by Francis Amiand.

FrancisAminand的照片

Photo by Francis Amiand.

FrancisAminand的照片

Photo by Francis Amiand.

FrancisAminand的照片

Photo by Francis Amiand.

FrancisAminand的照片

Photo by Francis Amiand.

FrancisAminand的照片

John Coury and Florent Maillard portrait. Photo by Francis Amiand.

约翰·库利和弗洛伦特·梅拉德肖像画。图片来源于Francis Amiand。

keywords:Design Interior Design 

关键词：设计室内设计