Dining Table and Corner Table, by Luca Cipelletti, from the XYZ Collection. Floor Lamp Mod. 1063, by Gino Sarfatti, for Arteluce. Photography: Omar Golli. Courtesy Giustini / Stagetti, Roma

Do not make a mistake and pigeonhole Luca Cipelletti. The Milan-based architect, designer and museologist’s prolific output just seems to grow exponentially each year. Recent commissions such as Milan’s Museum of Science and Technology, the Bitossi Museum-Archive and the forthcoming Museum of Contemporary Art in Rimini all involve the multifaceted working on a grand scale, but for his latest exhibition at Galleria Giustini / Stagetti in Rome, it’s all about the details.

不要犯一个错误，把LucaCipellei打错了。米兰的建筑师、设计师和馆学家的多产输出似乎每年呈指数增长。最近的委员会如米兰科技博物馆、Bitossi博物馆-档案馆和即将出版的当代艺术品博物馆都涉及到大规模的多方面工作，但在他最近在罗马的GalleriaGiustini/Stagetti展览中，这都是关于细节的。

‘The pieces are part of a design project focused on the perception of the angle and the deduction of material,’ explains Cipelletti of the project, which encompasses a series of razor sharp-edged tables, two-legged side consoles and desks. The collection, entitled XYZ, is the product of a rigorous year-and-a-half-long study Cipelletti conducted in his Milan studio, mastering the slimmest rendering possible for a wooden table. He landed on an internal structural tie that allowed him to manipulate the table’s dimensions so they appear almost 2D when viewed in person, which the designer describes as ‘the cancellation of the three spatial coordinates, XYZ.’

该项目的西佩莱蒂解释说：“这些作品是设计项目的一部分，重点是对角度的感知和对材料的演绎。”该项目包括一系列锋利的桌子、两条腿的侧操纵台和桌子。这套名为xyz的藏品是齐佩莱蒂在米兰工作室进行的为期一年半的严格研究的产物，他掌握了木桌最纤细的绘制方法。他在一条内部结构领带上着陆，这样他就可以操纵桌子的尺寸，因此当他亲自观看时，它们几乎是二维的，设计师称这是“三个空间坐标(XYZ)的取消”。

Corner Table, by Luca Cipelletti, from the XYZ Collection. Photography: Henrik Blomqvist. Courtesy Giustini / Stagetti, Roma

角桌，卢卡齐佩莱蒂，从XYZ收藏。摄影：亨里克·布隆奎斯特。礼节：朱斯蒂尼/斯塔吉蒂，罗马

‘The structural system, internal and invisible, is built on the three axes of physical space to achieve the minimum thickness and weight of the material,’ Cipelletti describes of the process that went into creating the new joints. ‘This unique design of [the] metal three-way internal structure is able to support table surfaces up to 350 centimetres in length. This work on the structure makes the material look like blades, showing the spatial concept of the project: the meeting of the three axes – XYZ – in one point.’

“结构系统，内部和无形，是建立在三个轴的物理空间，以实现最小的厚度和重量的材料，”齐佩莱蒂描述了创造新的接头的过程。这种独特的金属三向内部结构的设计能够支撑高达350厘米长的台面。这项关于结构的工作使材料看起来像刀片，显示了项目的空间概念：三个轴-XYZ-在一个点上相遇。

Console, by Luca Cipelletti, from the XYZ Collection, 2018. Wall Lamp Mod.190 by Vittoriano Viganò (1951) for Arteluce. Photography: Omar Golli. Courtesy Giustini / Stagetti, Roma

控制台，由LucaCipelletti，从XYZ收藏，2018年。墙灯模块190维托利亚诺维甘“(1951)为Arteluce。摄影：奥马尔·戈利。礼节：朱斯蒂尼/斯塔吉蒂，罗马

Originally launched at 2018’s Salone del Mobile and accompanied by an essay from design curator Maria Cristina Didero, this latest iteration at Galleria Giustini / Stagetti highlights the project’s infinite adaptability. ‘We decided to open the possibilities of the material as much as possible,’ explains Cipelletti when asked about material choice, ‘not to make a specific choice was actually a choice.’ Clients are able to customise pieces according to their own specifications. The structural organisation allows for multiple types of wood in any number of different sizes.

最初推出于2018年的Sonedel Mobile，并伴随着设计策展人MariaCristinDidero的一篇文章，这是GalleriaGiustini/Stagetti最近的一次迭代，突出了该项目的无限适应性。“我们决定尽可能多地打开材料的可能性，”当被问及材料选择时，齐佩莱蒂解释道，“不做出具体选择实际上是一个选择。”客户可以根据自己的规格定制产品。这种结构允许多种不同尺寸的木材。

The collection is shown alongside a series of lamps by Italian midcentury masters Gino Sarfatti, Vittoriano Viganò and Franco Albini, chosen by Cipelletti for their early influence on his design aesthetic. ‘All of them are my “maestro”,’ he explains of the curation, ‘they were working in a very special time in Italy for architecture, when the approach to the project was multidisciplinary with no boundaries between product design, architecture and urban design.’ §

这个系列由意大利中世纪大师吉诺·萨尔法蒂(Gino Sarfatti)、维托利亚诺·维甘·奥罗(Vittoriano Vigan可比)和弗朗哥·阿尔比尼(Franco Albini)共同制作，由齐佩莱蒂(Cipelle“他们都是我的”大师“，”他解释道，“他们是在意大利一个非常特殊的建筑时代工作的，当时这个项目是多学科的，没有产品设计、建筑和城市设计之间的界限。”